O dono de uma casa de penhores com passado violento enfrenta uma rede de tráfico de drogas e órgãos na esperança de salvar a criança que é sua única amiga.O dono de uma casa de penhores com passado violento enfrenta uma rede de tráfico de drogas e órgãos na esperança de salvar a criança que é sua única amiga.O dono de uma casa de penhores com passado violento enfrenta uma rede de tráfico de drogas e órgãos na esperança de salvar a criança que é sua única amiga.
- Direção
- Roteirista
- Artistas
- Prêmios
- 19 vitórias e 18 indicações no total
Baek Su-Ryun
- Old Woman
- (as Soo-ryeon Baek)
Nam Kyung-eup
- Section Chief
- (as Kyeong-eup Nam)
Kwak Do-won
- Detective Kim
- (as Kwak Byung-gyu)
Son Sang-kyung
- Bear
- (as Sang-Kyeong Son)
Han Cheol-woo
- Loan Shark Company Worker
- (as Cheol-woo Han)
Avaliações em destaque
The man might be from nowhere but this film could only come from Korea, the land of a million stories of revenge.
Let me start off by saying that I was skeptical whether I should watch this movie because of all the comparisons here to US productions. Because while I did enjoy most of the ones named, not enough to want to see a basically South Korean copycat at the theater.
If you fear the same thing: Don't worry! This movie is exactly what you would expect from great Korean cinema, comparable to the likes of "The Chaser", "Memories of Murder" and "A Bittersweet Life". In this movie, there is lots of rather believable tragedy, little kitsch (there is the occasional unsuitable one-liner and the girl sometimes says things that in my opinion are too mature for her age and yank a little too much at the emotional chain - these are basically the things that brought my rating down to 9/10) and a fair amount of graphic violence and realism in the fighting scenes. There are also some wacky characters just like they appear somewhat frequently in east Asian productions but I think they fit in quite nicely despite the otherwise very serious tone.
If one were to compare it to a US production, I would go with e.g. "A History of Violence" because of the serious tone and the realism but still, the overall style is drastically different.
The whole experience is nicely rounded off with a very beautiful score and the only thing I considered negative besides what I already mentioned was that the plot is moving very fast. At various points I was not sure whether I didn't pay enough attention or whether details were left out. Meaning for instance how one character got the information about another character. These connections of information between characters are not always clear in my opinion but it does not really hurt the story and I am sure that it would be clear with a second viewing - something that this movie absolutely deserves.
If you fear the same thing: Don't worry! This movie is exactly what you would expect from great Korean cinema, comparable to the likes of "The Chaser", "Memories of Murder" and "A Bittersweet Life". In this movie, there is lots of rather believable tragedy, little kitsch (there is the occasional unsuitable one-liner and the girl sometimes says things that in my opinion are too mature for her age and yank a little too much at the emotional chain - these are basically the things that brought my rating down to 9/10) and a fair amount of graphic violence and realism in the fighting scenes. There are also some wacky characters just like they appear somewhat frequently in east Asian productions but I think they fit in quite nicely despite the otherwise very serious tone.
If one were to compare it to a US production, I would go with e.g. "A History of Violence" because of the serious tone and the realism but still, the overall style is drastically different.
The whole experience is nicely rounded off with a very beautiful score and the only thing I considered negative besides what I already mentioned was that the plot is moving very fast. At various points I was not sure whether I didn't pay enough attention or whether details were left out. Meaning for instance how one character got the information about another character. These connections of information between characters are not always clear in my opinion but it does not really hurt the story and I am sure that it would be clear with a second viewing - something that this movie absolutely deserves.
Have you ever thought how lost and distraught one can be following the loss of his/her loved ones? I guess this is a point that is worth pondering over, especially when we are witnessing such a tragedy unfolding in Japan.
" The Man From Nowhere", widely known as "Ajeossi" in South Korea, essentially depicts a man who has withdrawn himself from the society and lost his sense of worth and living due to the lost of his loved ones. However, he finally began to show affection and fondness in the little girl lives down the street; it was just like how tin man finally found his heart. They were each other's only friend. So when she is taken away, he fights with all his might and wit because he cannot possibly handle the loss of his only beloved friend.
This simple plot is very well executed. In terms of the pacing, it was just right and through subtle interactions between Taesik (played by Won Bin) and Somi (played by Kim Sae-ron), they show their high interdependency and chemistry. There was not a single part of the movie that is boring. Your tension is constantly kept at high, and you will be sometimes treated with some tidbits of laughter.
The narrative is definitely not the only attraction to this movie that eventually became the top selling movie in South Korea in the year 2010. Possibly the other main attraction is the film's cinematography. This movie has superb fight choreography (underscores superb). Brace yourself for a bloody massacre, but one that is not just of a bloody mess but of mission and gracefulness. This, coupled with creative angles and excellent sound effects, you get a movie that is of high production value. This alone assures you that the money that you spend on the movie is worthwhile.
How can one forget the other important factor? It's the protagonist. Won Bin has made several breakthroughs in his acting career that started back in 1997. However, this is probably by far the most successful role that he has taken up. With this single role, he has bagged 7 awards. Is that justified? Certainly! From the initial bizarre look and stare, to later on how he soften his look towards the little girl he wants to protect, to the flashback where it depict his downfall and devastation, to the ruthless and merciless look that was fuelled by hatred and despair when he was in search of the little girl they were all effectively delivered to the audience. You can get so drawn into his acting that you may feel the sheer violence is justified. One moment you grief with the man who lost his loved ones, the next moment you crease your forehead at his brutality. The balance of this multi-faceted character is definitely not easy, but Won Bin did it. Also commendable is that there was no stuntman that stood in for the combat scenes. All the fist, knives and guns action were executed by him. His black belt in Taekwondo definitely comes in handy for his role. Indeed he has proved himself to be more than just an eye candy.
As the movie is coming to an end, it takes on a twist that prevented another episode of tragedy. The ending scene was definitely perplexing at first, but it turns out to be the man has finally found his 'home' for his heart, where he can pour out his affection and love once more. With the calming ending track leading into the credits, you cannot help but be affected, that is being moved to tears. To sum it all: great acting, great production, great movie.
" The Man From Nowhere", widely known as "Ajeossi" in South Korea, essentially depicts a man who has withdrawn himself from the society and lost his sense of worth and living due to the lost of his loved ones. However, he finally began to show affection and fondness in the little girl lives down the street; it was just like how tin man finally found his heart. They were each other's only friend. So when she is taken away, he fights with all his might and wit because he cannot possibly handle the loss of his only beloved friend.
This simple plot is very well executed. In terms of the pacing, it was just right and through subtle interactions between Taesik (played by Won Bin) and Somi (played by Kim Sae-ron), they show their high interdependency and chemistry. There was not a single part of the movie that is boring. Your tension is constantly kept at high, and you will be sometimes treated with some tidbits of laughter.
The narrative is definitely not the only attraction to this movie that eventually became the top selling movie in South Korea in the year 2010. Possibly the other main attraction is the film's cinematography. This movie has superb fight choreography (underscores superb). Brace yourself for a bloody massacre, but one that is not just of a bloody mess but of mission and gracefulness. This, coupled with creative angles and excellent sound effects, you get a movie that is of high production value. This alone assures you that the money that you spend on the movie is worthwhile.
How can one forget the other important factor? It's the protagonist. Won Bin has made several breakthroughs in his acting career that started back in 1997. However, this is probably by far the most successful role that he has taken up. With this single role, he has bagged 7 awards. Is that justified? Certainly! From the initial bizarre look and stare, to later on how he soften his look towards the little girl he wants to protect, to the flashback where it depict his downfall and devastation, to the ruthless and merciless look that was fuelled by hatred and despair when he was in search of the little girl they were all effectively delivered to the audience. You can get so drawn into his acting that you may feel the sheer violence is justified. One moment you grief with the man who lost his loved ones, the next moment you crease your forehead at his brutality. The balance of this multi-faceted character is definitely not easy, but Won Bin did it. Also commendable is that there was no stuntman that stood in for the combat scenes. All the fist, knives and guns action were executed by him. His black belt in Taekwondo definitely comes in handy for his role. Indeed he has proved himself to be more than just an eye candy.
As the movie is coming to an end, it takes on a twist that prevented another episode of tragedy. The ending scene was definitely perplexing at first, but it turns out to be the man has finally found his 'home' for his heart, where he can pour out his affection and love once more. With the calming ending track leading into the credits, you cannot help but be affected, that is being moved to tears. To sum it all: great acting, great production, great movie.
- www.moviexclusive.com
But from Korea! A movie haven (and heaven some might argue) for a lot of genre movies. Many of them on the violent side. Which means you should not be easily frightened or squeamish. This has a story and for some it may take a bit too long to get going, but I'd argue it is the right amount of time and it had to take its time to breathe.
To develop and to show us characters and relationships. Of course it is heightened. Of course the movie takes liberties in many areas. But it is well played and well acted. The action set pieces are quite something - and while there are many characters, it is all digestable enough and condensed to a point where it works like a clockwork ...
To develop and to show us characters and relationships. Of course it is heightened. Of course the movie takes liberties in many areas. But it is well played and well acted. The action set pieces are quite something - and while there are many characters, it is all digestable enough and condensed to a point where it works like a clockwork ...
Simply wow.
A lot of people are put off by foreign language films and I hope those people don't let that stop them from watching this.
It has all the panache of a typical Hollywood film and I have to disagree with some comments that the back-story aspect is lacking compared with the action; my exact thoughts when watching this film were along the lines of "I cannot believe how genuine the character development is". The bond between the two main characters is extremely believable (huge props to the actress who played the young kid). I thought the fact that the film wasn't edited down to the hour-and-half standard probably gave them more room to develop and for an action film, there was much more intelligence than I was expecting to the story.
One of the best films I have seen in a long time.
9/10
A lot of people are put off by foreign language films and I hope those people don't let that stop them from watching this.
It has all the panache of a typical Hollywood film and I have to disagree with some comments that the back-story aspect is lacking compared with the action; my exact thoughts when watching this film were along the lines of "I cannot believe how genuine the character development is". The bond between the two main characters is extremely believable (huge props to the actress who played the young kid). I thought the fact that the film wasn't edited down to the hour-and-half standard probably gave them more room to develop and for an action film, there was much more intelligence than I was expecting to the story.
One of the best films I have seen in a long time.
9/10
Você sabia?
- CuriosidadesWon Bin has not appeared in a single work since the movie until 2022.
- Citações
Tae-Sik Cha: You live only for tomorrow.
Man-seok: What?
Tae-Sik Cha: The ones that live for tomorrow, get fucked by the ones living for today.
Man-seok: What are you babbling about?
Tae-Sik Cha: I only live for today. I'll show you just how fucked up that can be.
- ConexõesFeatured in WatchMojo: Top 10 Movie Fights in Bathrooms (2014)
- Trilhas sonorasDear
by Mad Soul Child
Principais escolhas
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- How long is The Man from Nowhere?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- El hombre de ninguna parte
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 528.175
- Fim de semana de estreia nos EUA e Canadá
- US$ 35.751
- 3 de out. de 2010
- Faturamento bruto mundial
- US$ 44.723.232
- Tempo de duração1 hora 59 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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What is the streaming release date of O Homem de Lugar Nenhum (2010) in Australia?
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