How Deep Is the Ocean

A quietly stunning film that blends human drama with striking visuals, creating a story that lingers well after the credits roll. What impressed me most about the film was its ability to explore deep emotional currents without ever feeling heavy-handed or melodramatic.

At the heart of the story is a compelling performance by the lead actress, who brings a remarkable depth and subtlety to her character.

The cinematography captures the rugged beauty of the coastal setting, mirroring the emotional journey of the characters. There's a strong use of natural light that gives the film a sense of realism, while the underwater sequences add a dreamlike quality that deepens its themes of connection and loss.

The pacing is deliberate but never sluggish, allowing the story to unfold organically. While it's not an action-packed film, there's an underlying tension that builds as secrets come to the surface, making it quietly gripping. I also appreciated the subtle use of sound design - the ocean is almost a character in itself, its presence felt even when it's not seen, which adds to the film's contemplative atmosphere.

Good depiction of Melbourne and what to expect if you're moving here with little in your pocket. Impro style works well and the space it creates draws you in to the story and the characters. Andrew Walsh makes a lot of films typically set in Melbourne, depicting raw characters and this is his first feature, which he has pulled off in great style. I'm sure this will open doors to more! The locations work well, the characters are strong and the actors portraying the characters are good choices. Some faces are familiar, having seen them in other productions and films. Music is very effective too!

A young woman, out of her element and in over her head, tries to find her way in a new city. Moving into a room in a house with a creepy drunk guy we watch her struggle to find a new job and adjust to her new living situation. As she struggles she tries to find love in all the wrong places and pays for her naive mistakes. In this raw and humorous film we see just how friendships can be formed in the strangest ways and coming of age can take a toll. Being that the film was improvised it's quite impressive. The characters are very realistic and natural. The camera work and picture is very well done and being shot in Australia it's an interesting watch.

As an Aussie, I watch a heck of a lot of Australian Indie films - and I thoroughly enjoyed this one!

Writer/Director Andrew Walsh's debut film 'How Deep is the Ocean' is a character study of a young 20-something, Eleanor, who arrives in Melbourne, Australia, trying to make a new life for herself. Over the course of the next year, we see her drift from job to job and dealing with low-life Aussie men.

There's nothing huge or momentous that takes place - it's a simple film about life, love, and simply getting by in this world. Interesting to note is that the film didn't have a full screenplay. The storyline was set, but the actors had to improvise dialogue. This results in a film that feels genuine, even if a little awkward at times.

Worth a look!

This quiet, contemplative film takes a bit to hit its stride, but once it does, it casts a spell. It benefits from having a beautiful actress in the lead who is likely destined for big things, Olivia Fildes as the mysterious, mercurial Eleanor. She is well matched by her new flat mate, the alcoholic, unstable but affable comedian, Roy, played by Cris Cochrane. Their seemingly improvisational scenes pull the viewer in with the rhythm of everyday life.

Much of the movie plays out in long, uninterrupted takes. It is a testament to the writing and performances that they, mostly, hold the audience's attention. One early exception is when Eleanor commits an act of rebellion at a dead-end job. It unspools in desultory fashion, a missed opportunity for a bigger payoff.

But at its best, this reminded me of Greta Gerwig/Noah Baumbach collabs like Frances Ha. Poignant observations about life from a young person's point of view in an uncaring world with fleeting moments of grace. The closing piano theme is a fitting and beautiful note to fade out on.