Millennium - Os Homens que Não Amavam as Mulheres

Here is a rundown of the differences in the two movies:

-MIKAEL BLOMKVIST-

American - Blomkvist is played as more of a tough guy and not a good guy. His flaws are laid bare and he shows himself to be much more detached than emotional.

Swedish - This is the "good guy" side of Mikael. He is sensitive, caring, and smart. He shows a protective side when it comes to Lisbeth. Physically speaking the Swedish Blomkvist doesn't look as sturdy as his American counterpart. He has a gut and appears to be quite a bit older than Lisbeth which can make the relationship between them more shudder inducing and probably accounts for why there are fewer sex scenes between them in the Swedish version.

-LISBETH SALANDER-

American - Perhaps because Blomkvist was made into such a strong character Lisbeth was then morphed into a more withdrawn and vulnerable girl so as to complement the new Blomkvist. She still has attitude, aggression, and rage but she also exhibits a quiet shy side that was not in the original as well as more of a romantic side.

Swedish - In this version Lisbeth is not shy, not gentle, and not nice. She doesn't chase Blomkvist - he chases her. She perfectly embodies everything you think of when you think of a strong female lead and has an unpredictability and edge to her that is exciting to watch. Her dragon tattoo is much, much better.

-OVERALL-

I liked the American Mikael and the Swedish Lisbeth.

While I may prefer a scene or two from the Swedish version, such as the ending, overall I enjoyed the American version more.

On the flip side, I can understand why some may hate this version because Lisbeth was their favorite character and she's been changed into something they don't like. For me, the modifications to Lisbeth's character weren't severe enough to put me off.

The Swedish version captured a cult following for a reason and I would recommend both to anyone who has an interest in darker gritty movies that have a raw intensity to them. The Girl with the Dragon Tattoo isn't for the faint of heart and that's what I love about it!

I have read all three of Stieg Larsson's books and seen the Swedish movies. The Swedish version of The girl with the dragon tattoo(Män som hatar kvinnor) was very good but I feel it is somewhat overrated. Nothing particularly weak about it but still not as good as some claim. When word came about that David Fincher would direct the new one I was just overjoyed. My maybe favourite director working right now filming one of the best books I had read in years. With thrillers like Se7en and Zodiac to his credit he was the perfect choice. And he doesn't disappoint.

The big question for many have been will Rooney Mara live up to Noomi Rapace as Lisbeth Salander? The answer is She does! Who is better is difficult to say because they actually play the character quite different. Noomi is older and seems more secure and determined character while Mara feels more fragile and emotional. I feel Mara is more like how Lisbeth is described in the book. I like this movie better but regarding Lisbeth Salander it's a draw. Daniel Craig is great as Blomkvist, and it's good that even if he is a big star(James Bond) he plays the role really down to earth, the person the character should be. It is and should be Salander who is the main one and he lets Mara be the star. One actor who really surpasses his predecessor is Stellan Skarsgård. Considering his character has such a big role this is a big plus for the American version. Christopher Plummer should also be mentioned. As I'm now on the actors I should also mention the relation between Salander and Blomkvist. Craig and Mara are brilliant at creating chemistry. Not only does one focus on the mystery but at the end maybe even more about them. Do they really speak with a Swedish accent? Some of them yes and I admit it felt a bit strange a first but one gets used to it like with most other things so some time later in the movie I didn't mind anymore.

Steven Zaillian deserves praise for the script. The original movie, even though it was not much shorter the plot at times felt rushed. Especially the ending where it went so quick and simplified. Zaillian succeeds in fitting the story without making it to fast or simple. Even if one hasn't read the book you can follow what is going on. Very impressive and perhaps what lifted this movie above the Swedish. So there are some changes but for me, unlike how some feel about adaptations, the book isn't something holy and changes don't have to be wrong. Stieg Larsson's novel was not without flaws and the changes they made make sense, necessary and some better. Fincher is a master of suspense and shows it again here. The atmosphere and tone of the settings fit the story perfect. The movie is brutal just like the book and also that is handled great. Neither reduced or overdone.

The music by Trent Reznor and Atticus Ross is as expected amazing. Almost as great as for The Social Network. I loved the opening credits set to the tones of the Immigrant Song cover. Some may feel it's a bit out of place but personally I loved it.

So are there any weak points in it? Well the last parts of the movie the story slows down somewhat but thats because Stieg Larsson's novel was like that and those parts are also needed for the continuing of the series. And even if I really like the Millennium trilogy, the story is not perfect not as complicated as some might expect. Doesn't mess with your head like Se7en.

If I'm to rank David Fincher's detective thrillers The girl with the dragon tattoo is below Se7en and Zodiac but it doesn't mean it is a weak movie, definitely not! I don't think I can find much they could have done better. The Swedish movie was good but this is much better. It lives up to my expectations as a fan of the book. Also works great as a thriller on it's own.

Not quite in the top 5 of David Fincher's best films ('Se7en', 'The Social Network', 'Fight Club', 'Gone Girl' and 'Zodiac') but it does come close. And this is somebody who found a lot to like about all his films, including his lesser ones like 'Alien 3' and 'Panic Room'.

Despite being often considered a remake, personally prefer to call it a second adaptation of the book. The book is a fantastic read, and as an adaptation while it is condensed and has some changes Fincher's film still adheres to the basic tone of the book as does the Swedish version. Of the two versions, the Swedish version just gets the edge for its incredible atmosphere complete with bleakness, chills, shocks and is more authentic, with Noomi Rapace burning the screen enigmatically with her presence.

Where Fincher's film improves over the previous version are in four areas. One is the production values, which are far more audacious here. The cinematography, both bleakly moody and exquisite to look at, is more cinematic and perfectly captures the frozen landscape which is like a character in itself. The film is very tightly edited too in a way that is distinctively Fincher. Trent Reznor and Atticus Ross' music score is another winner of theirs, it is haunting and gives a really unnerving vibe, combined with some clever sound mixing. The script, even when condensed, is more polished and tighter and also has more flow. While Lisbeth is a fascinating and complex character in the Swedish film, the Lisbeth in Fincher's film has even more complexity and more variation of emotions.

Fincher's direction is exemplary, showing a mastery of visual style and mood setting, ensuring that the film stays intriguing throughout the length. In lesser hands and with less assured pacing, with the long running time 'The Girl with the Dragon Tattoo' could have been a long haul but had plenty of intrigue. Much of the storytelling is gripping, and while not as authentic or quite as masterful in atmosphere like the Swedish counterpart was it has its fair share of chills, twists and turns (without being convoluted or illogical) and shock value as well as a murky bleakness. Contrary to what some believe, this second adaptation did have point (was fearing it wouldn't), as it made the story more accessible and gave it more exposure.

Good acting helps. Daniel Craig is very wisely restrained, the character should have a quiet determination and dignity which Craig handles very well. Christopher Plummer is simply terrific as well, one of his best performances in recent years, while Stellan Skasgard is frighteningly demented and Yorick van Wageningen is unsettlingly sadistic. Robin Wright does her best with a shallow character. Best of all is a magnificent Rooney Mara, such a multi-layered performance and sees Mara not just playing the role but disappearing into it. See her appearance for example, so committed that when you see her in other films you would not believe that it's the same person.

There are faults however. Did not think much of the Gothic James Bond-like opening sequence that just felt jarring and out of place. Nor with the accents, which were a mix for some of the actors of having one too heavy or thick (Wright) or not attempting one at all (Craig). The decision to use both English and Swedish in some scenes did have a tendency to confuse, while the central relationship (mostly successfully done) did feel underdeveloped and, even for characters that are the heart of the story, takes over the story a little too much somewhat.

All in all, almost as good as the Swedish version and better than both of that film's heavily flawed but still worthy sequels. 8/10 Bethany Cox

After the announcement that The Girl with the Dragon Tattoo was getting an English-language film treatment, I decided that the hype had built up to a point where I just had to read the source material for myself. Though it is not without flaws, Dragon Tattoo is an excellent story with the important mission of raising awareness concerning violence against women. Mere days after finishing the book I watched the Swedish film. The hype train had me excited for an outstanding thriller.

The hype train let me down.

I was left cold and somewhat irritated by the Swedish adaptation. A ton of important plot elements were left out, some were inexplicably added (Blomkvist's memories of the island became far too important and contrived), and Rapace felt all wrong as Lisbeth. She was brilliant and violent, but lacked the quiet pensiveness of the original character. She did not come off as autistic and emotionally disturbed, just bratty and rude. Worst of all, I was constantly confused by the extremely rushed, strange new take on the story.

As a lover of foreign films, I normally grind my teeth when I hear that America is developing a remake. However, I found myself desperate for this one. I needed a movie that actually gave me the experience of reading the book for the first time, that made me care for Lisbeth and that truly disturbed me. Thankfully, the American adaptation (not a remake) delivered exactly what I was looking for. Those who say this version is unnecessary or a rehash must have seen a very different Swedish Girl with the Dragon Tattoo than I saw. The American take is jam-packed with scenes that were either skimmed or completely left out of the Swedish version. Yet, despite being more robust, the English- language Dragon Tattoo is incredibly paced, feeling less rushed yet hitting all the important plot points. The characters have time to develop and grow on you, the clue-finding makes more sense, and the killer is more horrifying. Screenwriter Zaillian knows exactly what to leave out and what to change (though the ending, which mirrors the book's ending, could have been arranged better). Craig, Mara, and even Plummer are spot-on in their roles and feel more fleshed-out as characters. Mara, in particular, inhabits Larsson's Lisbeth in a way Rapace did not. She captures Lisbeth's silent, borderline-autistic nature perfectly. Her fragile body and alien appearance even match the book's description. She allows herself to be vulnerable, but clearly regrets it over time. It's a captivating performance.

If someone were to ask me, personally, which version to see, I would have to say without hesitation that this is the rare occasion where the American adaptation is superior. I did not think it was possible to stay so true to the story under three hours.

The lights dim, the movie begins with a brief prologue, and the zany and incredibly weird opening credits begin, set to a creepy cover of Led Zeppelin's "Immigrant Song." From the beginning, we are in for a wild ride as Stieg Larsson's incredibly popular novel "The Girl with the Dragon Tattoo" is brought to life on screen.

Scorned journalist Mikael Blomkvist is called upon by Henrik Vanger, a very wealthy man, while writing a book. Vanger is in search of an answer to the disappearance of his niece, Harriet, which occurred over 40 years ago. He assumes that Harriet is dead, and that she was murdered. He looks to Mikael to investigate her disappearance and who killed her. Then Mikael gets assistance from Lisbeth Salander, a dangerous but intelligent 24 year-old punk who is an accomplished computer hacker and a great contribution to the solving of other crimes. Together, Mikael and Lisbeth go on a dark, eerie journey into a world of crime, Nazism, and corruption that will lead them to Harriet's assassin.

I walked into "The Girl with the Dragon Tattoo" with almost no knowledge of Larsson's novel or the Swedish film made a few years before David Fincher's version. The end result is ultimately an extremely satisfying, brutal, and complex thriller thanks to great direction by Fincher (known greatly for his work on "Seven," "The Game," and "The Social Network"), excellent writing, and an impeccably chosen cast.

After only a few years, the character of Lisbeth Salander has become an attention-grabbing heroine that is as iconic as Edward Cullen of the love-it-or-hate-it "Twilight" series. And we can understand why. After all the truly awful and hideous things that have plagued her life, Lisbeth doesn't take any crap from anybody. She may be angry, violent, overtly sexual, demanding, and perhaps a little crazy, but she is a genius at what she does, and has reasons for all of her actions, no matter how gruesome they may be.

The mystery surrounding the film is sophisticated and white-knuckling, adding to the intensity and mood of the story and its characters. We're not sure of who is Harriet's killer, or if Harriet is even dead, until the last half hour of the film, and when we do find out the twist, it leaves a stupendous impact.

After cementing his reputation in brutal crime thrillers, and surprising us with "The Curious Case of Benjamin Button" and "The Social Network," David Fincher was the right man for the director's chair. Every film he makes, even a drama like "The Social Network," sets up a tone of genuine suspense, tension, and fear for the characters. "The Girl with the Dragon Tattoo" isn't any different as Fincher adds his signature touch to the movie.

Of all of the people they could have chosen to play these roles, the casting director landed in a pot of gold. Daniel Craig does a wonderful job as Mikael, showing us that he can play characters other than James Bond. With the amount of screen time she has, Robin Wright is also very good as Blomkvist's business partner Erika Berger. Christopher Plummer and Stellan Skarsgård also turn in great performances as Henrik Vanger and Martin Vanger.

The person to really watch out for, however, is Rooney Mara as Lisbeth Salander. Getting her big break in the underrated remake of "A Nightmare on Elm Street" and later starring in Fincher's previous film "The Social Network" (giving a dynamite performance in the opening scene), Mara has sealed her future with many more promising and exciting roles because of her portrayal of Lisbeth. This is not an easy role to play, knowing that Mara is the second person to play the character. She must endure two shocking rape scenes and a torture sequence, and there is a hefty amount of nudity involved. Mara embodies Lisbeth, immediately bringing immense intimidation, danger, and fury every time she comes on to the screen. Her eyes are wide and emotionless, almost as if you can see right through her. And with everything that has happened to the character, we understand that Lisbeth has a right to be that way. She may be smart, but she is not interested in attraction or friendships with another human being. Overall, Mara gives a sensational, fearless, dedicated, and electrifying performance that guarantees an Oscar nod.

Being released during the cheery time of the holidays, "The Girl with the Dragon Tattoo" is not a feel-good film, by any means. It is a harsh, gritty, and rough cinema trip that answers the question of leaving the kids at home with the babysitter. Also, if you're squeamish, you will not like it. However, those who have read the book, and those who have not read it, should check it out. Even without having read Larsson's novel, I left the theater completely satisfied. It is a movie experience that you don't commonly get. Fincher has done it again. "The Girl with the Dragon Tattoo" is a must!