Um mal desconhecido toma conta do mundo, e a única proteção para uma mãe e seus filhos gêmeos é o vínculo de sua família e a segurança de sua casa. Mas quando um dos meninos questiona a real... Ler tudoUm mal desconhecido toma conta do mundo, e a única proteção para uma mãe e seus filhos gêmeos é o vínculo de sua família e a segurança de sua casa. Mas quando um dos meninos questiona a realidade do mal, os laços que os unem são rompidos.Um mal desconhecido toma conta do mundo, e a única proteção para uma mãe e seus filhos gêmeos é o vínculo de sua família e a segurança de sua casa. Mas quando um dos meninos questiona a realidade do mal, os laços que os unem são rompidos.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 2 indicações no total
William Catlett
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- (as Will Catlett)
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- Roteiristas
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Avaliações em destaque
6.8/10 (Recommend)
I don't think this movie is bad, but for all the tension it creates I feel that the ending isn't the complete justice that is being sought for. A story about a family who can't leave the safety of their house without a rope around them because an evil lurks in the forest. Everything comes into question when one of the children begin to question if the evil is real.
Halle Berry is pretty decent in this film, but I don't think it's her performance that carries the story. It's Anthony B. Jenkins and Percy Daggs IV that make you care the slightest about the come of things. They may be young, and I wouldn't call this their strongest performance, but they have lots of potential as actors.
The music is pretty top notch for creating the fear and tension. It knows how to elevate the visuals in ways that seeing things alone won't help. Though the cinematography is good in creating that tension and unknown as well.
I would watch this again because it gave me the heebie jeebies just enough to feel frightened at times, but I wasn't overly unsettled that I couldn't see an outcome a mile away. There's a terrific score that trumps everything and enhances the story. While the ending is kind of anti-climatic it was acceptable for me and I didn't hate myself for sitting through the film.
That's it for now. Thanks for taking time to read my review. Happy watching and enjoy the show!
I don't think this movie is bad, but for all the tension it creates I feel that the ending isn't the complete justice that is being sought for. A story about a family who can't leave the safety of their house without a rope around them because an evil lurks in the forest. Everything comes into question when one of the children begin to question if the evil is real.
Halle Berry is pretty decent in this film, but I don't think it's her performance that carries the story. It's Anthony B. Jenkins and Percy Daggs IV that make you care the slightest about the come of things. They may be young, and I wouldn't call this their strongest performance, but they have lots of potential as actors.
The music is pretty top notch for creating the fear and tension. It knows how to elevate the visuals in ways that seeing things alone won't help. Though the cinematography is good in creating that tension and unknown as well.
I would watch this again because it gave me the heebie jeebies just enough to feel frightened at times, but I wasn't overly unsettled that I couldn't see an outcome a mile away. There's a terrific score that trumps everything and enhances the story. While the ending is kind of anti-climatic it was acceptable for me and I didn't hate myself for sitting through the film.
That's it for now. Thanks for taking time to read my review. Happy watching and enjoy the show!
Never Let Go starts with an intriguing premise: a mother in a post-apocalyptic world fights to protect her children from bloodthirsty creatures by keeping them tied to a rope. If they let go, they're attacked. However, despite this interesting concept, the movie fails to create the tense atmosphere the story demands. Instead of pulling us into a truly dangerous and desperate situation, the film loses focus and struggles to convey the real threat the characters face.
The plot twists are another weak point. Some are too predictable, and from early on, I felt like I could guess where the story was heading. Though I'm not entirely sure, because the ending is especially confusing and poorly explained, leaving us without a clear conclusion - as if the writer wasn't sure what message they wanted to convey.
Director Alexandre Aja has proven capable of crafting good films with simpler themes, like the remake of The Hills Have Eyes, High Tension, or Piranha 3D, but whenever he tackles more complex narratives, such as in Horns, he tends to fall short. In his case, "less is more" really applies.
That said, I have to admit the different approach might attract viewers looking for something unusual. However, for me, this film didn't hit the mark. There was a moment of real tension involving the fate of an animal that made me anxious, but aside from that, I felt indifferent in about 80% of the situations.
It's far from terrible due to the original concept that sets it apart from other films in this subgenre, but it lacks the essential ingredients to truly stand out or leave a lasting impression.
The plot twists are another weak point. Some are too predictable, and from early on, I felt like I could guess where the story was heading. Though I'm not entirely sure, because the ending is especially confusing and poorly explained, leaving us without a clear conclusion - as if the writer wasn't sure what message they wanted to convey.
Director Alexandre Aja has proven capable of crafting good films with simpler themes, like the remake of The Hills Have Eyes, High Tension, or Piranha 3D, but whenever he tackles more complex narratives, such as in Horns, he tends to fall short. In his case, "less is more" really applies.
That said, I have to admit the different approach might attract viewers looking for something unusual. However, for me, this film didn't hit the mark. There was a moment of real tension involving the fate of an animal that made me anxious, but aside from that, I felt indifferent in about 80% of the situations.
It's far from terrible due to the original concept that sets it apart from other films in this subgenre, but it lacks the essential ingredients to truly stand out or leave a lasting impression.
Never let go is an intriguing, mentally draining psychological horror that quickly hooks you with a central question: is Halle Berry's character losing her mind, or is there something more sinister at play? It's a slow burn where you constantly have to guess what is real and what isn't. The premise is interesting, and for the most part, it keeps you engaged.
The biggest problem I had with the movie, however, would have to be the third act. Prepared to question all that's throughout, it feels like there wasn't much resolution at the very end. It doesn't have the closure I was looking for; instead, it just leaves us with more questions. Some people like that mystery, but for me, it was just the slightest bit more explanation or one additional scene needed to help wrap up things nicely.
That said, it's still worth watching, if not for any other reason than for those who love a good slow burn, psychologically thrilling plot. Just be prepared for an ending that may not be as satisfactory of a wrap-up as it could be.
The biggest problem I had with the movie, however, would have to be the third act. Prepared to question all that's throughout, it feels like there wasn't much resolution at the very end. It doesn't have the closure I was looking for; instead, it just leaves us with more questions. Some people like that mystery, but for me, it was just the slightest bit more explanation or one additional scene needed to help wrap up things nicely.
That said, it's still worth watching, if not for any other reason than for those who love a good slow burn, psychologically thrilling plot. Just be prepared for an ending that may not be as satisfactory of a wrap-up as it could be.
Never Let Go had the potential to be a good movie but it has flaws what brought the ratings down. I think most of the people, myself included, were not happy with the ending which was open to interpretation. I like clear endings, no nonsense, not have to think about what was real and what not, and in this movie there are questions unanswered which is a pity to be honest because for the rest it wasn't bad. Good acting from Halle Berry and from the two kids Percy Daggs IV and Anthony B. Jenkins. As for the horror there are not much of those scenes but the ones that were there were interesting and well made. The movie is good enough to watch once.
This film is currently sitting at a 5.7 and I think that's criminally low. Not sure if anybody paid attention to the ending shot but that answers the question in no uncertain terms.
The question is whether or not the danger in the forest is real or just a figment of Halle Berry's imagination. It's a layered, heartfelt story of a woman and her two children living in isolation and what may very well be a case of a mother having ruined her life along with her two young sons due to untreated schizophrenia. Are there scary things in the woods? Are the ropes really protecting them? At different points in the film it's impossible to decide and it does keep you guessing until the end.
Halle Berry is competent as always but the two young actors are real standouts here. They've got some heavy lifting for such young inexperienced actors and they do a shockingly good job. From about the midpoint on they are essentially carrying the film.
Aside from some all around great acting the practical efx on the monsters in the Woods is refreshing. There is some small amount of CGI, but there's plenty of good old fashioned blood and makeup to make these creatures just strange looking enough to be mildly spooky.
Overall Never Let Go has a lot going for it. It's not the first film to toss around the question of whether or not mental illness is at the root of the horror. I admit it's a widely used trope in this genre. But this movie handles it more competently than many others. And again it's helped out by some great child actors. I'll be expecting to see more of those boys in the near future.
Solid 7/10 for me.
The question is whether or not the danger in the forest is real or just a figment of Halle Berry's imagination. It's a layered, heartfelt story of a woman and her two children living in isolation and what may very well be a case of a mother having ruined her life along with her two young sons due to untreated schizophrenia. Are there scary things in the woods? Are the ropes really protecting them? At different points in the film it's impossible to decide and it does keep you guessing until the end.
Halle Berry is competent as always but the two young actors are real standouts here. They've got some heavy lifting for such young inexperienced actors and they do a shockingly good job. From about the midpoint on they are essentially carrying the film.
Aside from some all around great acting the practical efx on the monsters in the Woods is refreshing. There is some small amount of CGI, but there's plenty of good old fashioned blood and makeup to make these creatures just strange looking enough to be mildly spooky.
Overall Never Let Go has a lot going for it. It's not the first film to toss around the question of whether or not mental illness is at the root of the horror. I admit it's a widely used trope in this genre. But this movie handles it more competently than many others. And again it's helped out by some great child actors. I'll be expecting to see more of those boys in the near future.
Solid 7/10 for me.
Você sabia?
- CuriosidadesMark Romanek was attached to direct the movie back when it was titled "Mother Land," and Alexandre Aja took over directing duties a month later.
- Erros de gravaçãoAt around 24,5 mins while Halle Berry character and sons are taking dinner and talking, her plate continuously changes from just two pieces of meat to another with more meat and beams.
- ConexõesReferenced in Cinefiliando-Peliculeando: No te sueltes (Never Let Go) (2024)
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- How long is Never Let Go?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- No te sueltes
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 20.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 10.306.106
- Fim de semana de estreia nos EUA e Canadá
- US$ 4.449.065
- 22 de set. de 2024
- Faturamento bruto mundial
- US$ 16.889.902
- Tempo de duração
- 1 h 41 min(101 min)
- Cor
- Proporção
- 2.11:1
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