Sr. Sherlock Holmes

Greetings again from the darkness. Be honest … would you be excited to see a film if it were described as follows: "A grumpy 93 year old man struggles with his failing mind and deteriorating body as he tends to his beehives during retirement in a small coastal town". Chances are that synopsis would cause you to skip on to whatever else is showing at the theatre. However, a single revelation would likely change your mind … the elderly man is actually legendary detective Sherlock Holmes.

Ian McKellen stars and holds little back as he portrays the elderly Holmes trying to reconcile the past, the present and his failing health. And yes, there is one last case to solve … only it's the last case he actually solved 35 years earlier. Sadly, Holmes can't recall how that case ended, and the fictionalized version written by his friend John Watson offers no resolution.

We first see Holmes as he returns from an international trip – a trip that seems a bit out of place with the rest of the movie; at least until it circles back near the end of the film. In fact, we get quite a bit of back and forth between the present and past, and McKellen pulls off both the elder and much younger Holmes … though his performance as the faltering, frail one-time genius is Oscar caliber.

Laura Linney plays his housekeeper, but it's her son Roger (Milo Parker) who jells with Holmes and re-kindles that twinkle in the eye. The scenes with Roger and Holmes provide poignancy and humor, and also the dose of reality so necessary to a film focusing on a living legend.

Bill Condon (Dreamgirls, Gods and Monsters) directs the film, which is based on the novel "A Slight Trick of the Mind" by Mitch Cullin, and pretty quickly pulls the rug out from under us on the iconic deerstalker cap and the ever-present pipe. Still, only the staunchest, least-flexible fans of Sir Arthur Conan Doyle's character will be turned off by this mostly gentle and insightful look at aging – and a reminder that even fictional geniuses grow old.

Baker Street makes an appearance, as does the charred and blackened Hiroshima site, and a blurry Dr. Watson. Don't expect the frantic pace of Robert Downey, Jr or the elegant precision of Basil Rathbone and Benedict Cumberbatch. Instead, enjoy the subtle moments, the wry smiles and the valiant attempt to bring a mortal end to the seemingly immortal Great Detective … with a few clues tossed in for good fun.

No spoilers, I promise The first thing that struck me about this movie was how different it is to other adaptations of Sherlock Holmes. It is very far from Robert Downey Jr's interpretation, which I thought was very good. It is so similar to Conan Doyle's books (even with Watson's romanticised twists on things) that I would advise fans of the BBC's Sherlock to steer clear, as it is a very different Holmes to the one they love.

I would recommend this for a 10+ age group, as anyone younger may not understand the complex messages that are being conveyed - they also might find two scenes in particular too frightening.

Ian McKellen is an outstanding actor, and this performance shows it. He is engaging throughout the entire run time and provides us with some very touching moments that leave us thinking long and hard. The story is very intriguing, and the ending very satisfying, even if it is a little heart-breaking.

I conclusion, I suggest you go and see this film if you are a fan of the Sherlock Holmes stories by Sir Arthur Conan Doyle

Ian McKellen plays Sherlock Holmes as a 60 yo and a 93 yo. Both are excellent as without layers of makeup he gets the physicality of both roles perfect.

This movie is all about Ian McKellen and his acting ability... and it is a masterclass. Laura Linney is fine in this very small cast, though I question whether she was right for the role. Too upright and groomed for a middle aged war widow. Not her fault, but she was meant to be the foil for the son who is bright and full of potential and she is offering to bring him to Portsmouth to follow in her footsteps.

Beautifully shot, lots of external shots and small cast show off the small budget But the acting is superb. Definitely bound to be a favourite in the boutique cinema.

This BBC film has an aged Sherlock Holmes, in failing health, living in retirement in the country, and trying to remember his last case.

Shakespearian thespian and British Knight, Sir Ian McKellen, plays well, and convincingly, the eponymous detective, both in his later years, and in flashbacks to his last case. The veteran actor had to prepare for the role by learning bee-keeping.

Mr. Holmes lives with a house-keeper and her son. New Yorker Laura Linney plays the house-keeper, fitting in well with the British thespians, and easily, and believably, conveys the circumstances of her character's situation as she interacts with both Mr. Holmes and her son.

The son is played by Milo Parker. His performance is just so breathtakingly superb that it is difficult to sum this up in words. Truly astonishing! Truly great!

Hattie Morahan shows great emotion in her small role, whilst Frances de la Tour's foreigner-role is so brief, but so good! There is a foreign element to the plot, apart from Miss de la Tour that is, that seems superfluous, however it turns out to be a nice sub-plot. The period-detail throughout the film is very good. Sadly, the film is marred by bad lighting and also blurry camera shots as the camera moves. This detracts, and distracts, but not greatly.

Despite it's UK rating of PG, this is not a film for children, but rather is more suitable for adults. There are moving and poignant scenes, and the film deals with matters of life and death. It is also necessarily slow, as the subject matter is the great detective in the Autumn of his years. 8/10.

What an awesome twist to a classic character. Very low burning to start and gradually boils to a blistering finale. I bet NOBODY sees the twist and if they do they are probably being untruthful. Brilliantly acted by the cast, including young Milo,who should become a regular screen presence( Let's hope he doesn't end up in a franchise mess).Beautifully filmed with little or possibly no over the top CGI,this should satisfy any serious movie fan. The use of close-up and panoramic camera work takes us right into the story and each character tells there own story to us. There were moments when I thought the plot was thinning but during the last 15 minutes all became clear.This movie shows us that any decisions we make can come back to haunt us but also that we may be over guilt-tripping ourselves.Storytelling at it's British best. This could not be made anywhere else in the world.At a time when the cinemas are full of so called "Blockbusters" this is a step to the side and proves that true art can be achieved without a clever computer programme.