Em Busca da Terra do Nunca

It's London 1903, J.M. Barrie's (Johnny Depp) latest play is a flop. On an idyllic day in the park, he befriends widower Sylvia Llewelyn Davies (Kate Winslet) and her four boys. The youngest being Peter (Freddie Highmore). Sylvia's mother Mrs. Emma du Maurier (Julie Christie) disapproves of her independence, and truly disapproves of her friendship with Barrie. JM's wife Mary (Radha Mitchell) isn't much happier. She'd hope to social climb upon Mrs. du Maurier's standings but in the end, she can't take being left out.

This is a wonderfully sweet movie. Sure a lot of it has been changed from the real history. That really doesn't matter in the least bit. I love the dog. I love the beds. I love all that stuff. It's great to see Johnny Depp in a more reserved role. He is more than wacky characters, and has wonderful chemistry with the kids. It's a gentle family movie for everyone.

I had heard that this was merely a "chick flick." Hey, my wife is the one who wanted to go see it. As it turned out, I went with three other guys, and we all loved it.

Some movies entertain; some teach; some open up new worlds. This movie opened up new worlds. With each passing scene, carefully woven from the previous ones, it was like crossing yet another threshold into another world. The story unfolded deeper and deeper with each new scene, each layer adding not to complexity (the story is rather simple), but to the depth. Depp and the others (esp. the young actor who played Peter) easily lead the audience deeper and deeper into the paths of authenticity, healing, love, friendship and the triumph of inner strength. The other characters, likewise, garnish the central story excellently.

The only flaw I saw is, I'm sure, a matter of taste and perspective; I felt the grandmother was simply too two-dimensional and not as believable as she should have been, though she, too, had some beautiful moments that truly added to the film.

Having much experience with divorce (being a divorce attorney) I found the unfortunate relationship between Depp's character and his wife believable to a tee: two people deeply in love with each other yet more committed to personal pursuits than tending the difficult relationship we call marriage. Ironically, though Depp's character ultimately became the main caretaker of the four boys, by following the tender feelings of his heart, he allowed his marriage to evaporate by not following the other tender feelings of his heart.

Nearly perfect. I give it a 9 out of 10.

I don't know how good this movie is and I don't care because I loved it. It left me kind of numb. Moved, transported, enchanted. That's exactly how I want to feel when I get out of a movie. "Finding Neverland" gave it to me, in spades. Johnny Depp, hey Johnny you're the best we've got. I forgot that it was you two minutes into the movie, I only knew I loved that character. That in itself is part of the many miracles the movie has in store. Yours, is a performance of perfect beauty. Kate Winslet is quickly becoming my favourite actress. Julie Christie is, was and always will be my "Darling" but Freddie Highmore, you and your brothers gave me one the best evenings in a movie theatre I had in a long, long, time. My girlfriend just read my comment over my shoulder, her comment was very succinct: "You write like a woman" Okay, let's see if that's a good thing or a bad thing. Good night kids.

The real J.M. Barrie was influenced and inspired as a child in Scotland by the adventurous stories of Robert Louis Stevenson of pirates, Indians and kidnapped boys. As a young journalist in London in the peak years of the Gilded Age his vivid imagination took him from novels to stage-plays.

Barrie loved games and founded a cricket club with fellow writers Arthur Conan Doyle and P.G. Wodehouse. An old nugget describing his personality tells of his comments upon himself and others that often appeared in the newspapers. He once remarked to H.G. Wells, "It is all very well to be able to write books, but can you wiggle your ears?" It was in the very early years of the 20th Century, now 101 years ago and the same year that in the windy Outer Banks of North Carolina that the Wright Brothers took flight that Jamie Barrie's Peter Pan soared into the air on wires in the London stage.

Marc Forester's fascinating film biography adapted by David Magee from Allan Knee's play, "The Man Who Was Peter Pan," now comes to us in this delightful, moving account, 'Finding Neverland.' It presents historical reality between lushly imagined expeditions to a fictitious Neverland. It's performed impeccably by Johnny Depp as Sir James Mathew Barrie and an extraordinary cast under the able direction of Marc Forster.

This is the loveliest film of the year, highly recommended. Bring Kleenex for the final scenes and see how difficult it is to leave the theater and return to today.

FINDING NEVERLAND is that rare work of art that transcends the medium of film and becomes a spirit-altering experience. Strong accolades? Gush? Perhaps so, but squeeze time out of the clutter of life and the holidays to see this movie and be transported to a place that nurturingly reassures us that the cycle of life is indeed good. Find Neverland!Marc Forster ('Monster Ball') has created a lovingly tender look at the playwright JM Barrie (Johnny Depp) in 1903 when, down on his luck with theater flops, unfulfilled by a marriage of Victorian standards to a beautiful but aloof and social climbing wife Mary (Radha Mitchell), and with writer's block, he encounters the Llewellyn Davies family - a widow Sylvia (Kate Winslet) and her four boys, George (Nick Roud), Jack (Joe Prospero), Michael (Luke Spill) and Peter (Freddie Highmore) - playing blissfully in Kensington Gardens. Barrie is captivated, draws the boys to him with his patient and infectious enthusiasm for play, and bonds with this family, gaining the obvious seeds for his highest achievement or creation, PETER PAN.How these seeds grow, despite the soft, yet supportive, growling of his producer Charles Frohman (Dustin Hoffman) and the not so soft interference of Sylvia's wealthy haughty mother Madame du Maurier (Julie Christie), form the storyline of this film. The magic comes from the skill of the writers (Alan Knee and David Magee) and director, the cinematographer (never has Victorian London glowed with such elegant gaslight presence), and the musical score by Jan Kaczmarek. Cameo roles are treated with tremendous respect: Eileen Essel as Mrs. Snow, Ian Hart as Sir Arthur Conan Doyle, Kelly MacDonald as the first Peter Pan, etc all are brief but fully realized and poignant. Given this support it is obvious that the talents of the lead performers will shine, and they glow they do with such understated performances that make the simple story of the sanctity of the inner child so cogent that there is not a dry eye in the house during the thankfully long credits. Johnny Depp continues to prove that he is one of the finest actors on the screen today: his Barrie has a flawless Scottish accent and a manner of movement and facial expressions that make him a gentle hero. Kate Winslet, never more beautiful, likewise embodies Sylvia with exactly the right amount of perk and pathos, and as her mother, Julie Christie is strikingly beautiful and unfailingly solid in a role less than loving. The boys are artfully recreated, never absurdly over the top, always very close to the bridge that crosses the craggy canyon between childhood and adulthood. Growing up has never been better portrayed - by all of the characters!In a time when too often films that address magic and imagination rely on computer effects to create creatures that are comic book absurd, FINDING NEVERLAND relies on simply showing the stage mechanics of the play, suspending wires and all, even in the climax of the story when Barrie brings his successful play to the living room of the ill Sylvia in order to keep his promise to her to take her to Neverland. No gimmicks here, just solid stagecraft very much in keeping with the inherent magic of Barrie's enduring play. This is a brilliant cinematic accomplishment - a feast for the eyes, the ears, the brain, and the soul. Please don't miss it! Grady Harp, November 2004