Planeta Solitário

The movie has a documentary look--high on visual and aural detail, where the graphic realism turns the viewer into a bit of a voyeur. The acting is brilliant, natural.

I saw the film in Mexico in an excellent theater. The pivotal and somewhat tragic scene at the midpoint (described in critic reviews) got a laugh from the largely Hispanic audience.

From the midpoint on, the lack of dialog is unsettling, and there's not much resolution to the film at the end. Yet another celebration of dysfunctional relationships, but the film is so well crafted, we can overlook its flaws.

A good travel flick, overall.

Amazing movie. I had absolutely no expectations going in yesterday at the NYC Film Festival at Alice Tully Hall. Even felt disheartened when the director before the start of the movie said " I will see you all after the movie ... If you all are still here".

Long story short at the end of the movie I couldn't help it but had to clap and it was involuntary. I have seen an amazing powerful piece with excellent performances by the whole cast. I do not know how to spell the name of the actress, "Jani" sounds like "Honey". She is amazing.

Please give this movie a shot. I haven't seen any movies lately which touched upon the dynamics between a couple so well.

Bravo to the whole team. Sure I will hear more about this movie in the news and hopefully at the awards.

PS: It is rare for me to post on IMDb, but I had to share :)

Is there a reason to like this movie? I can't find one and am surprised by those who do. What is pictured is two young characters who like to walk through rugged terrain, play word games, have sex in the dark, and stay trim. Do I have a reason to like either character? No. What I heard was inane dialog, heavy music as if something was going to happen and doesn't, very little sound of any sort to engage my ears. Was I amused by the word games, liked the music, or understood the inane dialog and stories the players tell? No. I was shown photography of some rugged terrain in the Georgia mountains, a place that few have seen. Was I supposed to be impressed by the beauty and awe of this natural setting? The answer is that it wasn't something I'd seen better done in other movies. The movie seems to suggest that relationships can change radically because of an insignificant happening. But never tell us if they change. I'm still waiting to think of a reason for liking this picture.

A unique, brilliantly structured art-house film that will definitely go down as one of my favorites from the past few years. It's a film that has, really, only a single plot point, and it's one that happens in a blink of an eye. The film centers on two tourists in Georgia (the country, not the state). Gael Garcia Bernal and Hani Furstenberg play an engaged couple, and the first half of the film establishes quite clearly their dynamics, and the fact that they are very much in love. Halfway through the film, the pivotal incident occurs and it's like a prism that breaks up the way the two look at each other, as well as themselves. Sure, that first hour is pretty slow moving (though the scenery in the film is so gorgeous that I was never less than engaged), but, after the incident, you look backward at every small thing that occurred. That first, sleepy hour I was basically just enjoying the scenery, but during the second hour my mind was running a mile a minute, even though, basically, nothing much was happening. It's a weird and uncompromising picture that will surely drive some crazy, but I was absolutely blown away by it.

While it does have something profound to say about relationships and how one moment can make or break them, "The Loneliest Planet" takes so long to get to its rather poignant yet elusive point, that it may seem to some as a bit too meandering. BUT, if you can stay with it, independent writer/director Julia Loktev does deliver with a payoff that is hauntingly thought provoking, with a high potential for inducing provocative discussions. Written (adapted from a short story from Tom Bissell) and exquisitely directed by Loktev using a plethora of expressive long takes, "The Loneliest Plant" stars Gael Garcia Bernal and Hani Furstenberg and centers around a young, adventurous and engaged to be married couple, who travel on a backpacking trip along the Caucasus Mountains, lead by a local Georgian guide. Sounds riveting right? Well, the initial hour does play out like a rather dull, elongated version of a short story, but then something happens that essentially changes the entire relationship dynamic, and more importantly allows the second half of this 2 hour film to slowly blossom into a tragic and quite engaging dissection of the male and female roles in a relationship. At times "The Loneliest Planet" displays thematic similarities to 2012's independent female relationship point of view film "Take this Waltz", but Loktev seems to be able to get her female visual prospective across with slightly more clarity, while still keeping a fascinating air of ambiguousness.

The truth is "The Loneliest Planet" is a hard film to review because it is contingent on one scene (really one physical movement) an hour into the picture, that I can't really talk about. But what I can say is that the latter half of the movie (after the big scene) although consists of Bernal and Furstenberg continuing to walk around the Caucasus Mountains (mostly in silence) is quite a moving piece of cinema that does show off Loktev's Malick-esque directorial skills.

On the other hand, this film is not for everybody. What will ultimately hold this back for many, will be the (at times) too Independent for its own good feel of the entire picture, as Loktev holds on shots for minutes at a time where nothing seems to be going on, and spends a lot of time filming characters ad-libbing their dialogue. Other issues may come down to the free flowing (slow) pacing of "The Loneliest Planet", which may leave many walking out of this movie questioning: Was Loktev's introspective inquiries really worth the journey? Final Thought: In my opinion this sort of Avant-garde piece about a couple under duress is very much a film geared more towards female audiences. That is to say, the main focus is not Bernal. He is only the vehicle that helps show the nature of the male counterpart. The real star of the show here is Furstenberg, who displays the complex prospective of a female outlook on relationships exceptionally well, and thusly what she goes through should be more fully understood by female audiences. That is not to say that men will not enjoy this film, but for most men, "The Loneliest Planet" may be too hard of a pill to swallow. Plus, if you are currently a male in a relationship, this is one movie that may only serve to plant the seed of an awkward conversation (which in turn, probably is the point).

Written by Markus Robinson, Edited by Nicole I. Ashland

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