Heli

This is a brutal Mexican film from director Amat Escalante. I took a shot at it based on his movie, The Untamed. I thought it was a creative entry into the horror genre. Heli is a reality based on the real life drug wars in Mexico. A twelve year-old girl, Estela, has chosen a seventeen year-old as her boyfriend; a really bad choice in her young life. Her brother gets caught in the middle of a battle over some stolen cocaine with horrific consequences. A torture scene is beyond the one in Reservoir Dogs. I found it to move slowly throughout the second half and the ending is not exactly uplifting.

Well...you wouldn't want to be poor and living in South America after watching this... that's for sure ! A not so jolly tale of drug barons , suppressed working class no-hopers , and victims . Bleak it may be...but gripping nonetheless . We are told the tale of Heli , and his family...who suffer major mis-fortune in a violent drug torn world. Your heart goes out to them all as you watch the suffering grow .

The film contains some graphic scenes (one of which will have all men squirming). However , the biggest audience gasp was heard when the little doggy had its brief moment on centre stage !

A feel good film it isn't .

Amat Escalante won the Best Director prize at the 2013 Cannes Film Festival and it's easy to see why. "Heli" is an absolutely brilliant and utterly uncompromising study of crime and poverty filmed with a documentary-like precision that makes its scenes of violence virtually unwatchable, (including a scene where a boy's genitals are set on fire). At its core are several extraordinary performances by a young cast who inhabit their roles so completely it's impossible to tell where the actor ends and the character begins. Heli is an 'outlaw' not in any criminal sense, (he is totally innocent), but in the sense that he exists outside the fringes of society and is sucked into a criminal underworld by circumstances totally outside his control, (his young sister's boyfriend has hidden drugs stolen from a drugs cartel inside Heli's home). This is humanist cinema but set in a place almost devoid of humanity. It's frightening, bleak and deeply disturbing but also essential viewing. A masterpiece

HELI is a Mexican crime film marketed as a dark and disturbing thriller that reveals the terrible fall-out that follows on from an ordinary family falling foul of drug dealing gang members. What reviews also failed to mention is that it's rather dull and stodgy, for the most part.

The problem with HELI is the attempted worthiness; this was conceived as Oscar bait, so there's a level of stillness and artiness throughout. I don't mind arty films per se, but they have to be interesting enough to keep my attention, such as Andrzej Zulawski's POSSESSION. While HELI certainly has plenty of redeeming qualities, such as some quite stunning landscape cinematography, there just isn't enough story to sustain the running time.

The set-up of the film, introducing a poor family in rural Mexico, is okay as things go. Then things get very dark and harrowing with the crime story, including some unflinching torture sequences which offer the sort of stuff we've never seen before. It's truly shocking and easily the best part of the film.

And yet it seems to fizz out after that. The last act goes back to the sedate feel of the early scenes and it proves a real anticlimax compared to what's gone before. I understand the writer/director's intention is to depict the effect of trauma upon ordinary lives, but the characters just aren't interesting or likable enough that you care. HELI had plenty of potential, but that's the issue I had with it: I just didn't care a jot for any of those involved.

a minimalistic film. a simple story. a dark moment. and the fall of an universe. all in right doses. all convincing, dramatic and impressive. the only problem - the generosity of theme who reduced Heli as a moral manifesto. after the lost of Estela, the rhythm seems be reduced for analysis of trauma. the key moment is only shadow for torture and corruption of police and the search of sense of young family. a story who seems be coherent becomes a sort of improvisation. the image is surrogate for acting. each scene from the last part seems be fight for invent purpose of the first part. a good film, off course. for message. for the bitter taste. for drama. for exploration of crisis. but far to be great.