Os Homens que Não Amavam as Mulheres

Awesome Swedish film with a intelligent story. a journalist and a troubled young female hacker works together on resolving a 40 year old mystery involving a disappearance, murders, Nazis and one hell of a dysfunctional family. the storytelling by the director was great and captured my attention for almost 2,5 hours. the character buildup is thorough and makes a solid foundation for the rest of the film. in addition the characters are straightened by a superb cast played by Michael Nyqvist and especially Noomi Rapace. Camera work and the overall look of the film is astounding, especially on bluray. the movie takes you to it's locations and doesn't let go until the story is complete. a must see for those who likes an intriguing edge of your seat thriller.

I went to see this film having heard nothing about it at all and another film I wanted to see wasn't on the Sunday matinée bill...so, this looked interesting...best 5 Euros I've spent in a long time. Very, very good thriller but NOT FOR CHILDREN and I was genuinely surprised how much I enjoyed it - well filmed and well acted by the main protagonists; I know nothing of Swedish actors but apparently Michael Nyqvist is well known and I thought Noomi Rapace was brilliant (a young, headstrong, tattooed and "talented" computer hacker Lisbeth Salander with a traumatized past) I thought the film was superbly directed (Niels Arden Oplev); I am already looking forward to the second film later this year AND I will go and buy the books...

Although this Swedish version of 'The Girl with the Dragon Tattoo' was followed by two sequels and an English language film a couple of years ago directed by David Fincher, it is very much the best of the four films.

It is a very loyal adaptation of the book (generally one of the most faithful book-to-film adaptations around), which is a fantastic read and has become of my favourite books recently, adhering closely to many of the book's events and such and also perfectly maintaining the bleak and murky atmosphere the book effortlessly creates. However, 'The Girl with the Dragon Tattoo' works even better on its own terms. The central relationship between Mikail and Lisbeth is ever so slightly rushed, however it still resonates while wisely not taking over the story too much (doing a much better job in this aspect than Fincher's.

Fincher's version may be more audacious visually, though this film is a long way from a hack job, and the script here does occasionally lack polish and flow. However, the atmosphere is much more effective here and there is generally more tension and chills, and personally prefer the performances here too (though Rooney Mara in Fincher's film is certainly no slouch).

Enough with the comparisons. 'The Girl with the Dragon Tattoo' (2009) does look great, the bleakness of the setting adds so well to the atmosphere and it's tightly edited and very nicely shot. The haunting and doom-laden score fills one with dread and creates a lot of rich tension. Neil Arden Oplev's directing is masterful, building on the tension and suspense to frightening heights while also directing with a lot of class.

'The Girl with the Dragon Tattoo's' story is incredibly gripping, there is a lot of subplots and characterisation and the film remarkably makes everything intriguing, layered and complete. The long running time allows this to happen admittedly, but with a good deal going on and with deliberate pacing the film easily could have rushed through things or neglected aspects but very rarely does those things. The subplots are superbly chilling with constant and effortless delivery of shock after shock. The bleak and murky atmosphere is present throughout, as is the dark and at times brutal (but not gratuitously so) tone, with plenty of twists and turns that shock and surprise better than a lot of thrillers from the US.

All the acting is very good indeed, but it's the two leads that really impress. Michael Nyqvist makes his vulnerable and flawed character a fascinating character that could have been less complex in lesser hands, but the film does belong to Noomi Rapace, whose seamlessly enigmatic performance is positively screen-burning.

Overall, a great film and one of not many book-to-film adaptations that treats its source material with respect. Swedish thrillers don't get much better than this. 9/10 Bethany Cox

The Girl with the Dragon Tattoo has been a worldwide phenomenon for a while now. In book form, the original film, and the Hollywood remake. It is a disturbing, yet riveting tale, as is the story behind the author who made it. While Fincher's version is visually and stylistically more striking, I feel this original Swedish film does a better job bringing the disturbing mystery to the silver screen. Structured much more fluidly than the Hollywood version, the mystery of a missing girl flows and develops slowly, dishing out red herrings and suspense with each turn (something lacking in the Fincher version). It also stays closer to the original title of the book (and theme) Men who Hate Women. In the end, this is a dark tale of what rape does to women and to the world. Not everyone's idea of 'entertainment,' but a thought-provoking mystery for those with strong stomachs.

The music lends a threatening aspect to the opening scene, where we in slow close ups – on and off deliberately out of focus – get to follow the opening of a package. Inside the package, post marked in Hong Kong, is a framed plant. The camera starts to move backwards, taking in more of the room and revealing Sven-Bertil Taube as the opener of the package. He holds the frame in his hands, lowers his head and slowly starts to cry.

Niels Arden Oplevs Män som hatar kvinnor is based on the first of Stieg Larssons three bestselling novels, meaning of course that it is basically guaranteed large box office numbers – but the expectations will probably match those numbers. Weather the film manages to live up to these expectations I cannot say – seeing as I am one of the probably only eight people who has not read Stieg Larssons books. But as a piece of cinema, completely removed from its literary origins, it definitely leaves an impression!

The music mentioned above, written by Peter Fuchs, is the first thing to register in the mind as something interesting… Something that make everything feel very serious. The impending-doom-score composed by Howard Shore, for David Finchers Se7en, springs to mind – and this only a few seconds into the film.

The cold, hard, uncomfortable reality – where the movie takes place – is populated by a highly recognizable legion of people straight out of Swedens acting elite… (Gösta Bredenfeldt, Lena Endre, Ewa Fröling, Björn Granath, Peter Haber och Marika Lagerkrantz to mention a few) …and they all seem to have been so thrilled to be a part of this project that they almost as one has taken their characters a step back, allowing the spotlight to be shone on the two main characters, who also get to drive the story forward; the reporter Mikael Blomkvist (Mikael Nyqvist), who is digging through a 40 year old murder case involving a well known corporation family with Nazi connections, and the 24 year old computer hacker EMO Lisbeth Salander (Noomi Rapace) that every day hacks Blomkvists hard drive, captivated by the puzzling evidence (or lack thereof).

Nyqvist gets the job done playing what is basically the lesser of the two parts. You instinctively feel sympathy for him, and sympathizes with him – even in his very first scene, in which his character is convicted of slander, and sentenced to prison.

But when the lights come back on in the theatre, and you gather up your half eaten box of popcorn and your coat, it's not Mikael Nyqvists understated but persistent reporter you will remember most…it's Noomi Rapaces leather-and-stud clad, tattooed, pierced, heavy makeup wearing biker chick, Lisbeth Salander.

Weighted by old wrongdoings as well as new ones, Lisbeth is covered in emotional scars, making her a very interesting character – that easily could have been a silly rehash, a Gunvald Larsson in leather. But Noomi Rapace bases Lisbeth in real emotions rather than clichés and hammy over acting. You can tell that there is a real person behind that steely gazed, unyielding face, something that make those parts of the movie, where we get to come with her through what must be some of Swedish cinemas most horrendous scenes, feel that much more awful. You almost can't help looking away, as she is abused over and over again…

The relationship between Mikael Blomkvist and Lisbeth Salander is the only part where I felt the movie rushed things just a tad. But this is only a mild piece of criticism, as the lack of insight leaves the audience feeling that they, just like the character Mikael Blomkvist, don't know what to make of Lisbeht Salander.

Besides the two leads, I want to single out Peter Haber, who really got to show off his skills! He is obviously good for more than just playing the silly father of Sune or the annoyingly correct police Martin Beck.

I have, like I mentioned earlier, not read the novels by Stieg Larsson, and I have an automatic aversion towards Swedish cinema; which I usually find stiff, with acting taken straight out of the latest grocery store commercials. In other words, Swedish film has its work cut out trying to sell me anything. But, and I am not ashamed to admit this, I'm gonna go ahead and BUY!!!

In the narrow little world that is Swedish cinema there is a lot that one could – or even should – avoid. But this movie is not something to be ignored! So leave the kids at home (this is NOT a very pleasant film) and head for your nearest multiplex to take in of the most thrilling Swedish films in a very long time!