Scrublands

This Australian series open in a remote town in Victoria. We see Byron Swift, a priest, talking to his congregants outside his church. He goes inside, returns holding a rifle and shoots five men before being killed by the local policeman. One year later journalist Martin Scarsden heads to town; he has been tasked with writing a 'puff piece' about how the townspeople are coping a year on. The story was that the priest went on the rampage after child abuse allegations were made against him so Martin is more than a little surprised when plenty of people defend his character... perhaps there is more to the story than was initially reported.

I thought this was a really good little series. At four episodes it didn't outstay its welcome but similarly didn't feel rushed. The opening scenes immediately grabs ones attention and further revelations keep one gripped. The use of flashbacks throughout the series shows key details of what happened and means Byron Swift becomes a fully fleshed out character rather than a mysterious figure only seen in the prologue. The location is impressive; it may be very open but there is a claustrophobic feel due to its isolation. The cast does a fine job; most obviously Luke Arnold, Bella Heathcote and Jay Ryan as Martin, Mandy, a woman who knew Byron well, and Byron. The conclusion is solid; being neither too obvious nor too surprising. Overall an impressive mystery that I'd recommend to fans of the genre.

The story where an outsider turns up in a remote Australian town and delves into dark goings on is a well-worn one, at least in Australian series that make it to the UK. By contrast, I don't think I've ever seen a series set in Brisbane, Melbourne, Adelaide or Perth. In 'Scrublands', our version of this plot follows a journalist investigating a priest (and alleged paedophile), who had turned his gun on his parishoners a year previously. It's competently put together, in spite a late plot twist that isn't fully developed and seems unecessary. But it never really manages to transcend the formula; and the real villain of the piece is signalled from a long way off.

This was briLLianT.

I enjoyed this so much, all I kept thinking was this is like good quality Australian drama shows used to be made.

Writing, acting, cinematics, all ON POINT, and it didn't need a big (big) name to sell it or ruin it with overhype.. I wish there was quality like this more often.

Outstanding efforT by all acTors involved. I am not naming any because I truly feel they each did their own absolute 10/10.

The absolute only thing I could think of to improve was i would've loved it to be another episode or two, but I guess that could've ruined it. So who am I to talk of such ;) .

I don't normally like Aussie series - always the same rough diamond low IQ characters in the country with heavy accents making us all look like a bunch of uneducated yokels. Yes...sigh...this had the usual bogan characters but it was a good story that held my interest until the end.

The lead characters, Luke Arnold, Bella Heathcoate and Jay Ryan did a terrific job but there could have been more of the dishy priest played by Jay Ryan..but oh well. All three characters had good chemistry with each other.

Have to say there have been some good Aussie mystery thrillers and I hope they can keep it up, The Kettering Incident comes to mind. But yes please stop with the bogan characters, it's tiresome.

I you like Mystery Road you will probably like this as well. It has the same style, but not quite such an outback feel, and I preferred Luke in this one to Jay (Mystery Road) as the central character.

Despite the shocking opening, it was pretty clear that there was more to it and that the event was calculated and not random.

A year later, a journo Luke hits town looking for a follow up human interest story, but starts to unpeel an onion skin of lies and deception relating to the event.

Follows investigative journalist Martin Scarsden as he has to uncover the truth of the case of killing of five parishioners by a charismatic and dedicated young priest.

Despite his apparent popularity, I find Robert Taylor a very dour actor.

This is a contemporary drama and contains language and/or attitudes that some viewers, particularly those of a more mature generation, the Silent Majority, will find offensive.

There are frequent profanity bombs and the F word is peppered throughout. One C word.