Green Bones

Green Bones isn't loud or flashy-but that's exactly what makes it unforgettable.

I'll be honest: I'm not the biggest fan of Filipino films. I often find them predictable or overly theatrical. But this one? Green Bones completely blindsided me. It's one of those rare films that doesn't beg for your attention-it earns it, quietly and powerfully.

The acting is, without exaggeration, stellar. Every performance feels grounded, raw, and deeply human. There's no unnecessary flair, no forced drama-just characters breathing through pain, memory, and unspoken grief. You don't just watch them-you feel them. It's the kind of ensemble that doesn't act for the camera; they exist within the world they've built.

What makes Green Bones truly stand out is its restraint. It doesn't spoon-feed the audience or wrap everything in neat conclusions. It leaves space-space to think, to ache, to reflect. There's poetry in its silences, and meaning in every frame. It trusts the viewer to connect the dots and feel the weight of the story in their own way.

For a film so understated, it delivers a gut punch that lingers long after the credits roll. This is not just an underrated Filipino movie-it's an overlooked gem in global cinema.

Green Bones deserves more eyes, more praise, and most of all, more conversations. I'm genuinely grateful I gave it a chance.

Maganda naman sya (technically). It is well-made, well-acted, well-written and very poetic. If may rule book for winning awards they followed it religiously.

But its not for me. It's a movie I'll likely forget after watching another 20 films. 390 worthy? Not sure, pra pwede ko na syang antayin sa netflix tuwing semana santa.

Ending felt rushed- after that conclusion scene, all the deep-rooted systemic problems seemed to disappear without proper resolution. The villains were taken out too conveniently, without meaningful encounters, domingo's built-up resentment toward Ruth's father felt wasted.

In 2023's Firefly, filmmaker Zig Dulay was recognized for his ability to craft an emotionally resonant narrative that deeply explores the themes of love, sacrifice, and connection across generations. The film follows a young orphan named Tonton and his band of adult friends as they search for the mystical "Island of Fireflies," with the film focusing on the bond that forms between them despite their age and differing life experiences. Dulay's storytelling shines through his delicate handling of personal growth and the healing power of human connection, using intimate moments and subtle character development to create a lasting emotional impact. His ability to draw out sincere, relatable emotions from his cast is a testament to his skill in evoking empathy and reflection from an otherwise straightforward story.

In this year's Green Bones, Dulay shifts his focus toward the complex themes of justice, morality, and redemption. Unlike the more intimate, generational exploration in Firefly, Green Bones is set in the tough, morally ambiguous world of a penal colony, where the characters are burdened by past actions while wrestling with the possibility of change. Whereas Firefly centers on the healing power of love and human connection, Green Bones explores the darker side of human nature, questioning whether someone who has done wrong can truly change. Dulay's approach in Green Bones is more tension-driven and suspenseful, deftly weaving together two points of view to highlight the internal and external struggles of his characters, showing a different side of his storytelling--one that grapples with broader moral dilemmas and the consequences of personal choices.

Green Bones is set in the penal colony of San Fabian, where the lives of two men, Gonzaga (Ruru Madrid) and Zamora (Dennis Trillo), intertwine under the weight of their pasts. Gonzaga, a police officer with a deep resentment toward criminals after witnessing the murder of his sister, is tasked with overseeing the inmates at the colony, including Zamora, a man convicted of killing his family. As Gonzaga grows suspicious of Zamora's good behavior, he sets out to uncover the truth, leading him into a moral quandary that forces him to confront his own beliefs about justice, redemption, and the possibility of change. The film is divided into three acts: the first follows Gonzaga's perspective as he investigates Zamora; the second shifts to Zamora's backstory, revealing his own struggles for redemption; and the third brings the two men together, forcing Gonzaga to question everything he thought he knew about the world of crime, punishment, and personal transformation.

At its core, Green Bones is a tale about morality and redemption. The film asks whether someone who starts out with a dark past, such as Zamora, can truly change for the better. Through Zamora's journey, the movie questions whether a person's actions can ever be forgiven, and if a second chance at redemption is ever truly deserved. The script by Ricky Lee and Anj Atienza challenges the idea that the black-and-white perception of good versus evil, suggesting that the path to justice is often not as straightforward as it appears.

On the other hand, Gonzaga's unyielding hatred for criminals, stemming from the tragic loss of his sister, stands as a stark contrast to Zamora's complex past. Dulay, Lee, and Atienza delve into the moral gray areas of the characters' lives--whether justice is truly served when it is guided by personal vendettas rather than objective truth. Is redemption a choice or a consequence of circumstance? Can the sins of the past be washed away, or will they forever stain a person's future? Ultimately, Green Bones offers a more nuanced understanding of redemption to challenge conventional definitions of justice and forgiveness.

All these profound explorations are fortunately aided by the performances of its leads. Trillo is especially noteworthy in characterizing the tortured Zamora, as he skillfully switches between being a menacing figure and a sympathetic character, depending on the perspective the film is presenting. This fluidity in his portrayal adds layers to the complexity of his character, making it easier for the audience to empathize with him despite how he is painted early on.

Dulay's direction is solid, with the pacing moving at a mostly steady rhythm that allows the tension to build and the (somewhat predictable) twists to reveal themselves without feeling rushed or dragged out. His skillful transitions between narrative arcs keep the story engaging, especially when revealing new perspectives with each shift in viewpoint. Ricky Lee's script, while occasionally melodramatic and heavy-handed, succeeds in being emotionally resonant, touching on universal themes of redemption and justice. The cherry on top is Neil Daza's cinematography that effectively enhances the film's themes, especially with its beautiful wide shots and use of negative space. These visuals not only highlight the isolation and internal struggles of the characters but also symbolize the emotional and moral distance between Gonzaga and Zamora. The careful framing of each scene reinforces the sense of confinement and the characters' battle with their pasts, providing a visual representation of their ongoing emotional journeys.

Green Bones is a poignant love letter to the complexities of justice, morality, and redemption. Through the contrasting perspectives of Gonzaga and Zamora, the film explores how personal experiences shape one's sense of right and wrong, and how these perceptions can be altered through deeper understanding and empathy. Ultimately, it serves as a reminder that everyone carries a story and that redemption, while not easily achieved, is always within the realm of possibility.

Directed by Zig Madamba Dulay, the film attempts to delve into complex themes such as morality, redemption, and systemic corruption. However, the narrative often feels disjointed, with pacing issues that disrupt the story's flow. Key plot points are either rushed or overly prolonged, leading to a lack of cohesive storytelling. While Dulay's previous work, Firefly, showcased his directorial prowess, Green Bones doesn't consistently reflect the same level of craftsmanship.

The film's ambition is evident, but the execution lacks the depth and precision necessary to leave a lasting impact. It serves as a reminder that a strong premise requires equally strong direction and character development to truly resonate with audiences.

This exceeded my expectation for Filipino films. No cringey attempted acting or lines, no slapsticks or whatsoever trying-to-be-funny scenes, no unnecessary crowded and sidekick cast because most of the time Filipino directors cast lgbt actors to carryout scenes as a comic relief... I'm done to all of that. Best thing and thankful that Green Bones doesn't have those stuff. It brings only the most necessary needed actors and story and it's simply wonderful as that because then it created the atmosphere of emptiness which was very useful to the film. It's a very poignant story to tell with those two actors aside from being real good actors, both also possess two different beautiful modulated voice to tell the contrast of CO Gonzaga and Dom Zamora's lives. The story arrangement is well-organized.

Cinematography - it brings out the best green scenery and landscapes. I love how the camera spanned (or I think they used camera drones) to capture from when Dom runs through open canal walls and also the ending camera shot from when CO Gonzaga standing under the tree all the way up, nice scenic spot. I've never seen such scenes in a long time from a Filipino film.

Musical Score and OST - The chant (whoo... hoo hoo) makes me shiver. Also when it played all the way in the ending (I don't wanna be spoiler) I didn't realize it was the full song. So the musical score are mostly part of it. At the almost end part of the movie I couldn't contain more so instead I cried it all the way. Who cares it is really sad. It makes you cry but at the same time it comforts you. Like typing this right now reminds me of it and gives me goosebumps. The song added the emotional drive to the film which makes it harder to move on. Very well-done emotional song I need to find the artist who sang it because it is such an important mood track and could be one of the best I heard so far.

One last thing - if there's anything I'm complaining about (but this is only small detail so I didn't count this to my rating lol) was the actress' hair who played Gonzaga's lover or some thing. LIke come on production guys could you bring up nice decent wig next time please... is it that even expensive in the Philippines? Overall I rated this film 10/10.