O Matador: Missão Resgate

Stoic man with a violent past must get back into his roots in order to save someone? Yawn. We've all seen that before. It's a tired trope really. But the thing is... this movie knows it - mocks it even at some point.

Instead of focusing in the plot and emotional depth like The Man from Nowhere, The Killer pour it all out on straight action. The fight choreography is impressive, and the John Wick vibe is noticeable from the stylish neon-lit hallway brawls, melee combats, to gun fus.

8/10 One of the best korean martial arts action movies.

I liked this movie. In general, the cinematography of the countries of the East, like other industries, knows how to quickly use the inventions and ideas of the West. In our case, it is a replica of the popular American franchise about the hired killer John Wick.

And you know, copied quite well. Certain illogicalities were masked by a dynamic plot that does not allow us to think about inconsistencies. The battles are staged quite well, the camera movements are also copied from Hollywood masters. But there is still a Korean environment and atmosphere. There is a lot of blood, but it does not cut the eyes and harmoniously fits into this meat grinder.

The main character for me is just a killer robot doing his job according to the scripts. This picture is not about empathy for the characters, but about a driving attraction that captivates and draws you into a whirlwind of gunfights and duels.

Therefore, as a project with a meaningful load, it should not be considered. Although he promotes certain moral principles - do not insult the innocent and the weak, for example.

For me, this is a well-deserved 7 points. Hang out in the evening with chips and corned beef.

Jang Hyuk returns to the big screen with a strong performance of a retired hitman named Bang Ui-gang, whom agrees to watch over middle schooler, Kim Yoon-ji (Lee Seo-young), whilst her family is on vacation. Ui-gang ultimately returns to his roots as an assassin when he uncovers a conspiracy involving Yoon-ji, tying deep into the branches of pedophilia and sex-trafficking.

Adapted from the novel 'The Kid Deserves to Die' written by Bang Ji-ho. The titular character we follow throughout the film is an often cold and calculated individual who always seems to be one step ahead of the rest. Having all the connections and the wealth to be a worthy adversary to those within the criminal underground. Reminiscent to the character John Wick portrayed by Keanu Reeves. His presence manages to stir the pot, leaving no one unscathed. Audiences are spoiled with one of the best action packed South Korean blockbusters of the summer. With brutal executions, and an array of extraordinary stunts and martial arts choreography performed by Jang Hyuk himself. The theater was left in a state of excitement and awe by what we all witnessed with this film. Viewers are even treated to behind-the-scenes footage during the end credits so stay tuned.

Although, the storyline does feel all-too-familiar with tropes that leave viewers yearning for more. Director Jae-hoon Choi tries to make the most of this straightforward shoot 'em up. Applying touches of emotion and witty dialogue between characters that fills some holes of where this rodeo is lacking.

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The action sequences are entertaining as hell and the lead actor is a Korean John Wick. His wife has a friend with a daughter and the hitman is convinced to watch over the teenage girl for a couple of weeks. It seems simple enough until the teen is abducted by a sex trafficking ring run by the Russian mafia.

The story becomes a bit confused as the hitman climbs the ladder of bad guys, killing legions along the way, using his hands, feet, knives and occasional gun to accomplish his mission.

He is a combination of Bruce Lee and John Wick and has the charisma to carry the film to its' predictable conclusion.

Do not expext Citizen Kane here but just sit back and enjoy the ride for an hour and a half.

If you follow Korean cinema you already know that Korean auteurs, among the best in the world, prefer to be first with a concept. However if they have to be a copycat, they will be relentless in trying to improve on the original. As good as this is, it has the same failings as the iconic American original, too fast, too furious, too frenetic, too implausible. Which is why it never comes close to the Korean masterpiece THE MAN FROM NOWHERE 2010, on my IMBb list of all time classics. ((Designated "IMDb Top Reviewer." Please check out my list "167+ Nearly-Perfect Movies (with the occasional Anime or TV miniseries) you can/should see again and again (1932 to the present))