Adicionar um enredo no seu idiomaA drama about what happens when a death god, Ggokdu who comes down to the earth every 99 years to punish humans, works as a visiting doctorA drama about what happens when a death god, Ggokdu who comes down to the earth every 99 years to punish humans, works as a visiting doctorA drama about what happens when a death god, Ggokdu who comes down to the earth every 99 years to punish humans, works as a visiting doctor
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Kokdu played by Kim Jung-Hyun is a God in the afterlife and carries out vengeance against people who evade justice in this world. He crosses paths with Han Gye-Jeol, a doctor who is played by Lim Soo-Hyang a reincarnation of someone from his past with links to why he is being punished. Over time they grow fond of each other but will it all come crashing down when she finds out he is a monster ? A reasonable plot idea and well acted with some interesting side characters but stalls a little after the first few episodes and moves slow until everything is tidied up at the end making it seem a little forced. Also even though the people he punishes are the lowest of the low it is not justice but revenge so it is difficult to like the character.
I decided to watch this drama because the plot reminded me of "Doom at your service" and "Guardian" - a mythic creature and human love story. There is something magical and romantic about these stories, and I can't help myself but watch them all.
The plot itself is interesting, it's not dull, and the story is unique. Also, what's important: there are not many moments to skip, as almost every storyline has its own mission in the series, so it's all harmonious.
BUT, as much as I like female lead (her look and skills), her character IS SO ANNOYING. Sometimes I want to hit her so badly, and it is a big problem for me, that they made her this way. She looks and sounds so stupid sometimes, that it's not even funny. The things she says, and the things she does, like what the heck.
It's really a shame, because male lead and his character on the other hand is so interesting and exciting. And also all the other cast as well.
I watched 8 episodes so far, and as much as I liked first episodes I don't know if I will finish this drama or not, as I don't know if I am able to struggle even more with not logical, impulsive and stupid movements of Han Gye-jeol.
The plot itself is interesting, it's not dull, and the story is unique. Also, what's important: there are not many moments to skip, as almost every storyline has its own mission in the series, so it's all harmonious.
BUT, as much as I like female lead (her look and skills), her character IS SO ANNOYING. Sometimes I want to hit her so badly, and it is a big problem for me, that they made her this way. She looks and sounds so stupid sometimes, that it's not even funny. The things she says, and the things she does, like what the heck.
It's really a shame, because male lead and his character on the other hand is so interesting and exciting. And also all the other cast as well.
I watched 8 episodes so far, and as much as I liked first episodes I don't know if I will finish this drama or not, as I don't know if I am able to struggle even more with not logical, impulsive and stupid movements of Han Gye-jeol.
It seems to be the writing that's the problem. Among Kokdu and nine tailed and goblin and sht of this vein, I've found Kokdu to be the best.
Actors are very good. The stuff they have said about the FL is utter venom, in my opinion. Too much aegyo and disgustingly childish mannerisms that just don't suit the character? That's goblin's baby lover.
This show suffers from amateurish dialogues, sometimes they are too long or dragged out. But considering the uniqueness of the way a concept is discussed along the show, and the way actors act it out, such shortcomings become invisible.
The uniqueness has to do with the concept of conditioning: fate and freewill are discussed but alongside that, something even more important is examined: traces of things that are long gone. Things that you know mattered a lot to you once and you cannot even remember what. The trace itself becomes what matters. And in this specific case, that trace is the painful experience of yearning... Turning all existence into grudge for the one that has yearned since time immemorial. There's a valuable observation there and the epically poetic way with which how conditioning and what it means to a mortal, sapient being were conveyed... That alone was breathtaking.
This show has kind of grown on me after I finished it.
I think Kim Jung Hyun is an outstandingly talented actor (he sings a song BTW for the OST, he is great at it, he certainly puts his heart into it). There were moments where I'd thought his acting was a bit exaggerated, but then I tried to think about how else someone could act those lines and descriptions out and it was then that I realized there was a problem with the written material. They should have let the actors free and make suggestions for a more natural flow and expression. I feel the director might have been a bit strict too. Im So Hyang was a nice discovery for me and KJH, aka the king of adlibs, would have the whole show soar along with Cha Chung Hwa and Kim In Kwon, if a Mr Queen kind of chemistry could get built among all the main actors. I must say though, this show doesn't have issues with character development the way its ilk has.
Creative writing from a writer who has a long way to go when it comes to adapting things to the screen, especially for a romcom, seems to have been hindered in this one due to what I'm guessing was a lack of healthy back and forth with the director and the cast. Unfortunately, only such communication would create the environment best conducive to a wholesome show with all the parts fitting and in harmony.
Telling it like it really is... with the pharmaceutical companies and all... And a brief yet honest evaluation of capitalism in passing... That's what got this show low ratings from all these hypocrites.
There's no universe where this show could get a 6 something and yet the previously mentioned ones could score a lot more, except one where people are hypocrites.
Actors are very good. The stuff they have said about the FL is utter venom, in my opinion. Too much aegyo and disgustingly childish mannerisms that just don't suit the character? That's goblin's baby lover.
This show suffers from amateurish dialogues, sometimes they are too long or dragged out. But considering the uniqueness of the way a concept is discussed along the show, and the way actors act it out, such shortcomings become invisible.
The uniqueness has to do with the concept of conditioning: fate and freewill are discussed but alongside that, something even more important is examined: traces of things that are long gone. Things that you know mattered a lot to you once and you cannot even remember what. The trace itself becomes what matters. And in this specific case, that trace is the painful experience of yearning... Turning all existence into grudge for the one that has yearned since time immemorial. There's a valuable observation there and the epically poetic way with which how conditioning and what it means to a mortal, sapient being were conveyed... That alone was breathtaking.
This show has kind of grown on me after I finished it.
I think Kim Jung Hyun is an outstandingly talented actor (he sings a song BTW for the OST, he is great at it, he certainly puts his heart into it). There were moments where I'd thought his acting was a bit exaggerated, but then I tried to think about how else someone could act those lines and descriptions out and it was then that I realized there was a problem with the written material. They should have let the actors free and make suggestions for a more natural flow and expression. I feel the director might have been a bit strict too. Im So Hyang was a nice discovery for me and KJH, aka the king of adlibs, would have the whole show soar along with Cha Chung Hwa and Kim In Kwon, if a Mr Queen kind of chemistry could get built among all the main actors. I must say though, this show doesn't have issues with character development the way its ilk has.
Creative writing from a writer who has a long way to go when it comes to adapting things to the screen, especially for a romcom, seems to have been hindered in this one due to what I'm guessing was a lack of healthy back and forth with the director and the cast. Unfortunately, only such communication would create the environment best conducive to a wholesome show with all the parts fitting and in harmony.
Telling it like it really is... with the pharmaceutical companies and all... And a brief yet honest evaluation of capitalism in passing... That's what got this show low ratings from all these hypocrites.
There's no universe where this show could get a 6 something and yet the previously mentioned ones could score a lot more, except one where people are hypocrites.
Korean Drama " Kokdu: Season of Deity " is a fantasy drama about a grim ripper god and the girl he is attracted to.
The drama has some nice premises, with Kokdu having to adapt to the modern world and learn how to not be, well, that much selfish and his over-the-top self. The doctor theme was another nice touch, as it, theoretically, would have offered some solid subplots. However, neither was used to its fullest.
Hence, the drama ended up being a dated reincarnation love story that had no pace, with random scenes and events happening and the whole story being the two main leads bickering.
The main characters, moreover, were somehow not enjoyable, and, especially, the girl was annoying and inconsistent with what she wanted.
So, overall, three out of ten.
The drama has some nice premises, with Kokdu having to adapt to the modern world and learn how to not be, well, that much selfish and his over-the-top self. The doctor theme was another nice touch, as it, theoretically, would have offered some solid subplots. However, neither was used to its fullest.
Hence, the drama ended up being a dated reincarnation love story that had no pace, with random scenes and events happening and the whole story being the two main leads bickering.
The main characters, moreover, were somehow not enjoyable, and, especially, the girl was annoying and inconsistent with what she wanted.
So, overall, three out of ten.
I watched up to episode 8 and could no longer go on. The story is not actually a bad one, but the female lead really annoys me - a combination of her wierd looking face (plastic surgery), her acting and the design of her character. The acting cute and supposed cheeky arguments between the male & female leads are just as annoying, noisy and pointless. It got to a point where i had to just skip through the whole dialog to scenes where it might have looked like part of the plot. To be fair, the other actors and characters are ok, with some funny parts, but overall, story dragged on way too long with too much of the female lead acting dumb and annoying.
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By what name was Kokdu: Season of Deity (2023) officially released in Canada in English?
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