Como Ganhar Seu Coração

Sam (Michael Angarano) is going to take his friend Marshall (Reece Thompson) on an adventure. It starts with Sam referring to liking a book in his "younger and more vulnerable years." Sam used to think it was written about him; Marshall thinks it is written about him. And if you already know which book they are referring to, the characteristics of Sam and Marshall, and the adventure they are about to go on, instantly fall into place.

Marshall doesn't yet know, but Sam is chasing after a girl. You probably already knew that because after all, that's what Gatsby was doing too. And because "Ceremony" is a romantic comedy. The girl is Zoe (Uma Thurman) and she's about to marry Whit because he's rich and handsome. Sam, although just as immature, is likely a bit more well-read than Gatsby, and he makes some hilarious and shrewd remarks about Whit and Zoe, their relationship, and about the relationship he would like to have with Zoe.

"Ceremony" is not actually like "The Great Gatsby", but the simple parallels that you can make amongst all the characters, illustrates how anyone would be able to find something to connect to in Fitzgerald's classic. And then afterwards, you will be able to find an extra layer of meaning in "Ceremony".

This is a romantic comedy, or coming-of-age journey, that is delightfully funny, whimsically quirky, but with a real sense of character. It is written and directed by Max Winkler, son of the Fonz, and he shows a natural ability coupled with a strong sense of humour and intellect. What makes me confident that he will become a great writer is when his characters discuss the art of writing characters all the while being completely oblivious to their own flaws.

Michael Angarano shows that he is becoming the star that he deserves to be (if this finds an audience) with his quick delivery of witty lines and his ability to sport a moustache and a burnt-orange suit throughout the entire movie without ever making a single joke feel tired. The younger Reese Thompson (playing the year-and-a-half older Marshall) seemed a bit out of his league, but then again he's playing a character who is a bit out of his league.

Although it takes place during a weekend wedding with a guy trying to win over a girl, it doesn't follow any standard romantic comedy trajectories. Marhsall observes those around him as he slowly matures, and Sam gets pretty much exactly what he deserves for his current level of maturity and understanding of human nature. "Ceremony" gives us that green light at the end of the dock to believe in, the orgastic future of filmmaking.

I enjoyed the first five minutes of Ceremony, where the main character is reading from his children's book in a library, and the camera slowly pans back to reveal all empty seats, except for one adult, who applauds enthusiastically at the reading's conclusion. It was original and funny, and I thought I was in for a good movie.

I couldn't have been more wrong. The rest of the movie is plagued with one-note characters, (mostly) uninteresting dialogue, and good actor's talents wasted. All of the plot points have been done before, and better (e.g. the lovelorn sap chases down the woman he loves who is slated to marry a jerk). Uma Thurman's fiancé is so blatantly obviously a jerk as to be a caricature (in an unfunny way), and it is unbelievable that an intelligent woman would see enough in this man to marry him.

The class differences at the resort is an old, tired plot device, as was the outdoor scavenger-hunt the host's family traditionally plays, which veered into the ridiculous.

I'll give one example of a poorly thought out scene. Uma Thurman visit's the main character in his guest room to talk, since they were old flames. Up to this point it has been established that the room is very hot and stuffy. Yet she walks into the room carrying a sleeping bag, then crawls into it during their conversation. A moment later in the discussion she says "it's too hot to talk about that issue," all the while buried up to her neck in the sleeping bag under the pretence of keeping herself 'safe' from her former flame (no, there was no sexual tension at all, they were just having an uninteresting discussion about their past relationship). The movie is riddled with head-scratching moments like this, as if the writer was also the proofreader and didn't catch errors in logic (or overdone clichés).

The best friend, who has been used by the main character finally leaves, which is the only believable occurrence in the movie. Then he inexplicably comes back! The only possible explanation for this was his attraction to the female caterer; I was hoping to see some dialogue between them which would have been a welcome distraction from the boring leads but she never speaks! None of the movie's problems are the fault of the actors, I blame the script.

This film tells the story of a young man who convinces a friend to go to the beach for a holiday. What he truly plans is to crash his ex- girlfriend's wedding.

"Ceremony" has a strange title, because it is so descriptive and doesn't leave anything to the imagination. As for the film itself, the only is alright, but I have trouble getting the film because of the age difference between Sam and Zoe. Though I can see that the age difference is an integral part of the story, it still is not a believable romance. In addition, how Zoe gives off different and conflicting signals to Sam is quite unfair. I think it's not a particularly enjoyable romantic comedy.

I will say that "Ceremony" is not actually the average romantic comedy, and that was one of the brighter moments of the movie. That being said, then "Ceremony" was a rather uneventful and somewhat pointless movie.

The story was almost too simplistic and offered no laughs along the way. And this was ultimately the tripping point of the movie. It took director Max Winkler one hour and twenty-six minutes to get from A to B, and managed to almost tell nothing along the way.

It should be said that the people on the cast list were doing good jobs with their given roles, and there were some good talents performing in the movie. It was actually Lee Pace who carried the movie with his performance, despite not having a leading role.

Should you happen to like romantic comedies, then there are far better choices of this genre available out there.

Watchable romantic comedy stars the diminutive Angarano as Sam, the man with the plan to whisk his true love (Thurman) away from her fiancé (Pace), moments away from the altar. Unfortunately for Sam, Thurman's character has outgrown their once-brief tryst and sees stability and maturity in her imminent marriage, even if Pace is somewhat egotistical and high on self importance.

Not a lot happening here, with minor chuckles and melancholy moments the general tone, Thurman's towering height and obvious age, both dwarfing Angarano, who's seemingly behind the eight ball all the way. Thompson as his best friend begins to suspect a ruse when they're "inadvertantly" invited to the wedding, and the once strong friendship that has cooled over the years, serves as the film's dramatic baseline, not quite a bro-mance, but equally, something short of true romance. He also has a funny scene in which he naively pops a party pill with some amusing consequences.

Director Winkler never really seems to find the right tenor, lost amid light humour (predominantly from Johnson as Thurman's drug-addled brother) and pathos with little content to develop and only the natural appeal of Angarano and Thurman off which to pivot. Mature, low-key and likable but there's not a lot achieved (in my opinion the R-rating also seems excessive).