Uma Noite no Museu 3: O Segredo da Tumba
Título original: Night at the Museum: Secret of the Tomb
Larry Daley e os seus heroicos amigos embarcam na maior aventura das suas vidas, ao viajarem para Londres para salvar a magia que, após o anoitecer, permite trazer à vida as peças expostas n... Ler tudoLarry Daley e os seus heroicos amigos embarcam na maior aventura das suas vidas, ao viajarem para Londres para salvar a magia que, após o anoitecer, permite trazer à vida as peças expostas no museu.Larry Daley e os seus heroicos amigos embarcam na maior aventura das suas vidas, ao viajarem para Londres para salvar a magia que, após o anoitecer, permite trazer à vida as peças expostas no museu.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 vitória e 5 indicações no total
Avaliações em destaque
Really enjoyed the first 'Night at the Museum'. Was less taken with the second, though that was more a mixed feelings sort film rather than a bad one. While not particularly well received, there was interest as to how the third 'Night at the Museum' film would fare and how the trilogy would end. Also the cast are too good to resist.
'Night at the Museum: Secret of the Tomb' to me didn't turn out to be terrible. Not great, or particularly good, but it is watchable enough and like the second film in being a mixed feelings sort of film. Where does it fare compared to the previous two films? It is for me the weakest of the three and indicative that the series had run its course. It does have enough to warrant a one-time watch, with the special effects and the cast being the best assets.
The special effects are all round terrific, elaborate without being overblown and it was clear a lot of effort went into them. The museum setting provides a good atmosphere and all the different historical and such settings and attention to detail are attractive and again a lot of effort went into them. The score is rousing and there are amusing moments as well as thrilling ones.
Ben Stiller makes the most out of his material and works hard to make it work. Dan Stevens is a quite exuberant addition as Lancelot, Ricky Gervais is fun and it was interesting seeing Rami Malek and Ben Kingsley together (Malek doesn't quite out-act Kingsley but more than holds his own). Dick Van Dyke and Mickey Rooney (in his final film) make nice small appearances, but other than Stevens the best performance comes from Robin Williams in a performance that's funny and somewhat moving. The monkey is also a scene stealer and just about avoids falling into distaste and the digs and references are quite nice.
However, the dialogue tends to be forced and too many of the jokes suffer from fatigue. Larry was written with much more enthusiasm before, he is not particularly interesting here, despite some well-intentioned if cloying father-son development, and he is made to act like too much of an idiot in other places. Owen Wilson and Steve Coogan try too hard and have been much funnier and better used elsewhere, while Rebel Wilson is just irritating. The direction is not as assured.
It's the story that comes off worst. It is very tired and predictable, and that is evident in lacklustre pacing and too many been there done that elements, including conflict that is too obvious too early. There is a sense of trying to do too much, hence why things feel muddled, and the characters are too many, some not always relevant. Structurally it feels cobbled together, while the final third is incredibly rushed and over-the-top and culminates in an ending where the sentimentality is too hard to stomach.
Concluding, watchable but also rather lacking. 5/10 Bethany Cox
'Night at the Museum: Secret of the Tomb' to me didn't turn out to be terrible. Not great, or particularly good, but it is watchable enough and like the second film in being a mixed feelings sort of film. Where does it fare compared to the previous two films? It is for me the weakest of the three and indicative that the series had run its course. It does have enough to warrant a one-time watch, with the special effects and the cast being the best assets.
The special effects are all round terrific, elaborate without being overblown and it was clear a lot of effort went into them. The museum setting provides a good atmosphere and all the different historical and such settings and attention to detail are attractive and again a lot of effort went into them. The score is rousing and there are amusing moments as well as thrilling ones.
Ben Stiller makes the most out of his material and works hard to make it work. Dan Stevens is a quite exuberant addition as Lancelot, Ricky Gervais is fun and it was interesting seeing Rami Malek and Ben Kingsley together (Malek doesn't quite out-act Kingsley but more than holds his own). Dick Van Dyke and Mickey Rooney (in his final film) make nice small appearances, but other than Stevens the best performance comes from Robin Williams in a performance that's funny and somewhat moving. The monkey is also a scene stealer and just about avoids falling into distaste and the digs and references are quite nice.
However, the dialogue tends to be forced and too many of the jokes suffer from fatigue. Larry was written with much more enthusiasm before, he is not particularly interesting here, despite some well-intentioned if cloying father-son development, and he is made to act like too much of an idiot in other places. Owen Wilson and Steve Coogan try too hard and have been much funnier and better used elsewhere, while Rebel Wilson is just irritating. The direction is not as assured.
It's the story that comes off worst. It is very tired and predictable, and that is evident in lacklustre pacing and too many been there done that elements, including conflict that is too obvious too early. There is a sense of trying to do too much, hence why things feel muddled, and the characters are too many, some not always relevant. Structurally it feels cobbled together, while the final third is incredibly rushed and over-the-top and culminates in an ending where the sentimentality is too hard to stomach.
Concluding, watchable but also rather lacking. 5/10 Bethany Cox
In spite of the absence of a number in the title, this is the third (and last?) film in a franchise that I have thoroughly enjoyed for providing inventive entertainment (imagine a fight sequence inside a MC Escher drawing). Each movie has been based in a museum I know well and this time we are in my home city of London at the wonderful British Museum which means that the Elgin Marbles and other artifacts come alive. At the heart of the franchise is Ben Stiller, a comic actor with deceptively understated style, and this time he gets to plays two very contrasting roles, particularly funny when his characters interact.
If there are weaknesses in this outing, they are that perhaps too many of the original characters are involved (meaning that screen time is spread rather thinly between them), there could have been more original museum characters (the main one is Dan Stevens as Sir Lancelot), and it would have been good to have more female roles (Australian Rebel Wilson as the BM security guard is effectively the only substantive one). And, of course, there is the sadness of seeing Robin Williams and Mickey Rooney in their last screen roles.
All that said, this is a worthy addition to a really fun franchise which has probably now run its course.
If there are weaknesses in this outing, they are that perhaps too many of the original characters are involved (meaning that screen time is spread rather thinly between them), there could have been more original museum characters (the main one is Dan Stevens as Sir Lancelot), and it would have been good to have more female roles (Australian Rebel Wilson as the BM security guard is effectively the only substantive one). And, of course, there is the sadness of seeing Robin Williams and Mickey Rooney in their last screen roles.
All that said, this is a worthy addition to a really fun franchise which has probably now run its course.
While viewing the film it is rather sad watching the final performance of Mickey Rooney who played Gus in the first film and robin Williams in one of his final film roles as Theodore Roosevelt who loons rather sad and not his usual energetic self but I think he manages to do a decent job in the role. In this installment, the tablet that keeps the exhibits alive at night is starting to lose its power and the only way to prevent the magic from disappearing is going to the British museum which would be able to restore the power of the tablet back to its glory, I will say while in some ways it closes one chapter being Larry daily but leaves the story to continue with another.
Another day, another sequel and this one is unfortunately another kids movie that shouldn't have seen the light of day. I'm not against sequels mind you, but in most kids series seldom is any sequel as good as the first installment. This is the case for this past weekend's release starring the ever wacky Ben Stiller and his posse of celebrities. Yes my friends we take another trip back to the museum, for another hopefully fun adventure amidst it's hallowed halls. So sit back and read a late review of another Night at the Museum, the Secret of the Tomb.
Likes: One thing I have always liked with this series is the selection of exhibits they choose to bring to life, and the integration of their personalities. This installment brings the magic early on, bringing back familiar faces like Teddy (Robin Williams), Jed (Owen Wilson), and Octavius (Steve Coogan) in all their comedic glory. Amidst a grand speech, cool CGI effects are put into effect to bring the constellations alive that shine in all their cool blue light before chaos arises. Once we get to the London museum, more exciting things come alive, in the form of another CGI fossil, a mythical snake demon made of metal, and the warrior with golden locks Lancelot (Dan Stevens). The effects are fluid, the designs beautiful, and when actually integrated into the movie, more on that later, you get the fun feeling you got in the first movie. Unfortunately most of these objects are background, aimlessly wandering around the scene while the big boys come out to play.
Outside of the special effects there are some fun pokes at human society's obsessions, especially at internet videos, pop culture, and of course ridiculous habits that celebrities have. Some of these jokes are well timed, often delivered in a manner that is quite funny. However, many of the jokes, as happens most of the time, lose their charm and the lack of any witty humor makes it pretty much just mindless rambling that kids will only enjoy. Oh sure it's cute, but Hollywood needs to learn that more isn't necessary funnier, in fact it's the opposite. However, audiences allow them to get away with it, so what is the use in complaining.
Now past funny, this Night at the Museum has another emotional side to it, helping to teach the moral lesson of moving on in the magical theatrical way. With the use of orchestrated symphony work, well angled camera shots, decent writing, and of course great acting, I'll admit I got that tingly feeling all over. No it's not gas, but those looking for a life lesson reminder will get it in this film, and a decent closing to the series I think. As for acting, well Stiller gets the most screen time on this one. The verdict, it's alright when he's not acting like a buffoon, and the man has some surprising agility and giant snake battle skills. Most of the time he is a bumbling idiot, but given enough time he can pull out some other feelings that we saw in Meet the Parents. As for Williams, may he rest in peace, the man gave one brilliant performance despite his character being diluted from its previous glory.
Dislikes: A lot in this category for this reviewer. It starts with the adventure, which in the third installment has been diluted to a rushed set of sequences, hastily edited together to get out in time for Christmas. A shame since the tale had promise of suspense, timing, and mystery that could have tied so many things together. Instead, the story lacked any depth, quickly revealing the secret without so much a trial, a challenge, or even an argument, it was just handed right to them and a rather lame story as well. In addition, a lot of the suspense was missing in this film, with only an irregular decay in the tablet's magic threatening our heroes. Speaking of which the cavalcade also lost their spunk, the strong willed character reduced to comedic boobs, some of which hardly utter a line, as Ben Stiller takes center stage. Such a shame indeed, but your kids will get a kick out of the simplistic journey, that is if they can sit in there seats which some chose not to.
Instead the adventure was put aside for comedy, or what passed for it in this movie. Yes there were a few zingers at first, but they quickly were lost to stupid rants of ridiculous arguing with his caveman doppleganger, stupid exchange of words with exhibits, and some rather awkward discussions with Rebel Wilson. Sure it happens once or twice I can handle it, but it just kept happening, even at the big, exciting climax, with the lame bad guy. Why can these films not realize the limits of tired jokes? I can't answer it either, but sadly it took away from the movie. Perhaps this comedy was the reason why the characters were also a shell of their former glory, and why they were pretty much background characters with the new exhibits. Even the normally cute dynamic between father and son was bad, Hollywood choosing to make the son another lame teenager like most movies do. Is it accurate? Probably, but in a movie with magical tablets you would think a little magic could spread to the humans as well.
I'm not going to lie, this movie failed me on many levels, and disappointed me for the grand conclusion. Still, it is a cute film that kids will handle, and still holds a little of the spark that got me into the series. Worth a trip to the theater? Not really, but if you wish to pay homage to a few of the stars I wouldn't blame you. My scores for this film are:
Adventure/Comedy/Family: 7.0 Movie Overall: 6.0
Likes: One thing I have always liked with this series is the selection of exhibits they choose to bring to life, and the integration of their personalities. This installment brings the magic early on, bringing back familiar faces like Teddy (Robin Williams), Jed (Owen Wilson), and Octavius (Steve Coogan) in all their comedic glory. Amidst a grand speech, cool CGI effects are put into effect to bring the constellations alive that shine in all their cool blue light before chaos arises. Once we get to the London museum, more exciting things come alive, in the form of another CGI fossil, a mythical snake demon made of metal, and the warrior with golden locks Lancelot (Dan Stevens). The effects are fluid, the designs beautiful, and when actually integrated into the movie, more on that later, you get the fun feeling you got in the first movie. Unfortunately most of these objects are background, aimlessly wandering around the scene while the big boys come out to play.
Outside of the special effects there are some fun pokes at human society's obsessions, especially at internet videos, pop culture, and of course ridiculous habits that celebrities have. Some of these jokes are well timed, often delivered in a manner that is quite funny. However, many of the jokes, as happens most of the time, lose their charm and the lack of any witty humor makes it pretty much just mindless rambling that kids will only enjoy. Oh sure it's cute, but Hollywood needs to learn that more isn't necessary funnier, in fact it's the opposite. However, audiences allow them to get away with it, so what is the use in complaining.
Now past funny, this Night at the Museum has another emotional side to it, helping to teach the moral lesson of moving on in the magical theatrical way. With the use of orchestrated symphony work, well angled camera shots, decent writing, and of course great acting, I'll admit I got that tingly feeling all over. No it's not gas, but those looking for a life lesson reminder will get it in this film, and a decent closing to the series I think. As for acting, well Stiller gets the most screen time on this one. The verdict, it's alright when he's not acting like a buffoon, and the man has some surprising agility and giant snake battle skills. Most of the time he is a bumbling idiot, but given enough time he can pull out some other feelings that we saw in Meet the Parents. As for Williams, may he rest in peace, the man gave one brilliant performance despite his character being diluted from its previous glory.
Dislikes: A lot in this category for this reviewer. It starts with the adventure, which in the third installment has been diluted to a rushed set of sequences, hastily edited together to get out in time for Christmas. A shame since the tale had promise of suspense, timing, and mystery that could have tied so many things together. Instead, the story lacked any depth, quickly revealing the secret without so much a trial, a challenge, or even an argument, it was just handed right to them and a rather lame story as well. In addition, a lot of the suspense was missing in this film, with only an irregular decay in the tablet's magic threatening our heroes. Speaking of which the cavalcade also lost their spunk, the strong willed character reduced to comedic boobs, some of which hardly utter a line, as Ben Stiller takes center stage. Such a shame indeed, but your kids will get a kick out of the simplistic journey, that is if they can sit in there seats which some chose not to.
Instead the adventure was put aside for comedy, or what passed for it in this movie. Yes there were a few zingers at first, but they quickly were lost to stupid rants of ridiculous arguing with his caveman doppleganger, stupid exchange of words with exhibits, and some rather awkward discussions with Rebel Wilson. Sure it happens once or twice I can handle it, but it just kept happening, even at the big, exciting climax, with the lame bad guy. Why can these films not realize the limits of tired jokes? I can't answer it either, but sadly it took away from the movie. Perhaps this comedy was the reason why the characters were also a shell of their former glory, and why they were pretty much background characters with the new exhibits. Even the normally cute dynamic between father and son was bad, Hollywood choosing to make the son another lame teenager like most movies do. Is it accurate? Probably, but in a movie with magical tablets you would think a little magic could spread to the humans as well.
I'm not going to lie, this movie failed me on many levels, and disappointed me for the grand conclusion. Still, it is a cute film that kids will handle, and still holds a little of the spark that got me into the series. Worth a trip to the theater? Not really, but if you wish to pay homage to a few of the stars I wouldn't blame you. My scores for this film are:
Adventure/Comedy/Family: 7.0 Movie Overall: 6.0
Night at the Museum: Secret of the Tomb is the third and final installment in the family comedy-adventure film franchise. Once again starring Ben Stiller as Larry Daley, the film follows Larry as he travels to London to save the magic that brings the museum exhibits to life. The film is known for its humor, heartwarming moments, and impressive visual effects.
One of the strengths of the film is its humor. The film features a mix of slapstick comedy, clever wordplay, and pop culture references that will keep viewers of all ages entertained. The humor is often absurd and over-the-top, but it never feels forced or out of place.
The film also features impressive visual effects, with the exhibits coming to life in even more spectacular ways than in the previous films. The attention to detail in bringing each exhibit to life is once again remarkable, adding to the overall entertainment value of the film.
But what sets Night at the Museum: Secret of the Tomb apart from the previous films is its emotional depth. The film explores themes of family, legacy, and letting go, making it more than just a silly adventure movie. The emotional payoff at the end of the film is satisfying and will leave viewers feeling uplifted.
The ensemble cast once again delivers great performances, with standout roles from Dan Stevens as Sir Lancelot and Rebel Wilson as Tilly. The characters are unique and memorable, adding to the overall entertainment value of the film.
Overall, Night at the Museum: Secret of the Tomb is a fitting conclusion to a fun franchise. Its humor, heartwarming moments, and impressive visual effects make it a standout in the world of family comedies. It's a great choice for families to watch together and a must-see for fans of the previous films.
One of the strengths of the film is its humor. The film features a mix of slapstick comedy, clever wordplay, and pop culture references that will keep viewers of all ages entertained. The humor is often absurd and over-the-top, but it never feels forced or out of place.
The film also features impressive visual effects, with the exhibits coming to life in even more spectacular ways than in the previous films. The attention to detail in bringing each exhibit to life is once again remarkable, adding to the overall entertainment value of the film.
But what sets Night at the Museum: Secret of the Tomb apart from the previous films is its emotional depth. The film explores themes of family, legacy, and letting go, making it more than just a silly adventure movie. The emotional payoff at the end of the film is satisfying and will leave viewers feeling uplifted.
The ensemble cast once again delivers great performances, with standout roles from Dan Stevens as Sir Lancelot and Rebel Wilson as Tilly. The characters are unique and memorable, adding to the overall entertainment value of the film.
Overall, Night at the Museum: Secret of the Tomb is a fitting conclusion to a fun franchise. Its humor, heartwarming moments, and impressive visual effects make it a standout in the world of family comedies. It's a great choice for families to watch together and a must-see for fans of the previous films.
Você sabia?
- CuriosidadesRobin Williams' final on-screen film appearance. His final film, Absolutamente Impossível (2015), would only feature his voice.
- Erros de gravaçãoAs the camera approaches Dexter and Larry from behind, as Larry says goodbye to Dexter, a third hand can be seen by Dexter, presumably, the trainer who is crouching below the table/alter.
- Citações
[Teddy's final words and the last lines spoken by Robin Williams on camera too]
Teddy Roosevelt: Smile, my boy. It's sunrise.
- Cenas durante ou pós-créditosInstead of the standard "fiction" disclaimer, it is stated that "All the events depicted in the film are fictional and not all objects and galleries featured reflect the British Museum's collection or building".
- Versões alternativasFreeform broadcasts speed up the film's audio at only 2%.
- Trilhas sonorasAlso Sprach Zarathustra
Written by Richard Strauss
Principais escolhas
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- How long is Night at the Museum: Secret of the Tomb?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Una noche en el museo 3: El secreto de la tumba
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 127.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 113.746.621
- Fim de semana de estreia nos EUA e Canadá
- US$ 17.100.520
- 21 de dez. de 2014
- Faturamento bruto mundial
- US$ 363.204.635
- Tempo de duração1 hora 38 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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