Adicionar um enredo no seu idiomaIn the small town of Stone Cove, Maine, sheriff's deputy Dwayne Hopper is on the night-shift. He discovers Ronald Perkins in a holding cell. He's a local pharmacist and suspect in the disapp... Ler tudoIn the small town of Stone Cove, Maine, sheriff's deputy Dwayne Hopper is on the night-shift. He discovers Ronald Perkins in a holding cell. He's a local pharmacist and suspect in the disappearance of fourteen children over the past ten years, including Hopper's young son. Interr... Ler tudoIn the small town of Stone Cove, Maine, sheriff's deputy Dwayne Hopper is on the night-shift. He discovers Ronald Perkins in a holding cell. He's a local pharmacist and suspect in the disappearance of fourteen children over the past ten years, including Hopper's young son. Interrogating Perkins, Hopper learns that the mad pharmacist has built an army of brainwashed pe... Ler tudo
- Direção
- Roteiristas
- Artistas
- Raggedy Woman
- (as Roxanna Ravenor)
- Self
- (as Jim Hasani)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
What starts out slow and confusing (later you learn that its not confusing but pretty random) turns into a zombie-like movie with some pretty decent gore elements. The violence is depicted pretty raw and bloody and those kids are more a mix of instinct driven animals and zombies than anything else. They attack like the "28 days later" zombies, jump and run around, crawl air ducts, snap necks and disembowel with their bare hands. Thats nice, the visuals also carry it with some decent atmosphere. Problem is that the whole plot makes pretty little sense as of why Mr. Perkins engineers blood lusting zombie-kids on PCP and how they track down their kin and I really wonder how such obviously instinct driven creatures suddenly know how to use keys, shoot rifles etc. The whole ending is pretty idiotic and the movie should have rather focused on a logic plot and characters not acting like idiots (like a cop entering zombie infested crime scenes without a gun or his wife jingling key-chains like a crazy kid) instead of the massive bloodshed and bleak finale. Perkins'14 has really a lot going for it but smashes my hopes with a plot full of holes and dozens of ridiculous horror clichés.
The gore "Perkins'14" is a sort of combination of the disturbing and sick Travis Betz's "Joshua (2006)" with any zombie movie. The result is disappointing since the attitudes of the lead characters are stupid in many times. The funniest part is when Janine asks her husband if he is all right. The guy has just found that he is a cuckold; his teenage daughter is a slut; and his beloved son has been abused for ten years and has become a monster. Further he has just seen many dreadful deaths and they are trapped in a basement under siege of powerful zombie-like creatures. Couldn't the writer have a more appropriate line for that moment? The conclusion is so imbecile that ruins the promising parts if this flick. My vote is five.
Title (Brazil): Not Available
This here wasn't that bad of an effort. Most of what works here are the films' use of the small-town atmosphere which is evident throughout the first half. The way the central mystery unfolds, from the central backstory of the child kidnappings that are plaguing the town and how the case affects him, set this off rather nicely with a creepy air and rattles on through the main half of the film which works nicely alongside the scenes with the daughter out partying with friends. Once it moves beyond that into a fantastic extended action/stalking sequence through the town where the deranged killers are showing to ravage the town in numerous high-energy affairs, from the attack on their friends at the remote hideout to the rescue at the motel as well as the small side-encounters along the way. This leads into the rather frantic and stellar sequence of the group trapped in the police station where the ferocity and cunning of the killers are put to great use for these scenes, the frantic barricade procedures to keep them out on the escape attempts that are failed spectacularly while all taking place inside the dimly-lit, claustrophobic location and a cramped, confined setting. Alongside the fine splattery gore, these here are what helps this one out over it's few minor problematic areas. Frankly, the biggest issue here is that the first hour of this is pure, unadulterated boredom merely through the continued insistence and focus on material not in the slightest bit interesting. Although this features a fine backstory about the history of the town and the killers, the rest of the film isn't exciting at all by the utterly inane side-plots which do nothing for this one. The troubled and fractured family life that takes up the majority of this one is insanely dull, as going through it all isn't that interesting with all sorts of cliched tactics to display this, from the alcoholic father, the unfaithful wife and rebellious daughter which has all been done so often there's nothing special about these characters and that leaves this one with an incredible mountain to overcome that is given an admittedly decent attempt to right it through the action later on. Likewise, that leads into the utterly idiotic idea later on where his judgment gets clouded unnecessarily into believing something that puts him in danger against his survival instincts. Had the beginning featured material we cared for, this one would've been really good.
Rated R: Extreme Graphic Violence, Graphic Language, Brief Nudity, a mild sex scene, violence-against-children and heavy underage drinking.
Você sabia?
- Erros de gravaçãoIn the first scene with Daisy and Dwayne in the kitchen, Daisy's headphones disappear and reappear throughout the scene.
- ConexõesReferences Sindicato de Ladrões (1954)
Principais escolhas
- How long is Perkins' 14?Fornecido pela Alexa
Detalhes
Bilheteria
- Faturamento bruto mundial
- US$ 103.054
- Tempo de duração1 hora 35 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1