Guerra às Drogas

Gripping, smart, and a joy to watch.

The acting is excellent and the main leads are my favorite. Honglei, a hardened narcotic cop, is collected, methodological, and intelligent. You can tell he has earned his keep and has seen some crazy things behind those eyes. He's like the calm before the storm, readily break loose. He leads a high profiled operation to bust possibly the largest drug ring in the counntry and his lead is Louis, a captured meth supplier. Louis is not to be outshone: calculated, cunning, and above all, selfish. I find his character to be easily one of the greatest villains for he appears harmless but you can't really know what he has in mind. One scene you might think he has repented, another scene he might convince you otherwise. He is a great villain because he's deceptive, cunning, selfish, and he's willing to do anything for survival, including turning against his own kin but the catch is that he doesn't look capable of such evil. That's why he's great. Appearance is deceiving. The two main leads are completely opposite. The cop appears cold, distanced, and seemingly emotionless yet pursues a good cause and cares for his underlings while the crook appears warmer, more expressive, seemingly harmless yet inhuman underneath. Great contrast. The story is tight, the actions are neat - the shootout between the mute brothers and the cops and the grand finale scene are superb. A battle of both brain and brawn.

After his meth lab explodes, leaving him scarred and his wife dead, Timmy Choi (Louis Koo) is apprehended by the Chinese police for a crime that warrants the death penalty. In the custody of Captain Zhang (Sun Honglei), Choi sees only one option to avoid execution; turn traitor and help Zhang's undercover unit bring down the powerful cartel that he has been cooking for. As the stakes get higher, it becomes increasing unclear as to who has the upper hand, and who will dictate the endgame.

Director Johnny To is a master of the crime film, and with "Drug War," he's created a near masterpiece of the genre. He never convinces us of being in anything but complete control of his multifaceted thriller, and exudes an unparallelled confidence in every scene and phenomenal set piece.

To's electrifying picture recalls some of the best work of his great contemporaries. "Drug War" possesses the technical brilliance of Scorsese's "The Departed," the ground-level knowledge and surveillance of David Simon's "The Wire," the gritty realism of Michael Mann's best work, and by the end the blistering, double-fisted action of John Woo's prime. These elements don't come together as a derivative; To is a filmmaker at the top of his game, and makes the most of his cast, his influences, the Mainland setting, and a little of the grotesquerie that often has Hollywood shuddering; in a singular whole.

Disparate from most Hong Kong action films, "Drug War" is a methodical, meticulous procedural first, exploiting a street-smart screenplay that knows the Chinese crime scene; and if that statement is indeed false, it never feels less than authentic. Much of the intensity derives from dialogue exchanges, and how rigorous both the cops and criminals try to not get made. Because of this well paced, equally well played dynamic, we never know who we should root for, and that's exactly the point. Mr. To's drama is incredibly intense... but then he pulls out all the stops.

The last 20 minutes of "Drug War" is the show-stopping action set piece of the year. An extended shootout that's brutal, ambitious, and a masterpiece of it's kind. It's a marvel of physical filmmaking that also works as an unexpected plot device, violently flipping our conceived notions of these characters on their ear; clearing the way for a fittingly ironic, ice-cold conclusion.

"Drug War" might just be the best pure crime film of 2013. Technically and narratively stellar, it already seems like a minor classic of the genre.

So which side is our man on? That's the question in this drug mafia movie where the police have found a way to take down a major drug crew, but have to use one of their key arrests to help them. However, who is he playing for and with? This is a clever and ambitious little movie. Well directed and acted, this film takes influence from others in the genre (such as The Wire) but maps out its own story, and it's really interesting.

The Far East has a rich history of mafia movies, and this isn't amongst the classics, but that doesn't devalue it. It still is a fine film, with good directing and acting. Some interesting characters too.

Very much worth watching.

I'm not terribly familiar with Johnnie To's work, though I know he is one of China's biggest directors. Drug War is his latest film, a critically hailed masterpiece, so to speak, that rivals some of the best American crime films. And for the most part, it is a very good film. Gripping, with a tight rope plot written like a maze, Drug War very rarely lets up as it navigates from one stage of the plot to the other.

The film opens with Timmy Choi, a drug manufacturer, driving erratically until he runs through the entrance of a restaurant until he ends up in the hands of Captain Zhang. For dealing the amount of drugs that Choi is responsible for, the penalty is death, but Choi cuts a deal to help the police bring down a drug lord responsible for the sale of the narcotics. What follows is a near non-stop mission to get into the heart of the drug dealers and bring them down.

Drug War is the kind of crime action thriller that is very audience pleasing. There is plenty of suspense and mystery, as you're always on the edge of your seat in anticipation of what will happen next. It doesn't help that you're never quite sure who to trust or who will do what, especially Choi, who remains shifty and unsure. Sun Honglei is especially entertaining as the no nonsense Zhang, whose smart and constantly does his best to stay one step ahead of all those he's trying to bring down, including Choi. The writing for the film is very intricate and full of surprises. Coupling this are several action set pieces, the highlight of which are a middle section involving the police and two very capable partners of Choi and the ending, which is an absolutely crazy finale for this film.

If I have one real complaint about the film, it's the lack of depth. For all the technical skill and excellent writing and plot, we really don't get to know any of our characters. There is an attempt to make Choi somewhat sympathetic through a plot point about his wife, but Choi himself never really does much to make us like him or get us on his side. The same can be said about Zhang, who is little more than a hard nose cop trying to catch the criminals. There's never any real insight into either of these men, let alone the rest of the cast. It's a very basic and shallow cops and criminals tale, albeit, a very well written and produced one.

But these are minor complaints in the face of the entertainment at hand. This is arguably one of the best films of 2013, even at it's rating, and I urge anyone looking for to make up for some theatrical thuds to check this out. It's well worth it.

Legendary director Johnnie To's "Drug War" generates a powerful suspense with extended action set-pieces that are truly exceptional, but it's the intense underplayed performances that ultimately leaves its lasting impression. To pulls out all the stops in this high-octane police procedural, shot predominantly in the Jinshan district on the Chinese mainland. This vast, operatic melodrama exhibits some extreme smarts in its bare bones approach to a drug unit's relentless pursuit of a drug cartel. The film proceeds with sequences that establish the war on drugs as neither a heroic crusade, or a hopelessly unwinnable war. They are no metaphors here -- it's a world where people make choices, and as a result, events unfold simply as a matter of process.

Manufacturing just fifty grams of meth in China will earn you a death sentence, and Timmy Choi (Louis Koo), manufactures on a massive scale. After a large meth lab explosion, Choi is under arrest and in the custody of Captain Zhang (Sun Honglei). Now he has only one chance to avoid execution: turn informant and help Zhang's undercover team take down the powerful cartel. As the uneasy allies must compress months of police work into just 72 sleepless hours, the increasingly desperate police are quickly stretched past their limits. As things spin wildly out of control, the line between duty and recklessness becomes vague, and it becomes unclear who truly has the upper hand.

The first act of "Drug War" is an epic manifestation of To's talents: The camera is never in the wrong place, and we're swept effortlessly into the mindsets of a dozen people in the first act with few words or wasted gestures. The film works thanks to the riveting performances of Sun Honglei and Louis Koo. In addition to his two strong leads, To creates a large gallery of dynamic supporting characters, most notably two mute brothers played by Guo Tao and Li Jing who at first appear as comic relief, but eventually play a larger role in the story.

The balancing act of the film relies on a long build-up for a large payoff. Director To incorporates just enough action and throughout to keep things interesting before the chaotic, bloody onslaught erupts in the third act. The visceral, brutal shoot-out between opposing sides takes place on a suburban street filled with pedestrians and children. It's intense and unflinching, with a fantastically dark resolution to the story. "Drug War" isn't particularly insightful or a profound viewing experience, but those looking for a top-notch thriller will be more than satisfied by this low-key masterpiece.