Sablja

So far, I have mixed feelings.

The production is excellent. The opening credits are impactful, and both the music and cinematography are high quality. Thriller elements are well-executed, intense and keep you engaged.

However, the story lacks courage and a critical edge, like it's been smoothed over to avoid bothering anyone.

I'm disappointed with how Vladimir Beba Popovic was portrayed. Some key figures as well as some of today's prominent politicians aren't even mentioned (yet) and their absence is noticeable.

The "Zemun clan" members aren't well introduced, so unless viewers are underworld experts, it's unclear who's who among the many characters. It's a bit confusing!

There are too many characters who show up briefly, don't get enough development, and then disappear completely. I think the story is too complex and needs more episodes.

Milica Gojkovic and Lazar Tasic deliver outstanding performances. Their acting is refreshingly authentic and deeply sincere. Dubravka Kovjanic is superb! This might be one of her career highlights. Ljubomir Bandovic is simply outstanding. Fedja Stukan is excellent. And yes, he is very handsome! Andjelika Simic is mesmerizing in her miniature and I hope to see more of her.

4 stars are for actor casting selection, acting and production of this drama. Good job on that, everithing else is way off of how it actually happend!

I found everything else as misleading for this history event with not enough information. If there where used only a few information and evidences from autopsies of the victims - this scenario would be a lot more close to the truth with much bigger drama and action impact which would be beneficial for the whole project.

Political background (domestic and foreign) at the time is covered poorly, evan though it was crutial for the assasination and later political path of Serbia.

Djindjic made actual patriotic stance from 2002 by forcing return of serbian troops to Kosovo, supporting Republika Srpska, not willing to support fake and selective international court in Hague by providing them military documentation from war - instead he insisted of indivitual responsibility for each war crime.

Prime minister (Djindjic) and his bodyguard (Veruovic) were shot with 2 different bullet calibers. Role of politician Jovanovic (who was a junkie and connected to the Zemun klan) is misrepresented at a big scale, except for one scene where he has been involved in decision making for catching Dusan Spasojevic.

Fake serbian patriots who are politically active evan today, were not thrilled to see Djindjic doing some actual work because they planned to monetize those topics for their own good not for the good of serbian people (which is cristal clear today in 2024). Also his stance was not aligned with plans of international political agenda's for the Balkans. If you check which companies outside of Serbia are supporting Sablja series - you will see who is controlling this whole process in the last 22 years. Fake patriots and international western politics agenda.

If the film crew wanted to present some truth to Serbian people benefit - they had to do some actual and extra work. They could start from the victim bodyguard Veruovic - but I am sure that wasn't allowed.

Despite having some masterful performances (Micanovic, Bandovic, Jasna Djuricic) and few fairly dramatic moments (even to those who've lived through the actual events of the show) - to show doesn't pack a punch is absolutely had to, and by the end of a very short series that feels rather rushed for the scope of the events it tries to portray - goes out with a whimper.

Not only do we have very basic 'get it over with' rendering of some of the most dramatic events in modern Serbian (even European) history and especially in the context of the show's title, but half way through the show we have considerably less believable and infinitely less dramatic fictional events taking over the show instead of actual, even fiction worthy stuff that indeed happened.

Fictional characters, amalgamated ones, were supposed the more relatable bridge into the often intertwined but largely foreign worlds of politics, organised crime, police and secret service etc. Instead, by episode 5 they become the whole focus of the story and actual events fall into the barely noticeable background.

To make things worse, out of three protagonists two are irredeemable and third is absolutely dislikable, insufferable even so watching their stories unfold seems like a chore, the most exciting one - the mafia kid, is the shortest out of three.

It came from the intent not to make universally despised mafia nor the politicians the protagonist of the show - an odd choice considering what the show is about, but it turned out to be bad idea and ended up completely moving the show away from the actual title operation 'Sabre' and into some random and generic fictional conspiracy involving equally fictitious and rather unremarkable characters.

In turn it turns a potent show into a generic mediocre crime drama that is never too bold or unpredictable. Simply put - not what we came here for.

Although there is clearly some 'artistic license' taken with certain historical facts around this assassination and the break-up of Yugoslavia, there was enough to make it worth watching. The acting is generally very good and the pace just right. Some characters were truly despicable and hard to digest, but unfortunately, there were, and are still, far too many of these goons still active. Seeing how secret militias and certain armed/criminal groups are able to control the ruling government and institutions is a warning that this is still going on and that similarities with certain current regimes are all too familiar. History does indeed repeat itself time and time again. A sad but true commentary on the state of politics and populations that accept this corrupt and despicable way of existing. Hard to watch at times but some important themes are presented. Solid series overall.

This series can be enjoyable if we are not familiar with or don't care much about the real events that took place in Serbia. However, it is disappointing to see that many important political figures who played a direct role in the atrocities depicted in the series are entirely absent. These individuals are still active in Serbian politics today, making their exclusion even more noticeable. This omission raises questions about whether political censorship continues to play a significant role in shaping how these events are portrayed. It feels like an attempt to avoid addressing certain uncomfortable truths about the past. It's unfortunate that such a strong influence seems to persist.