Adicionar um enredo no seu idiomaA USFS ranger investigates a social media influencer's death and unusual occurrences in his town, leading him to confront the possibility of Bigfoot's existence being tied to these events.A USFS ranger investigates a social media influencer's death and unusual occurrences in his town, leading him to confront the possibility of Bigfoot's existence being tied to these events.A USFS ranger investigates a social media influencer's death and unusual occurrences in his town, leading him to confront the possibility of Bigfoot's existence being tied to these events.
- Direção
- Roteiristas
- Artistas
- Henry's Father
- (narração)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
The screenplay is sharp and engaging, filled with unexpected twists that keep you guessing. The film's unique approach-focusing on a social media influencer who becomes embroiled in a series of mysterious murders in the forest-brilliantly marries modern technology with classic horror elements. This fusion not only makes the narrative relatable but also enhances the tension as the influencer seeks to unravel the truth behind the disappearances.
Visually, Feet of Death is stunning. The set design captures the haunting beauty of the forest, creating an immersive atmosphere that perfectly complements the film's eerie undertones. Each scene is meticulously crafted, drawing viewers deeper into the unsettling world where legend and reality collide.
What truly elevates the film, however, is its character-driven plot. The well-developed characters are relatable and complex, each with their own motives and backstories. As their lives intertwine, the audience is pulled into their struggles, making the stakes feel all the more real. This blend of drama and horror is masterfully executed, ensuring that viewers are not just spectators but emotionally invested in the outcome.
Overall, Feet of Death is a standout horror film that offers a fresh perspective on the Bigfoot legend. With its clever writing, strong performances, and striking visuals, it's sure to satisfy fans of the genre while also appealing to those who appreciate a good mystery. Prepare for a wild ride that will leave you pondering the boundaries between myth and reality long after the credits roll.
I found a bit of exposition at the start and occasional dialogue to be a bit flat in parts but the Sheriff character's good and gruff nature seemed to fit well with the story and there were some standout dialogue scenes which made up for any weaker areas. There was some good aspects in the use of influencer video POV to mix things up a bit although jumping back and forth between present day and the influencer selfie videos gets a bit confusing along with the change in static camera views and YouTube style selfies.
As for Bigfoot in a furry costume - well what else would you use in a film..? A real Bigfoot? Of course it's a costume!! Besides Bigfoot is supposed to be a large biped. Not sure what some of the other reviews complained about here but it worked for me.
Overall the film was likeable, attention keeping and watchable and very well shot and set with good visually attractive scenes.
Nice joke. 'Bigfoot killing people sounds like a bad horror movie'
At first glance, this resembles the shot-on-cellphone glut of straight-to-streaming crap that's been flooding the market lately. It was made by a tiny cast and crew on a micro-budget, both the dialogue and acting are a little clunky in spots, and worst of all, it starts off seeming like yet another story about a YouTuber (which has become a whole subgenre of bad horror movies in the 2020s, but thankfully, the found-footage aspect here is fairly miniscule).
Beneath the modern conventions, however, it feels more like drive-in fare from the '70s. It's a character piece that's slow and talky, the humor (mostly provided by an older ranger named Al) is intentionally corny, and it sort of subverts expectations. Also, although this is technically a monster movie, the director opted to only show the Bigfoot in fleeting glimpses, which was probably wise.
I was in the right mindset to get invested in the story, and felt rewarded by the final act, which is where the movie really shines. Despite what others have claimed, I thought it was very well shot, edited, and scored. My one major problem was with the pacing, which could have been tightened up a bit.
People looking for a big-budget, thrill-a-minute flick filled with gore and prolific monsters need to look elsewhere for entertainment. But if you can overlook the various shortcomings, this is a solid little b-movie that's a cut above the other garbage that's coming out these days.
Anyone giving this garbage more than 1 star must be cast and crew trying to boost their own meagre investment (as evidenced by the downvotes, lol) because this is beyond terrible. I myself am only giving it one star because I can't give it zero.
If the incredibly dumb title alone doesn't tip you off to not bother with it, the low budget production value .and woeful acting should have you turning it off in less than 10 minutes.
Not one person can act. The dialogue is clunky, the delivery is full of long pauses and a palpable silence wherever they're trying to remember their lines, which is so obvious it shows. They didn't even try to edit out the awkwardness.
Você sabia?
- CuriosidadesThe caves were remote from the principal shooting locations, and on the day the footage was filmed, the power generator wouldn't start, so they had to use a power bank. Unfortunately, the energy was quickly depleted, so the director had to plug it into his truck and keep the engine running to provide a charge.
- Erros de gravaçãoTodas as entradas contêm spoilers
- Citações
Jennifer: I found human DNA on the lips of the victim... It came back as a Mary Moore. Saliva, and placed on the victim's lips, postmortem.
Jason Easterly: I guess she snuck in a kiss goodbye.
Ken Clark: That's not funny, that's nasty.
Jason Easterly: Yeah, it's probably criminal.
Ken Clark: Well, not technically, but doesn't mean it's right. That's between her and the good Lord.
- Cenas durante ou pós-créditosA brief scene follows the closing credits.
- ConexõesReferences A Família Buscapé (1962)
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Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idioma
- Locações de filme
- Cougar Washington, EUA(on location)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 15.000 (estimativa)
- Tempo de duração1 hora 46 minutos
- Cor