Avaliações do Metacritic

If you meet the film halfway, "Never Let Go" becomes enjoyably compelling and eerie. Yes, there are a good amount of scares to be had here, as Aja has only perfected his sense of jumpscare timing as well as his knack for finding collaborators who can conjure up some truly unsettling demonic zombie creatures.

Though not all of its clever ideas come together efficiently in the finale, its thematic ruminations on grief, sanity, rebellion and redemption are intrinsically intertwined to harrowing, claustrophobic effect, heightening the hallucinatory horrors and dread-soaked atmospheric pull.

Certain twists will remain unspoiled, but “Never Let Go” should resonate with both horror junkies seeking fall escapism and parents looking to see their struggles visualized.

The movie’s lack of a clearly defined villain might alienate some genre fans; so might the lack of an easily trackable metaphor. Others will find it a relief. Never Let Go is a horror movie more interested in what it can evoke than what it can state or even imply.

The horror film has an engrossing premise that remains engaging even in its lulls.

What’s missing, however, is a payoff worthy of his set-up, resulting in a diverting thriller that drags its way to an underwhelming finale.

It may freak you out a little bit, and that may be enough for some people, but it only briefly grabs hold of something significant. Then it lets go.

Fun is banished from Aja’s latest, which starts out mildly intriguing and chalks up a few bracing jump scares before running out of juice.

Berry is drained of glamour for her role here, and she performs with fierceness; the two boys are also stalwart, but what the movie asks these child performers to do doesn’t add up to effective horror — it’s just opportunistic and gross.

As the film goes on, it stretches its own internal logic and, following a genuinely shocking third-act twist, renders the world that it’s created virtually incoherent merely in a ploy to keep the audience on the edge of their seats.