Uma Noite no Museu 2
Larry deixou de ser guarda-nocturno, mas ocasionalmente volta ao museu. Porém, o museu vai ser renovado e várias figuras vão ser substituídas e enviadas para o Instituto Smithsonian. Por iss... Ler tudoLarry deixou de ser guarda-nocturno, mas ocasionalmente volta ao museu. Porém, o museu vai ser renovado e várias figuras vão ser substituídas e enviadas para o Instituto Smithsonian. Por isso, decide socorrer os amigos em perigo.Larry deixou de ser guarda-nocturno, mas ocasionalmente volta ao museu. Porém, o museu vai ser renovado e várias figuras vão ser substituídas e enviadas para o Instituto Smithsonian. Por isso, decide socorrer os amigos em perigo.
- Prêmios
- 2 vitórias e 9 indicações no total
- Kahmunrah
- (narração)
- …
- Neanderthal #1
- (as Kerry Van Der Griend)
- Neanderthal #3
- (as Riccardo Dobran)
Avaliações em destaque
This sequel basically shifts the action to the Smithsonian Institute in Washington DC where we get more of the same "Jumanji"-type action - without much cerebral input into the plot. In fact, the whole second installment looks uninspired and uninspiring. We don't feel for the characters, not even Ben Stiller's Larry Daley as he tries stir up another frenzy among the animated exhibits. As a sequel, it is rather stale because it does not have a plot that is engaging enough for its stunts. The gags are mostly repetitive - like Kahmunrah's lisping, Amelia's 'ready-for-anything' attitude, etc. There is never a sense of danger in the proceedings - and Larry's presence in the story seems superfluous.
The action remains a comic book adventure - and the mandatory twist at the end merely helps to ease our way out of this juvenile treat.
Even though most film critics despised the original movie, the first Night at the Museum was actually one of my favorite films of that year. For me, the film worked on two levels. First, by waking the inner-child in all of us and making us feel the magic Ben Stiller's character Larry experiences once the exhibits in his museum come to life in all their glory in front of him. Second, by telling a very straight-out and heart warming coming of age story of a grown-up divorced man who has to take control of his life and get his act together (with the museum working more as a metaphor of sorts). I also related to the additional educational values the film had to offer, another theme I felt received a lesser emphasis in the sequel.
In the second installment of the Night of the Museum series, much of the initial magic is already lost from the get-go. We already know the artifacts come to life and how, and the general feeling of suspense is gone. To make things worse, the whole story feels convoluted and unreal. We're expected to believe that Larry has turned from a no-good night guard at the museum in the first film to this mega-successful businessman in the second installment during the course of only a few years (and after being a virtual nobody for the vast majority of his life). I mean come on, Hollywood - Where did the charming loser from the first film go so quickly? Stiller's Larry is hardly likable at the beginning, and once he learns that his lovable exhibits/friends are moving to the Smithsonian museum (after the Museum of Natural History closed for technological renovation) things start happening so fast, that his motives for leaving his comfortable job to help rescue his friends are left undeveloped and unconvincing.
The main course of this sequel is of course the special effects created by the two museum's re-animated exhibits, with the evil Egyptian Kamunrah (The Simpson's Hank Azaria) acting as the main villain who operates the evil Smithsonian exhibits who strive for world domination yadda yadda yadda. Some effects are cute (Al Capone's gangsters brought back to life in black and white, the heroes entering an old painting, the Lincoln memorial rising from his chair, amongst others) and some are once again undeveloped and underused. At times, it seems so much is happening on the screen, that you don't really know where to look or who to concentrate on. Many returning characters from the first film are outrageously underused (including Robin Williams' Teddy Roosevelt and Owen Wilson's Jedediah) and many comedians who are brought specifically for the film contribute blink-and-you-miss-it performances, including Ricky Gervais and Jonah Hill). The only true contribution for the film is the lovely Amy Adams (Enchanted), who portrays a fluffy re-animated Amelia Earhart who seems more lost than ever.
To sum things up, I'd say that Night at the Museum: Battle of the Smithsonian may have been cute at times, but it was mostly useless, as it really didn't add any significant notion to the elements presented in its predecessor. While that film felt like an instant classic to me, this one felt more like a quick money-grab with a lot of missed potential.
I walked into the theater not expecting to much, but when I left I was very happy with it. They handled every characters personality beautifully, and the inside jokes were hilarious. I don't want to give much away, but trust me, you'll laugh. It tackles many themes like, a house divided cannot stand, the way to happiness is doing what you love, don't dwell on the past, etc. For a family flick they handle this jumbled cast of characters with complex personalities amazingly. They threw away most of the characters from the first movie to make way for the newer characters, which I didn't like that much, but how many characters can you throw in a story to have it make sense?
This film is an amazing example of a movie made for kids and adults. Kids will enjoy the silly humor, and the monkey. While adults will laugh at the onslaught of in-jokes, and trust me, there's a lot.
All in all, this was a great movie, blew me away. The highlight for me was Hank Azaria, that lisp kills me every time.
The good: the effects were amazing! I loved all the animated characters (the moving paintings and how they could go inside them; the Einstein bobbleheads and the Jonas brother cupids, the black and white Al Capone, etc.). One of my favorite scenes was when they went inside the black and white painting. Another favorite was the little arguments between Larry and Brandon (Jonah Hill) and Larry and Kahmunrah (Hank Azaria). Probably the funniest scenes in the movie. By far the best character in the movie: Hank Azaria as Kahmunrah. And the lisp was just a genius touch. Another funny but rather unimportant character was Napoleon. I thought Ben Stiller and Amy Adams were cute together. But that's pretty much it. I wasn't impressed by Adams' performance. It was just so-so. I mean, when has she NOT played a bubbly character?
It just didn't seem as... magical compared to the first movie. I was pretty letdown because using the Smithsonian, the movie could have had a lot more potential.
Você sabia?
- CuriosidadesDirector Shawn Levy told a National Public Radio interviewer that once the Smithsonian Institution agreed to lend their name to the film, their curators were very helpful and willing to share information about the real-life characters represented in the movie, but Levy had more trouble with the intellectual property-holders for the fictional characters represented. For instance, in the Darth Vader cameo, a LucasFilm employee came on-set to observe the scene and tell the filmmakers what Vader would or wouldn't do.
- Erros de gravação(at around 8 mins) Dr. McPhee has no reason to allow Larry to stay in the museum after closing, as Larry is no longer a night guard. However, Dr. McPhee may feel indebted to Larry after the events of Uma Noite no Museu (2006), and decide to owe him this special favor from time to time.
- Citações
Kah Mun Rah: [Darth Vader holds his hand up with a pinching motion] What is that? What is that? What does it mean? I don't know... you've lost me. Is that your breathing? Because I can't hear myself think.
[pause]
Kah Mun Rah: Let me tell you kindly, just simplify. There's too much going on! You're not evil, you're asthmatic, and what's with the cape? Are we going to the opera? I don't think so. Goodbye!
[Darth Vader and Oscar the Grouch leave]
- Cenas durante ou pós-créditosThere is an extra scene during the credits where Sailor Joey Motorola is seen reverse-engineering Larry Daley's cell-phone. He says to his mother (off camera) "I think I'm on to something!"
- Versões alternativasAdditional humour was brought to the German version by the Albert Einstein dub by Jean Pütz, a famous science journalist and TV host.
- ConexõesFeatured in The 81st Annual Academy Awards (2009)
- Trilhas sonoras7th Cavalry Regiment
Traditional
Principais escolhas
Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Una noche en el museo 2
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 150.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 177.243.721
- Fim de semana de estreia nos EUA e Canadá
- US$ 54.173.286
- 24 de mai. de 2009
- Faturamento bruto mundial
- US$ 413.106.170
- Tempo de duração1 hora 45 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1