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7,1/10
5,3 mil
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Um detective regressa à sua cidade natal sete anos após o desaparecimento da sua filha, tentando encontrar uma ligação a um caso atual.Um detective regressa à sua cidade natal sete anos após o desaparecimento da sua filha, tentando encontrar uma ligação a um caso atual.Um detective regressa à sua cidade natal sete anos após o desaparecimento da sua filha, tentando encontrar uma ligação a um caso atual.
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- 2 vitórias e 3 indicações no total
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Disclaimer - I bailed after 4 episodes. Why did I grow to dislike Jordskott (Swedish for George Scott, famous American actor of yesteryear) after investing 4 hours? Two things really,,,,First the series comes across as a missing person detective show but by episode 3 it becomes a fantasy, or introduces a supernatural element, so I feel a little duped, not that I wouldn't have started it anyway had I known.
Secondly I didn't like the main character at all. She was suppose to be some highly capably police officer/negotiator but she came across as utterly incompetent and didn't seem to know the slightest thing about policing or investigating a crime. I mean who screams shoot me over and over to a deranged hostage taker in a hostage situation. Utter nonsense. There were a few other nitpicky things like the head investigator in the disappearance recruiting a NEGOTIATOR with an emotional connection to help investigate a missing child case. The head guy also irritated. He didn't do anything in 4 episodes except walk around looking smug. The local police investigator was at least likeable and seemed to be actually doing things.
There's too many other (hopefully better) things to watch.
Secondly I didn't like the main character at all. She was suppose to be some highly capably police officer/negotiator but she came across as utterly incompetent and didn't seem to know the slightest thing about policing or investigating a crime. I mean who screams shoot me over and over to a deranged hostage taker in a hostage situation. Utter nonsense. There were a few other nitpicky things like the head investigator in the disappearance recruiting a NEGOTIATOR with an emotional connection to help investigate a missing child case. The head guy also irritated. He didn't do anything in 4 episodes except walk around looking smug. The local police investigator was at least likeable and seemed to be actually doing things.
There's too many other (hopefully better) things to watch.
As I am fond of Scandinavian suspense thrillers, I try to watch them as much as possible, preferably in sequence. True, as the "aces are high", it is natural that in a search of a new angle or background, the result can be less interesting to certain viewers.
I, for example, have to admit that I am not much into fabulous creatures or supernatural forces penetrating into "trivial" human world, so the last episodes did not bear the same value for me as primary events and tensions, but luckily there was no "deus ex machina" or superhero present, and gradually appearing non-real elements did not make me cancel the watching. At times, tense just faded away and made me ponder that less duration or number of episodes could have been becoming.
Unlike in most of Swedish series with alternating actors-actresses, almost all performers here were unknown to me (apart from Ann Petrén), but I cannot say I was particularly impressed by anyone whose career should be followed in the future. So, a decent series, but similar with the ones like Maria Wern and Arne Dahl rather than with Bron/Broen or Millennium. For those, however, fond of additional mysticism and gloomy mood, Jordskott can be recommended with bigger enthusiasm.
I, for example, have to admit that I am not much into fabulous creatures or supernatural forces penetrating into "trivial" human world, so the last episodes did not bear the same value for me as primary events and tensions, but luckily there was no "deus ex machina" or superhero present, and gradually appearing non-real elements did not make me cancel the watching. At times, tense just faded away and made me ponder that less duration or number of episodes could have been becoming.
Unlike in most of Swedish series with alternating actors-actresses, almost all performers here were unknown to me (apart from Ann Petrén), but I cannot say I was particularly impressed by anyone whose career should be followed in the future. So, a decent series, but similar with the ones like Maria Wern and Arne Dahl rather than with Bron/Broen or Millennium. For those, however, fond of additional mysticism and gloomy mood, Jordskott can be recommended with bigger enthusiasm.
I gotta say this little Swedish gem worked for me on so many levels. The acting was really good as well as the directing. The show had a really cool creepy vibe to it (especially on season 1) that really built on top of the uniquely intriguing plot. The mystery surrounding the town and its inhabitants is expertly delivered throughout the first season. The twists and reveals blew my mind, there's no way you can get 3 episodes in and give up. This show makes true blood and Grim look like garbage. Jordskott's modern take on fairy tales is like nothing I've ever seen... It's dark and mysterious and I was as hooked on this show as some of the characters in jordskott are on their black sludge they drink to survive.
It seems like most "professional" reviewers are trying to hype Jordskott as being the next Bron, particularly in Swedish newspapers. I started watching it with a very positive mindset with these opinions in mind. However I don't feel that the quality of the plot even comes close to it. Jordskott feels like a thinly veiled environmental propaganda piece about the dangers of corporate greed and the exploitation of natural resources. This would be fine if the writers had bothered to create a more immersive experience. There are too many loose threads that are never resolved, and on the contrary from Bron where you're kept guessing and wondering where the story will take you next the reveals of this story are mediocre and illogical. The police aren't clever, their reactions as events unfold aren't credible, the protagonist takes way longer than the audience to understand what's happening and the corporate greed angle is crude and illogical for anyone with even a tangential understanding of how a company works and how people think. It attempts to be a modern take on Äppelkriget without the humour. I'll watch it to the end to see how they manage to tie everything together as I've already reached episode 8, but I don't feel particularly optimistic. Such a wasted opportunity to do something really cool with the deep, mysterious forests of Sweden.
This is a pretty good series. The first 5 episodes were great - I was quite hooked and binge- watched them. Interesting characters, beautiful dark scenery fantastically shot, nice editing, good acting and a wonderfully mysterious suspenseful atmosphere. I have watched foreign shows for a while now and subtitles never bother me unless they are really bad - in this case they were spot on and flowed well with the visuals so I was unaware I was reading them.
Unfortunately something went wrong later in the show. I can't really say what it was, too many stupid decisions by the lead female (who is supposed to be a top negotiator/cop but acts like a complete idiot), the "villain" was so obviously off their rocker it beggars belief that no-one noticed, the behaviour of the board of the corporation was unrealistic & there were just a few too many plot holes etc starting to appear. It didn't stop me wanting to find out what happened/happens and sticking with the series but it did lessen my enjoyment to an extent. One scene that stands out as not credible involved someone signing away rights to something - you'll know it when you see it and quite frankly it made no sense. There were so many other options - especially in context of the person's supposed expertise & career... anyway. Frustrations & nitpicking aside I recommend this series to anyone who likes atmospheric suspenseful mysteries that involves folklore & mythical creatures not just real life evil doers.
As for the review slamming it for being "nothing but environmentalist propaganda" - I predicted some lame reviewer would trot that out just because it does, in fact, deal with issues about the environment. But you know what, movies and TV shows have - since they first began - proudly dealt with issues that effect people at the time. The environment is a pressing issue for our world today so I see no reason for anyone to dismiss art of any kind just because it brings that issue into it's purview. The fact that the reviewer bases their entire opinion of the series on their objection to it's environmental focus, tells me a lot about the reviewer and very little about the series. I imagine that's why nobody has said their review was helpful. The series incorporates a message about environmental issues, yes that's true. But it also incorporates issues around disability, autism, the parent/child relationship/bond, mental health care, youth issues & so on..... it's got many layers and is telling an adult fairy tale to get across a variety of thoughts , concepts & ideas. That is part of what makes it so interesting.
Unfortunately something went wrong later in the show. I can't really say what it was, too many stupid decisions by the lead female (who is supposed to be a top negotiator/cop but acts like a complete idiot), the "villain" was so obviously off their rocker it beggars belief that no-one noticed, the behaviour of the board of the corporation was unrealistic & there were just a few too many plot holes etc starting to appear. It didn't stop me wanting to find out what happened/happens and sticking with the series but it did lessen my enjoyment to an extent. One scene that stands out as not credible involved someone signing away rights to something - you'll know it when you see it and quite frankly it made no sense. There were so many other options - especially in context of the person's supposed expertise & career... anyway. Frustrations & nitpicking aside I recommend this series to anyone who likes atmospheric suspenseful mysteries that involves folklore & mythical creatures not just real life evil doers.
As for the review slamming it for being "nothing but environmentalist propaganda" - I predicted some lame reviewer would trot that out just because it does, in fact, deal with issues about the environment. But you know what, movies and TV shows have - since they first began - proudly dealt with issues that effect people at the time. The environment is a pressing issue for our world today so I see no reason for anyone to dismiss art of any kind just because it brings that issue into it's purview. The fact that the reviewer bases their entire opinion of the series on their objection to it's environmental focus, tells me a lot about the reviewer and very little about the series. I imagine that's why nobody has said their review was helpful. The series incorporates a message about environmental issues, yes that's true. But it also incorporates issues around disability, autism, the parent/child relationship/bond, mental health care, youth issues & so on..... it's got many layers and is telling an adult fairy tale to get across a variety of thoughts , concepts & ideas. That is part of what makes it so interesting.
Você sabia?
- Curiosidades"Jordskott" has had a great success on Swedish television with up to 1.5 million viewers during the first season. That is about 15% of the entire Swedish population.
- ConexõesFeatured in The Wright Stuff: Episode #20.115 (2015)
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Detalhes
- Data de lançamento
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- Também conhecido como
- Таємниці Сільверхейда
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- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração1 hora
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- 16:9 HD
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