Contos da Era Dourada

A Humorous Look at the Dark Days of Communist Romania in the 1980's. A look back at Soviet Block Romania before transition - Ceacescu's

so-called 'Golden Age', and told in a series of short stories and

events based on urban legends that used to circulate in Romania

during that period. The dark humour, stoicism and pathos are abundant

and the whole cinematic experience is a true joy to watch. Tales from

the Golden Age can be equally likened to other slow paced cinema

gems such as Lake Tahoe, Vodka Lemon, Goodbye Lenin, The Return, 4

Months 3 Weeks & 2 Days, The Banishment and the wonderful Legacy. It

is one of those films that you can watch over and over again and

still find something new. So much different from standard mainstream Hollywood formula tosh of

today. To me they all provide to an outsider an education and greater

understanding of these peoples and places. An absolute gem.

a bizarre film. first because its target seems be the generations under Ceaușescu regime. then, because it gives the illusion to recreate the essence of a period. not the last, because it is only one of films after 1990 from the Romanian cinematography who represents a fight against a corpse, a form of exorcism against the past. for me it is not easy to say if I hate it or I am amused about it. because it has the desire to be a honest exam about the hypocrisy of Communism. but itself is far to be honest. because, in a new political system, after twenty years after the fall of Ceaușescu dictatorship, the scenes are like joke contest around the fire , in a trip. ferocious, clever, amusing, ironical. but the presented events are pieces of a lost past. so, the reality who is blamed is itself a form of fiction.

For those who never "experienced" communism, this may seem off the charts but rest assured as such stories could be more than simple legends. In fact, communism provided numerous stories.. some were true, some were a bit dramatized but as the Romanian saying goes, "there is some grain of truth in every story". Every film should be judged on the period in which it was created and given the story it tells and this movie should make no exception. Considering the fact that a movie has to be an excellent blend of a good scenario, perfectly balanced acting, inspiring music and stunning visuals, it's hard to make a 10 out of 10 movie so, I have to conclude by giving it a 9. As I am a native Romanian you would have to consider my 9 an actual 8, stripping down my subjectivity. The scenarios are excellent and not far from the truth, we have indigenous music and the acting is extremely picturesque and relevant. There are many great Romanian actors here! At this point I have to remind the reader that this is not a documentary as misleadingly written previously, but a artistic movie. As far as the stories go, I don't find them to be over exaggerated. The reviews that pointed out an over exaggerated perspective are in fact misleading. Street mopping / sweeping was not something close to science fiction at all. In fact, in reality, a party inspection was often accompanied by highly more absurd but true actions, such as hanging additional fruits in fruit trees in order for the production to seem misleadingly larger..etc and all kind of similar tricks in order to distort reality and conceal the raw and painful truth - misery, cold, hunger, poverty, sadness and many more. So, in fact, what seam to be funny stories are in fact allegorical screen played facts that speak of a naked truth. Through these allegorical perspective, every story tells or focuses on an actual truth telling fact like: gullibility, poverty, tyranny, servitude, lies and censorship and many more. Try to read between the lines of the script, try to connect with the era and the Balkanic mood and enjoy the well screened stories of ages not long past. Enjoy!

I love Kieslowski's films of morally compromised lives in communist Poland. But communist Poland was never half as scary as Ceacescu's 'Golden Age' in Romania, which is perhaps why it's only now that Romanain cinema appears to be enjoying it's own golden era, with many great films looking back at the dictatorship and its legacy. Chris Mungiu's 'Four Months, Three Weeks and Two Days' is perhaps the finest of them; here he has scripted a bunch of illustrative (and not necessarily so tall) tales, which are directed by himself and a number of collaborators (though who produced which episode is not acknowledged). In some ways, the first tale (about an official visit) is almost unbeatable, a black comedy that had me laughing out loud; the last (about a couple of bottle-stealers) has the most obvious stylistic echoes of Mungiu's own work. But all of them capture the mixture of poverty, deference, fear and, paradoxically, individual selfishness, that characterised life under communism. The stories are superficially slight, but the smallest of transgressions carry grotesquely exaggerated weight Bitter wryness and naturalistic acting, camera work and dialogue, mark the films as a whole: a highly recommended set.

i was born in 1991, 2 years after the fall of communism. my parents and older brothers used to tell me stories from the commie age and some, you'd think, were outrageous but believe me, nothing you see here is fiction.

it was a pretty hard time and that we still manage to find funny aspects in it is amazing. so, long story short, if you have no idea what communism was like this is the movie for you and it shows everything: fear of the party superiors, stupidity, bad taste, power abuse, lack of simple everyday supplies and most importantly, the will of the communist party