AVALIAÇÃO DA IMDb
4,6/10
12 mil
SUA AVALIAÇÃO
Segue Nicole Carrow, uma jovem ameaçada por um serial killer maníaco, depois que seu namorado Jess é sequestrado em uma parada de descanso.Segue Nicole Carrow, uma jovem ameaçada por um serial killer maníaco, depois que seu namorado Jess é sequestrado em uma parada de descanso.Segue Nicole Carrow, uma jovem ameaçada por um serial killer maníaco, depois que seu namorado Jess é sequestrado em uma parada de descanso.
Joseph George Mendicino
- Jess
- (as Joey Mendicino)
Nick Orefice
- The Killer
- (não creditado)
Avaliações em destaque
As some reviewers have said, the supernatural (ghost) elements could explain what some have called the "plot holes" in the story line and/or character motivation. Another possibility is that the events as we see them are part of a nightmare world or dream imagery in which actual events are "relived" in a surreal, disjointed sequence in which memories can be magnified and distorted. Both types of experience are not a precise replay of reality, though they have a basis in a reality. Another possibility is that the film-makers' goal is a depiction of their conception of what Purgatory could be like, in which the "sinner" relives portions of his/her life as an end to eventual redemption; a part of that redemption could include a reaching out (into the real world) in an effort to protect others from a similar fate by reaching out (or "across" time and space)to make contact with living people -- some of whom (as in the movie) can "see" and react, while others cannot.
How well this works in the eyes of an audience is another matter, of course. As with all movies, a willing suspension of disbelief is necessary for the degree of enjoyment one derives, and that is effected by (though not always satisfactorily controlled by)the acting, direction, special effects, etc. In the case of REST STOP (I haven't seen the sequel), the success of such an intention is for me only about 50/50, though I appreciate the multiple levels of possible meaning. Certainly it is not "the worst" movie of all time -- unless one has seen only one movie.
How well this works in the eyes of an audience is another matter, of course. As with all movies, a willing suspension of disbelief is necessary for the degree of enjoyment one derives, and that is effected by (though not always satisfactorily controlled by)the acting, direction, special effects, etc. In the case of REST STOP (I haven't seen the sequel), the success of such an intention is for me only about 50/50, though I appreciate the multiple levels of possible meaning. Certainly it is not "the worst" movie of all time -- unless one has seen only one movie.
I've never made one of these before, but this movie was literally so bad I had to say something about it.
I'm all for independent film-making as the past year has seen of the worst (in my opinion) of Hollywood's showings, the mainstream just seems to have lost touch with what making good films is all about. That being said movies like this really give independent film a bad reputation.
The characters are boring and too stupid to empathize with. The direction is horrible, the plotting is horrible, the plot itself is horrible, stay away, far away. Only one brief scene featuring a female's nude breasts, and even that wasn't worth a second look.
The scariest thing about this movie is the idea of ever having to watch it again. I gave it a 2 and not a 1 simply because the actors were visible and the sound was audible - it earns one point for each of those traits.
I'm all for independent film-making as the past year has seen of the worst (in my opinion) of Hollywood's showings, the mainstream just seems to have lost touch with what making good films is all about. That being said movies like this really give independent film a bad reputation.
The characters are boring and too stupid to empathize with. The direction is horrible, the plotting is horrible, the plot itself is horrible, stay away, far away. Only one brief scene featuring a female's nude breasts, and even that wasn't worth a second look.
The scariest thing about this movie is the idea of ever having to watch it again. I gave it a 2 and not a 1 simply because the actors were visible and the sound was audible - it earns one point for each of those traits.
If only he hadn't bowed to cliché, Mr Shiban could have actually made a good film from this story. It was just different enough to keep you interested, so for the same amount of time, energy and money as was spent on this stinker, we might have had something good instead of eye-rolling.
Production-wise, it is as good as one could really expect from a hand-held camcorder, so he gets good marks there. It's really the script that's at fault, as the acting wasn't all that bad, either, considering what the actors had to work with.
I thought the days were long gone when we would see someone, finding a radio transceiver they desperately wish to operate, first turn every knob on the thing from end to end, bash it on top 6 or 7 times, and then expect it to work. This story is ruined by a continuous string of stupid moves by all the characters except the bad guy. It's as though we are thought to be too shallow to grasp all the plot devices, so they are all spoon-fed to us to make sure we get them.
I don't know about you, but that doesn't work on me. My attention ends up being occupied by the plot holes and over-dramatizations, not the story.
So, since I found this to be not so bad in the technical sense, I think Mr. Shiban should try again, only with a proper script next time; then he might give us something worth watching.
Production-wise, it is as good as one could really expect from a hand-held camcorder, so he gets good marks there. It's really the script that's at fault, as the acting wasn't all that bad, either, considering what the actors had to work with.
I thought the days were long gone when we would see someone, finding a radio transceiver they desperately wish to operate, first turn every knob on the thing from end to end, bash it on top 6 or 7 times, and then expect it to work. This story is ruined by a continuous string of stupid moves by all the characters except the bad guy. It's as though we are thought to be too shallow to grasp all the plot devices, so they are all spoon-fed to us to make sure we get them.
I don't know about you, but that doesn't work on me. My attention ends up being occupied by the plot holes and over-dramatizations, not the story.
So, since I found this to be not so bad in the technical sense, I think Mr. Shiban should try again, only with a proper script next time; then he might give us something worth watching.
I have come to suspect most people sit in they're living rooms watching movies and have no other experiences. Movies often go from good, to great simply because you can relate to the situation. People giving this 1 out of 10 stars have obviously never spent the night sleeping in they're car at a rest stop. I watched this movie with my son about 4 months after we had done just that, so we could relate to being in the middle of nowhere at some rest stop on the side of the highway sleeping in our car and it made the movie much more intense for us.
Remember when Nightmare on Elm Street came out? EVERYONE could relate to nightmares and that's what made those movies legendary at the time. So go outside and get some experience in real life, maybe you'll appreciate your movies more :P
This movie definitely does not deserve the 9 I gave it, but its definitely better then a 1 as a lot of others gave it.
Remember when Nightmare on Elm Street came out? EVERYONE could relate to nightmares and that's what made those movies legendary at the time. So go outside and get some experience in real life, maybe you'll appreciate your movies more :P
This movie definitely does not deserve the 9 I gave it, but its definitely better then a 1 as a lot of others gave it.
Young couple on the road, minding their own business and having casual sex in their car during broad daylight. Yet, suddenly, they're being menaced and terrorized by a deranged psychopath in an old and rusty pick-up truck. Hmm, where have I seen this premise before? Oh yeah, now I remember, we've seen this a THOUSAND times before already, and approximately nine hundred and ninety-nine of the other cases were much better than "Rest Stop"! This weak and pitiable new movie is insulting even to the intellect of the most undemanding horror fans, as it doesn't feature a single original twist or memorable gimmick. It's very sadistic and nasty, but every teenkill-slasher flick is sadistic and nasty nowadays, so that's no real surprise anymore, neither. The absolute main problem with this production is the incredibly large amount of dumb plot holes and meaningless sub plots. Writer/director John Shiban damn well realized that the ultra-thin basic storyline nearly wasn't enough to fill a whole movie with, and thus he stuffs up his film like a Thanksgiving turkey with imbecile and nonsensical padding material. Nicole's boyfriend vanishes at an abandoned and filthy rest stop in California. Killing off her character right away wouldn't result in a very long movie and thus she subsequently encounters a motor home family of freaks, suffers from visions (?) in which she talks to the deranged killer's previous victims and she has deeply emotional (and boring) conversations with a police officer who just won't die even though a truck ran over him...twice! The dumb sub plots never lead anywhere and they're definitely the most pathetic and desperate attempts to stretch a movie's length I've ever seen. Instead of all the pointless padding, Shiban should have paid more attention to building up tension and make his lead characters a little more likable. Jaimie Alexander's character Nicole is an annoying and brainless girl, and you won't really care whether she'll survive the ordeal or not. Her boyfriend Jesse as well as the cop are both whining losers and their brutal deaths still weren't painful enough, if you ask me. I counted exactly three sequences, all including torture and gratuitous mutilation, that were gory and exciting enough to bring a sadist smile on my face. That's still way too few for a nowadays horror movie. Basically, "Rest Stop" is simply a miserable attempt to cash in on the success of such films like "Wolf Creek" and "Hostel", but you're better off watching the originals. This was the first film of the new production company called 'Raw Feed'. They're promoting themselves as the new name in great horror, but they'll have to come up with something much better than "Rest Stop" if they want us to believe that.
Você sabia?
- CuriosidadesJaimie Alexander's second lead role in a feature film.
- Erros de gravaçãoNicole cuts her arms several times through the movie, yet when you see the insides of her arms in other scenes, most of the time she doesn't have a scratch on her and other times she has a really horrible gash in a place where she wasn't cut before.
- Citações
Deacon: When I was training for the service, my commanding officer, he gave us a little tip. He had seen a lot of guys eat the shit sandwich, you know? He told me, he said: "Son, if you ever get shot out there, you think it hurts like hell." He said, "When it don't hurt so bad, that's when you're not gonna make it."
- Cenas durante ou pós-créditosAn additional scene is shown a minute into the credits giving a little back story of the plot.
- Versões alternativasFor the US video market, 2 versions were made, an R-rated version and an unrated version with the unrated version containing more graphic/altered scenes and slightly longer by 21 seconds. Further details can be found at http://www.movie-censorship.com/report.php?ID=4217
- ConexõesFeatured in 31 Horror Movies in 31 Days: Rest Stop (2006) (2018)
- Trilhas sonorasGirl Is On My Mind
Written and Performed by The Black Keys
McMoore McLesst Publishing, BMI
Administered by Chrysalis Music
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Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Rest Stop
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração
- 1 h 20 min(80 min)
- Cor
- Proporção
- 1.85 : 1
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