Identity
- 2025
- 2 h 37 min
Adicionar um enredo no seu idiomaA sketch artist and a cop work together to unravel the identity of an elusive killer using the descriptions of his face, etched into the memory of an eye-witness to the brutal crime.A sketch artist and a cop work together to unravel the identity of an elusive killer using the descriptions of his face, etched into the memory of an eye-witness to the brutal crime.A sketch artist and a cop work together to unravel the identity of an elusive killer using the descriptions of his face, etched into the memory of an eye-witness to the brutal crime.
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I'm starting to question the trustworthiness of IMDb ratings. I decided to watch the movie based on its high rating, and it turned out to be a letdown. The first half had some suspense, the story drifted off course and became utterly boring in the second half. From fake accents to cringe-worthy slow-motion scenes, it felt almost laughable. Random characters popped up without purpose, and the plane scenes were completely unnecessary. At nearly three hours long, the movie was a tedious slog. The story writing and editing were poor, and while the cinematography was decent, it couldn't save the experience. Don't be fooled by the IMDb rating, pretty sure these are bots.
A Gripping Start, A Confusing Descent:
The first half of this movie is undeniably gripping and engaging. It pulls you in with a compelling story and keeps you hooked with its suspenseful atmosphere. The pacing is excellent, and the characters are intriguing enough to hold your attention.
However, the second half takes a dramatic turn for the worse. In an apparent attempt to deliver unexpected twists and surprises, the writer seems to have derailed the narrative. The plot becomes increasingly convoluted and confusing, leaving the viewer feeling disoriented and ultimately unsatisfied.
While the initial promise of the film is undeniable, the second half unfortunately diminishes its overall impact. I'd recommend waiting for this semi-thriller to arrive on OTT platforms. The first half is definitely worth experiencing, but the second half might leave you feeling disappointed.
Overall: * Strengths: Gripping first half, engaging pacing, intriguing characters.
* Weaknesses: Confusing second half, convoluted plot, underwhelming twists.
* Recommendation: Wait for OTT release. Enjoy the first half, and be prepared for a potential letdown in the second.
However, the second half takes a dramatic turn for the worse. In an apparent attempt to deliver unexpected twists and surprises, the writer seems to have derailed the narrative. The plot becomes increasingly convoluted and confusing, leaving the viewer feeling disoriented and ultimately unsatisfied.
While the initial promise of the film is undeniable, the second half unfortunately diminishes its overall impact. I'd recommend waiting for this semi-thriller to arrive on OTT platforms. The first half is definitely worth experiencing, but the second half might leave you feeling disappointed.
Overall: * Strengths: Gripping first half, engaging pacing, intriguing characters.
* Weaknesses: Confusing second half, convoluted plot, underwhelming twists.
* Recommendation: Wait for OTT release. Enjoy the first half, and be prepared for a potential letdown in the second.
In many ways, Identity is technically superior to Forensic and boasts some interesting characters (like that of Tovino's and Trisha's). But the "hack" writing that somewhat derailed Akhil Paul & Anas Khan's previous venture is a major drawback here too. This is a film with several twists and turns, though none of them pack a serious punch. It's almost as if the writers knew this beforehand, so they've tried their best to salvage it in the making. As such, we're treated to some slick action blocks, both on land and in the air. Most of the exposition has a Wikipedia-reading feel to it, packed with a little too much info. Sure, it helps provide additional context, but do we really need SO MANY characters and subplots to get to the rather obvious conclusion?
The technical aspects are commendable - Yannick Ben and Phoenix Prabhu effectively crack the stunts, DoP Akhil George captures the leads and proceedings stunningly, and Jakes Bejoy delivers a killer score (though a bit reminiscent of Forensic). Visual effects are also largely decent (with the exception Aju Varghese's moustache). The screenplay could've gone in interesting directions, especially with respect to Trisha's character. But when the focus shifts to Tovino's Haran Shankar (sketch-artist-turned-whatever), the film starts faltering big time. I think the writer-director duo needs to ensure that their next screenplay is fat-free, unnecessary-characters-free, and most importantly, uses non-linearity only if it amps up the (actual) thrill quotient.
The technical aspects are commendable - Yannick Ben and Phoenix Prabhu effectively crack the stunts, DoP Akhil George captures the leads and proceedings stunningly, and Jakes Bejoy delivers a killer score (though a bit reminiscent of Forensic). Visual effects are also largely decent (with the exception Aju Varghese's moustache). The screenplay could've gone in interesting directions, especially with respect to Trisha's character. But when the focus shifts to Tovino's Haran Shankar (sketch-artist-turned-whatever), the film starts faltering big time. I think the writer-director duo needs to ensure that their next screenplay is fat-free, unnecessary-characters-free, and most importantly, uses non-linearity only if it amps up the (actual) thrill quotient.
Identity, directed by Akhil Paul and Anas Khan, is a crime investigation drama cum action thriller with a very solid first half, followed by an overstuffed yet engaging second half. The film excels in establishing a highly engaging case, although it occasionally resorts to spoon-feeding scientific jargon. In the second half, the tone shifts from
investigation to action, introducing new characters and plot points, which might feel slightly distracting. However, the action set pieces, especially the amazing car chase and the well-executed aviation thrill sequence, keep you hooked. While the twists and turns are intriguing, they could have been more impactful, and the emotional elements feel somewhat underwhelming. The climax includes certain commercial elements that seem out of place.
Tovino delivers another very good performance, with his body language adding uniqueness to his character. Trisha performs well, while Vinay Rai starts off good but later devolves into a clichéd character. Aju Varghese and Shammi Thilakan provide good support, and the rest of the cast does a decent job. Technically, the film is impressive. The camerawork and Bejoy's music complement the narrative effectively. The editing, with its use of jump cuts, might feel distracting at times The screenplay is smart and ensures every question is answered with minute details, while also addressing open points later. However, it feels very overstuffed at times. Overall, Identity is a good thriller that could have been even better if it had avoided being overly packed.
OVERALL - 7/10.
Tovino delivers another very good performance, with his body language adding uniqueness to his character. Trisha performs well, while Vinay Rai starts off good but later devolves into a clichéd character. Aju Varghese and Shammi Thilakan provide good support, and the rest of the cast does a decent job. Technically, the film is impressive. The camerawork and Bejoy's music complement the narrative effectively. The editing, with its use of jump cuts, might feel distracting at times The screenplay is smart and ensures every question is answered with minute details, while also addressing open points later. However, it feels very overstuffed at times. Overall, Identity is a good thriller that could have been even better if it had avoided being overly packed.
OVERALL - 7/10.
To start with, the movie is not a cheaply crafted entertainment: the team has done efforts to make it something that seems like a suspense thriller: unfortunately, the efforts have not succeeded. Wholistically speaking, it is a slow paced thriller that does not get into the audience to be connected with the characters, or to feel for them. Not even a single character leaves a sentimental impression on the audience while the cinema is over. There is little emotional content that can be felt and related.
The thriller part does not excite audience who have witnessed better movies. There is a whole load of stuff as thrilling packed, but without any effect.
The theme is somewhat new, however, not novel. There are many occasions where improbable surpasses reality, which fails to connect to the audience. There are so many questions unanswered for the audience, such as the identity of the protagonist himself. In a nutshell, it is cheap parody of a suspense thriller.
The thriller part does not excite audience who have witnessed better movies. There is a whole load of stuff as thrilling packed, but without any effect.
The theme is somewhat new, however, not novel. There are many occasions where improbable surpasses reality, which fails to connect to the audience. There are so many questions unanswered for the audience, such as the identity of the protagonist himself. In a nutshell, it is cheap parody of a suspense thriller.
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Detalhes
- Data de lançamento
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- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto mundial
- US$ 435.906
- Tempo de duração2 horas 37 minutos
- Cor
- Mixagem de som
- Proporção
- 2.76 : 1
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