Drop - Ameaça Anônima

Drop was one of the most unexpected Thriller movies watching in 2025. Drop is a thriller movie about a single mother getting threatened by a killer. To start off the premise is pretty stupid but funny. The plot is very simple but very generic. For a low budget of 11m$ the visuals of the movie are immaculate. The directing is one of the biggest positives, Christopher Landon did a good job into making us guess the person threatening the main character.

One of my negatives is that critically the movie is not great. The characters are bland and generic with no character development. The dialogue is kinda awful. In the 2/3 act it got pretty boring and kind of ruined the point of the movie.

In conclusion I give it a 6.4/10, its fun but mediocre.

Another movie that starts off interesting/intriguing and it was keeping me engaged. The premise although maybe slightly far fetched wasnt stretching boundaries to the point of breaking my immersion so it was going ok....

The about half hour from the end after she finds out who has been tormenting her, the film just descends into absurdity. The final scenes are cliché after cliché, nonsense on top of nonsense. It seems writers really have trouble with endings, I would compare this movie with Trap, it started off with an interesting enough idea but then it's as if the writer couldn't decide how to end it so just went with a mish mash of ridiculous events.

Come on Hollywood, just think about things a little more.

Although admittedly fairly forgettable, 'Drop (2025)' is a really solid thriller that benefits from a lack of self-awareness and a stylistic execution. Set mostly in a single location, the narrative mixes the anxiety of a first date with the horror of a hostage situation (the former can often feel like the latter, am I right?). Having the lead character be a survivor of domestic abuse adds another layer of cruelty to the lack of control she has over her situation, while also allowing for catharsis if she's able to work through her trauma and emerge victorious. The theme is dealt with gently but directly, never feeling exploitative because it ultimately seems like an attempt at healing rather than a cheap way to increase the suspense of the central situation. Said situation is undeniably silly, but the film treats it with enough sincerity that you don't feel strange about doing the same. It has comedic moments, some of which are genuinely funny, but its humour never undercuts its narrative. It never feels embarrassed of itself, never feels the need to crack wise to let us know it knows it's actually rather absurd. It remains tense and engaging for its relatively brisk duration, even if it does feel like it spins its wheels a bit in its midsection. Christopher Landon directs the heck out of it, playing with focus and lighting to convey stress and hopelessness, using controlled but chaotic camerawork to compound violence, and splashing text across the screen to make its virtual elements feel as real as everything else that threatens to tear its protagonist's world apart. Add to that a delightfully classic yet pulpy score from Bear McCreary, and you get an atmospheric and absorbing little thriller that keeps you hooked for its duration. Its characters are well-rounded, portrayed by charismatic actors who all understand the assignment, and its plot escalates in a satisfying way. It's tightly written, with a couple of crowd-pleasing one-liners and an escalating sense of suspense, and confidently crafted, with crisp cinematography and convincing set design. It isn't the sort of thing that sticks with you for too long, but it does exactly what it needs to and keeps you on the edge of your seat for its majority. It's an enjoyable experience that does quite a lot with quite a little. It's pretty darn good.

Bad day; first I sat through this tripe then I realised I was in agreement with a UK film critic. It really is poor, especially the first 75 minutes in which we're meant to feel tension but can't partly because the two main actors can't deliver any but also because the script is mediocre at best. There follows a better but not great 15-minutes when the pace is upped somewhat and the miscreant is identified, bringing some form of tension but sadly it descends into farce for the ending. Can't anyone in Hollywood shoot straight? Not that it matters because apparently a woman can be picked up one-handed by a guy with a knife on his shoulder. On the plus side, I enjoyed my nachos and sauces more than they enjoyed their meal.

We saw this as a Regal Monday Mystery Movie. So went in there not knowing what we were going to see. We were a little nervous once we found out the title as we do not typically like anything that is too stressful. But we stuck it out and we are glad we did.

I had seen Meghann Fahy in White Lotus and The Perfect Couple. I was not familiar with Brandon Sklenar but he was very likeable in this role.

The movie was fun, entertaining and suspenseful. It kept us guessing right up to the bad guy reveal.

Was it award winning material? No. But it was fun for a date night and we definitely are glad we stayed.