AVALIAÇÃO DA IMDb
6,2/10
8,5 mil
SUA AVALIAÇÃO
Depois que a filha adotiva de uma família os deixa para se prostituir, ela se torna uma artista popular entre seus clientes e detalha sua rotina em um blog.Depois que a filha adotiva de uma família os deixa para se prostituir, ela se torna uma artista popular entre seus clientes e detalha sua rotina em um blog.Depois que a filha adotiva de uma família os deixa para se prostituir, ela se torna uma artista popular entre seus clientes e detalha sua rotina em um blog.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 7 vitórias e 22 indicações no total
Érika Puga
- Mel
- (as Erika Puga)
Brenda Lígia
- Kelly
- (as Brenda Ligia)
Avaliações em destaque
as all other review said this is about a real life Brazilian prostitute who became famous from a blog she kept,and where she talked about her clients and even rated their performance in bed.She became very popular and even wrote a popular book about her life.In this day and age porn sells,thats about it.Either a girl sells it directly or indirectly,society seems still fascinated with the seemy side of prostitution. The problem with this movie is,the character never really becomes likable,her job would not be so objectionable if one understood why or how she ended up being a prostitute.It is never really explained,other than a story of a woman who wants to be independed,which hardly explains her trip into prostitution,as thousands of women manage independence by working at respectable jobs.The fascination with this story is all about sex,and her sexual experiences,which makes it really pretty much a commercial for the porn profession.The life of a prostitute is just glamourized,shown as just a job with a lot of money,glamour,success and popularity,pretty much anything a girl would want.There is a downside about drug addiction,but even that is shown as just a side effect of our times and of living the high life,,not especially of the profession of a hooker. All in all,i think this movie is lost in its own sensationalizing of its subject and ends up losing any focus on the reality of the story it tries to tell.
Reasonably interesting drama. Does engage you, though there is a feeling of inevitability about the plot.
Good performances, especially from Deborah Secco in the lead role.
Good performances, especially from Deborah Secco in the lead role.
I could be wrong but I never saw a good quality of Brazilian movie.
If you are prepared to watch a soft porn film, this one is for you. Otherwise, forget it.
If you are prepared to watch a soft porn film, this one is for you. Otherwise, forget it.
This is the story of a teenage girl who runs away from her adopted family for vague reasons (her adopted brother is cruel to her, she is taken advantage of sexually by the boys in school). She "turns the tables" on everybody by going to work at a brothel, then striking out on her own as an internet call girl, then starting a pseudo-feminist blog as "Bruna Surfergirl" where she "rates" the performance of her male clients (which you would think would be bad for business), and somehow becoming the most famous hooker in Brazil.
This movie is based a real-life story, but it is of a piece with a lot foreign movies I've seen lately from France ("Student Services", "Elles", "Young and Beautiful"), Eastern Europe ("A Call Girl"), and Chile ("Joven y Alocado"). This is less preachy and socially alarmist than some of the others, but I think, like them, it definitely glamorizes prostitution quite a bit, both for women (this really doesn't seem like that bad of profession) and definitely for men since all these actresses are insanely hot and much more wholesome looking and genuinely pretty than any actual streetwalker who services thirty men a week and abuses hard drugs would ever possibly be. You could complain that the actress, Deborah Secco, was nearly 30 here and playing an 18 year old, but she probably LOOKS more fresh and innocent than any real teenager who has spent six months working the streets. Prostitution is obviously enticing sometimes to both female providers and male clients, but at best it's like a tasty-looking meal that happens to be lying in a garbage dumpster. These movies kind of tend to ignore the garbage dumpster.
If you're just looking a hot sex movie with higher production values, better acting, and more of a story than "Cinemax After Dark", this movie is definitely worth watching, but don't expect any profound statement on the human condition.
This movie is based a real-life story, but it is of a piece with a lot foreign movies I've seen lately from France ("Student Services", "Elles", "Young and Beautiful"), Eastern Europe ("A Call Girl"), and Chile ("Joven y Alocado"). This is less preachy and socially alarmist than some of the others, but I think, like them, it definitely glamorizes prostitution quite a bit, both for women (this really doesn't seem like that bad of profession) and definitely for men since all these actresses are insanely hot and much more wholesome looking and genuinely pretty than any actual streetwalker who services thirty men a week and abuses hard drugs would ever possibly be. You could complain that the actress, Deborah Secco, was nearly 30 here and playing an 18 year old, but she probably LOOKS more fresh and innocent than any real teenager who has spent six months working the streets. Prostitution is obviously enticing sometimes to both female providers and male clients, but at best it's like a tasty-looking meal that happens to be lying in a garbage dumpster. These movies kind of tend to ignore the garbage dumpster.
If you're just looking a hot sex movie with higher production values, better acting, and more of a story than "Cinemax After Dark", this movie is definitely worth watching, but don't expect any profound statement on the human condition.
'Bruna Surfistinha' is the story of Rachel Pacheco, an adopted Brazilian girl that constantly suffered from bullying and, feeling apart of everyone, leaved her house and family at age of 18 in search for independence to prove herself and the others that she could be someone special. Then she finds a job opportunity that could give what she was so desperately wanting. She really didn't care if it's from sex, she just wanted to make money and achieve her objectives. "More sex, more money", that's what she thinks to keep surviving.
During her hooker years, Bruna Surfistinha did start maintaining a blog, writing about her sexual experiences with her different clients, giving them special and personalized treatment in bed and also reviews and ratings about their performance in her blog, making them some kind special and taking each one of them away from their miserable unhappy life they lived in. She conquered their appreciation and the anonymous mouth-to-mouth publicity made her one of the most desirable prostitutes at that time. The blog was a successful step making her famous and respected in her business. She made a lot of money with important and rich people, living in a first class condo and having everything she ever wanted.
'What comes easy goes easy', that's what people say. Not as easy as it's supposed, but everything did go as easy as said. With her successful sex business she overrated herself and meantime became addicted to drugs, fell in depression and lost almost everything, coming back to where she started: from nowhere. Then she reemerged, got all the money she needed back to stop living from sex and wrote a best seller called "O Doce Veneno do Escorpião" (The Sweet Poison Of The Scorpion) in which the movie is based on.
That's how she became famous in Brazil. All of this - except the book episode - is in the movie.
When the film was announced many people laughed and thought it was a joke, because it's not necessary read the book to know that Rachel Pacheco (aka Bruna Surfistinha) isn't a Diablo Cody (the American ex-stripper who also became famous as a blogger and won a Best Original Screenplay Oscar for 2007's Juno). Her fame was much more a popular response against taboo than just a natural talent. Even so, the book and the life of Rachel Pacheco offered enough material for a movie that fulfills its intents.
Unlike what was previously believed, the film is surprising in all aspects. Even looking like a TV movie sometimes, the debut direction of Marcus Baldini worth some attention. The well developed screenplay with natural and accurate dialogs is also a plus. The cast, the soundtrack and the edition - which is largely responsible for most of the movie's development - are top of note here. The cinematography sometimes are beautiful and intensifies some dramatic and erotic moments without being appealing. Also, nudity and sex scenes here are just used objectively and never being abusive or compelling, very different from some ordinary titles that uses nudity and sex just as an instrument to attract audience which is very expected here but never delivers more than the necessary. The movie can easily be defined as some kind of Christiane F (1981) meets Pretty Woman (1990) because Bruna is what Julia Roberts' character would be without Richard Gere.
The movie is a slap on the face of those who underestimated its quality just by its topic. Deborah Secco, known in Brazil for her roles in soap operas since she was a teenager, finally grew up as an actress because the movie succeeds most by her performance. Credits should also be given to the supporting actresses, especially Drica Moraes (as madam Larissa), the greatness of her work is evident every time she appears.
'Bruna Surfistinha' never tries to give the character a martyr neither a heroin image, she's just someone that simply got the job and now is suffering its consequences. Much less tries to make her life a modern fairy tale being - perhaps - screenplay's greatest advantage and also what makes the movie never fall into cheap emotionalism.
For sure it's not the best thing you will ever watch, but also not the worst. Obviously it needs to be watched as a movie and not as a biographical thing with some lessons you need to learn because even the ugliest truth becomes a beautiful thing in movies, that's why it's worth watching without any profound expectations.
During her hooker years, Bruna Surfistinha did start maintaining a blog, writing about her sexual experiences with her different clients, giving them special and personalized treatment in bed and also reviews and ratings about their performance in her blog, making them some kind special and taking each one of them away from their miserable unhappy life they lived in. She conquered their appreciation and the anonymous mouth-to-mouth publicity made her one of the most desirable prostitutes at that time. The blog was a successful step making her famous and respected in her business. She made a lot of money with important and rich people, living in a first class condo and having everything she ever wanted.
'What comes easy goes easy', that's what people say. Not as easy as it's supposed, but everything did go as easy as said. With her successful sex business she overrated herself and meantime became addicted to drugs, fell in depression and lost almost everything, coming back to where she started: from nowhere. Then she reemerged, got all the money she needed back to stop living from sex and wrote a best seller called "O Doce Veneno do Escorpião" (The Sweet Poison Of The Scorpion) in which the movie is based on.
That's how she became famous in Brazil. All of this - except the book episode - is in the movie.
When the film was announced many people laughed and thought it was a joke, because it's not necessary read the book to know that Rachel Pacheco (aka Bruna Surfistinha) isn't a Diablo Cody (the American ex-stripper who also became famous as a blogger and won a Best Original Screenplay Oscar for 2007's Juno). Her fame was much more a popular response against taboo than just a natural talent. Even so, the book and the life of Rachel Pacheco offered enough material for a movie that fulfills its intents.
Unlike what was previously believed, the film is surprising in all aspects. Even looking like a TV movie sometimes, the debut direction of Marcus Baldini worth some attention. The well developed screenplay with natural and accurate dialogs is also a plus. The cast, the soundtrack and the edition - which is largely responsible for most of the movie's development - are top of note here. The cinematography sometimes are beautiful and intensifies some dramatic and erotic moments without being appealing. Also, nudity and sex scenes here are just used objectively and never being abusive or compelling, very different from some ordinary titles that uses nudity and sex just as an instrument to attract audience which is very expected here but never delivers more than the necessary. The movie can easily be defined as some kind of Christiane F (1981) meets Pretty Woman (1990) because Bruna is what Julia Roberts' character would be without Richard Gere.
The movie is a slap on the face of those who underestimated its quality just by its topic. Deborah Secco, known in Brazil for her roles in soap operas since she was a teenager, finally grew up as an actress because the movie succeeds most by her performance. Credits should also be given to the supporting actresses, especially Drica Moraes (as madam Larissa), the greatness of her work is evident every time she appears.
'Bruna Surfistinha' never tries to give the character a martyr neither a heroin image, she's just someone that simply got the job and now is suffering its consequences. Much less tries to make her life a modern fairy tale being - perhaps - screenplay's greatest advantage and also what makes the movie never fall into cheap emotionalism.
For sure it's not the best thing you will ever watch, but also not the worst. Obviously it needs to be watched as a movie and not as a biographical thing with some lessons you need to learn because even the ugliest truth becomes a beautiful thing in movies, that's why it's worth watching without any profound expectations.
Você sabia?
- CuriosidadesRaquel Pacheco: The waitress at the restaurant where Raquel/Bruna and Hudson have dinner.
- Versões alternativasThe versions released on home video and VOD are shortened compared to the original release in theaters. The released Bluray contains a duration of 1 hour and 48 minutes, and a slightly longer version entitled "Uncut Version" was released on DVD with a duration of 1 hour and 50 minutes, with cuts featuring nudity and slightly elongated scenes. None of the versions accessible to the public after its theatrical release maintained the original length of 2 hours and 11 minutes, which has exclusive scenes and much longer sequences.
- ConexõesFollowed by Bruna Surfistinha 2
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- How long is Confessions of a Brazilian Call Girl?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- O Doce Veneno do Escorpião
- Locações de filme
- R. Haddock Lobo 1240, São Paulo, Brasil(restaurant - date scene)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- R$ 4.000.000 (estimativa)
- Faturamento bruto mundial
- US$ 12.380.488
- Tempo de duração2 horas 11 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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