Alléluia

Like the titles says the movie is the Belgian version of Ripstein's Profundo carmesí (Deep red) with more or less minor differences. Still worth watching but nothing extraordinarily original if you have watched Ripstein's bizarre and grotesque 1996 movie.

Fabrice du Welz's film 'Alleluia' could be described as a hybrid true-story/horror/comedy film, and you don't get many of those. A lonely woman hooks up with a con-man: in theory, they'll make their fortune together, but his business is the seduction of his victims (indeed, that was how he met his partner) but she is pathologically jealous of each of their supposed marks. Cue some brutal scenes, and some quite imaginative, effective and genuinely portrayals of what it is like both inside and outside of her head. As for him, he shrugs his shoulders each time a con-trick ends in an unwanted early bloodbath, and moves onto the next target. It's clever, but the protagonists are so crazed, and so devoid of anything resembling a conventional moral compass, that it's hard to feel too sympathetic or involved. But the disastrous duo are at least fresh on our screens, like Bonnie and Clyde in the hall of mirrors.

This is yet another remake of the Honeymoon Killers. It is very loosely based on the infamous Martha Beck and Raymond Fernandez lonely hearts murderers. The real life killers would answer ads and Ray would seduce widows with Beck posing as his sister. They would take the money and run after killing the old ladies. This Belgian version changes the tale dramatically with the pair seducing younger women. The acting is good but I was not thrilled with the story line. I recommend The Honeymoon Killers as a much better movie. Tony Lobianco and Shirley Stoler are perfectly cast as the murderous pair.

Inspired by a real couple, this rather ghastly horror depicts the lives of "Michel" (Laurent Lucas) and "Gloria" (Lola Dueñas). Initially they just hookup for some unbridled passion. Now he has an habit of imitating the Black Widow spider when he's done, but she manages to convince him that she would make for a far better procurement assistant. What now ensues are an increasingly graphic and outlandish series of crimes as a selection of vulnerable women fall prey to their antics. What nobody quite plans for, though, is that jealousy is going to rear it's ugly head. She is falling in love, he is not. A clash is looming, and a bloody and violent one at that. It starts off strongly this, with a degree of palpable menace that is intriguing to watch. Sadly, though, neither the acting nor the writing can sustain the sense of threat and the scenarios become a little too predictable, melodramatic even. By the last twenty minutes, the hysteria begins to grate and I sort of lost interest. At times there is some potently grim humour, and do keep an eye on the superior performance from Héléna Noguerra as "Solange" but otherwise, this is all just a bit underwhelming.

Not really lost, but sort of found. That is what you may think of the two main characters. And while the dynamic seems to swing one way at first, it becomes clear that there is something deeper and more Animalistic going on too. Something that is impossible to stop. Americans call something "a glutton for punishment". You could say that for one of the main characters, though he's not always on the receiving end of that punishment. Also how can you stop the unstoppable? It seems to be impossible.

Whatever the case, our "heroes" are far out, to use another phrase. You might not be able to connect (actually if you do connect 100% you might wanna check yourself), but it might also be impossible to let go. To not watch this to the end. Unless you have a problem with violence and nudity in movies that is of course. Because there is plenty of that going (literally) around here. There is a message hidden in between all that mayhem though