Man from Reno

An old sheriff of a small town is smart but not smart enough and gets continually outwitted by a murderous con man in the big city. Hmm where have we seen this story before?

This movie is interesting for its Japanese-American half and half formulation, including the reading of subtitles for much of the movie as the actors speak Japanese. That part was fun and the lead actress really does an excellent job.

Without spoiling, I found the ending to be as unsatisfying as I did NCFOM. Some call this 'film noir' but I call it 'film frustration'. Also what was the point of the Sheriff's daughter who starts out like she's going to be a main character and then slowly fades into obscurity?

Interesting enough to give it a 6 but couldn't do better given the final result.

Ever see at these film festivals these badge wearers with the lanyards, the premium seating, eyes bugged-eyed from all the darkness, the concentration? How could someone see that many movies in so concentrated a time? And why? Here's your answer, one of those utterly joyous discoveries deep in the festival catalog that makes everything - the expense, taking off from work for a week, the fatigue - completely worth it. Brighter movie minds than mine can comment on things like the movie antecedents at work here (there are a ton!), to how this movie compares with Dave Boyle's earlier efforts, etc. What I can relate is that coast-to-coast smile that came over me as the movie found its gear (early) and then just held for an hour and a half as it propelled forward with one crackling and comedic plot twist after another. Standout and surprisingly deep performances from Auoko Fujitani and Pepe Serna (so, so good to see him in a role where he gets the time and physical space to really round out his character), the whole cross- cultural noir thing, and these gorgeous wanders around old San Francisco. I've seen some great films here at the Philadelphia Film Festival thus far, but at the mid-way point this one is shaping up as the clear take-away memory. Why would someone want to see four films in a day in pursuit of that hard-to-convey sensation of those beautiful and magical connections between ideas, storyline, casting and portrayals? This is why. Here's hoping this charming and well-built movie finds the larger audience it so richly deserves.

Director Dave Boyle is largely known for two things: character-driven comedies and an interest in (and understanding of) Japanese culture. While work such as "Big Dreams Little Tokyo" and "White on Rice" used the former to good effect, his latest film "Man From Reno" capitalizes on the latter in the context of a modern-day noir. In two separate narratives that inform one another, veteran character actor Pepe Serna and Japanese actors Auako Fujitani and Kazuki Kitamura all give career-best performances in parts that afford them time and space to do more than what's usually asked of them. Serna grounds his small-town sheriff with a matter-of-factness and dedication that hints at a great understanding of the character; Fujitani crackles with intellect as a mystery novelist a little too eager to live out an adventure similar to those about which she writes, and Kazuki Kitamura is finally given a role that acknowledges and maximizes his mischievous charm. Set and shot in the Bay Area of California, "Man From Reno" is a clever, noirish mystery that plays as part procedural, part character drama. Director Dave Boyle takes a major step out of his comfort zone with the film and the payoff is immediate. If you're a fan of snappy, believable dialogue and plot twists, this one's for you.

I didn't expect much from this as I'd never heard of it before, but the photographs of the posters caught my eye so I thought I'd give it a go. This production from noted Japanophile Dave Boyle, however, really surprised me. I'm a huge fan of noir films, and I was curious how this American-Japanese bilingual film's take on the elusive genre would turn out. I was pleasantly surprised!

The characters seem quite sweet in their way. You've got the Japanese mystery author who is hiding from her fame and missing her dead sweetheart. Then you've got the friendly old sheriff, wise yet not grizzled, differing from the stereotype of a hardboiled detective in that for all his years of experience he's not jaded or glaringly cynical. He's just good at his job. Not to mention he's got his perky young daughter on his force, working smartly in this cute kind of partnership for the meantime until she overpasses him and joins the FBI.

Yet despite the cosy vibes, there's this ever-real threat. Our writer-sleuth is essentially playing Nancy Drew, yet she's facing serious danger and menace from some dodgy people. People go missing, thugs stalk her in the shadows, and you're never sure what to make of all this. Is this a cosy mystery or a Hammett-esque thriller?

This uncertainty really gets played with as the fil twists and turns in the darkness, and honestly the way it turned out bumped this film at least a star higher than I would've rated it otherwise.

There's mystery upon mystery as the crime at the heart of the story broadens in scope and becomes something larger than you thought. It's classic noir but with some cosy sweetness between characters that few noirs have, without compromising the thrill of the seedy, dark moments. I was really impressed with how it all came together, and I've found that I haven't stopped thinking about it since.

A mystery outside of San Francisco brings together small-town sheriff Paul Del Moral (Pepe Serna), Japanese author Aki Akahori, and a traveler from Reno who soon disappears, leaving behind his suitcase and a trail of questions.

According to Pepe Serna, director Dave Boyle is a Mormon who spent his missionary time in Australia, immersed in Japanese culture. He has read numerous crime novels, both in English and Japanese, and already by his early 30s has had a string of Japanese-inspired films that get critical acclaim.

This a great one, blending small town sheriff and Japanese crime author. They make a great team, and one could imagine this being a series of films. It stands out as being the biggest starring role of Serna's career, as well as being a film where he was not just a "token Chicano". After decades in the film business, appearing in dozens of great films, it is nice to see him finally get a bit of respect and recognition.