Tudo por Ela

So, what would YOU do if your spouse is convicted on a murder charge and sentenced to 20 years in jail? The film explores to what lengths someone might go, and it takes the viewer on a journey that is anything but expected. And it does it in convincing style and fashion and has you glued to your seat from beginning to end.

OK, Julien enters a world that makes him do things that we should by rights not find acceptable. And yet, one can do nothing but root for him to succeed, regardless of his methods.

I absolutely loved the power and speed of this film. It's action-packed, but also has a lot of depth.

A superb thriller throughout!

Julien and Lisa are a happy loving couple living quiet, ordinary lives in their quiet, ordinary apartment with their baby son Oscar. Then one evening the doorbell rings, Julien opens the door and their lives are thrown into chaos. Police swarm into the apartment, pounce on Lisa and arrest her for the murder of her boss. Three years later Lisa has lost her last appeal against her 20 year jail term and is finally giving up hope – and giving up on life. She stops taking insulin trying to slowly commit suicide. Julien is a desperate man. He tracks down a notorious criminal who has written a best-selling book on his several successful escapes from prison. And so his plan begins. 'Anything For her' is a typical solid French thriller. There are no sudden twists or turns in a plot that relies on the natural tension of the situation to keep it going. The meticulous planning of the jail-break is compelling as you watch Julien turn his apartment into effectively an operations room. The walls are lined with maps and photographs, with graphs and plane schedules, and with heavily underlined questions such as "Escape Route?" He tells Lisa nothing about what he's doing and begs her to just hang on. He intends to sell her mother's house to raise the money they'll need to start a new life but then Lisa is told she is to be transferred to another prison and so Julien must speed up his plans and raise the money somewhere else. The tension and the pressure of it on Julien is almost unbearable and never lets up. The director is determined that there be no distraction from this, his main focus of the film and quickly shows, practically at the start, what actually happened to Lisa's boss so that that whole aspect of the story is quickly dismissed and forgotten about. It's not an all-out masterpiece by any means but it is a very entertaining, at times gripping film that does exactly what it says on the tin. Vincent Lindon is practically a veteran of these things and forces you to feel real empathy for Julien while Diane Kruger does well with what is really a much smaller part, fully conveying the nightmare of prison life and the physical decline it brings.

TOUT POUR ELLE (Anything for Her) was the original story and film from which THE NEXT THREE DAYS was adapted. In many ways this film is at least as strong as the Paul Haggis version with Russell Crowe. Here the credits are due to the imagination of writers Fred Cavayé and Guillaume Lemans and directed by Fred Cavayé. It is a very fine character driven thriller that while it may appear incredible to most, it is nonetheless an involving story of a man's love and commitment to his wife.

Julien (an impressive Vincent Lindon) is a schoolteacher who has a happy home life with his beautiful wife Lisa (Diane Kruger) and son Oscar (Lancelot Roch). During a quiet evening at home they are disturbed by policemen who arrest Lisa for a murder she claims she did not commit. Jump three years and Julien has been working with lawyers, spending their paltry savings, on getting appeals to get Lisa released from jail. He gets moral support from his parents (Liliane Rovère and Olivier Perrier) but sees his family falling apart. After three years have passed and when all legal portals fail, Lisa attempts suicide and Julien decides the only way to get Lisa out of prison is to aid in her escape. He visits writer Henri Pasquet (Olivier Marchal) who has escaped from prison several times and outlines the dangers AND the only secure methods for affecting a prison escape. John slowly and methodically prepares for the escape, gaining money by contacting drug lord Mouss (Alaa Safi), commits some crimes of his own as he masterminds his plan to successfully extract Lisa from prison. There are many twists and turns to the story, well written subplots and unexpected coincidences, all populated with a very strong cast of capable actors. It is a tense little French film that may not have the better known cast of its later American successor, but it works on a very different level and is a solid psychological thriller.

Grady Harp

This is a terrific film ,and does exactly what cinema should do - it makes you think, and is very entertaining. You can't just slump in front of a film like this, shovelling popcorn down your front. You have to join in. What would YOU do if someone you loved so passionately was wronged by the law? This takes it to the full extent; taking the law into your own hands - its spaghetti era Eastwood - type storytelling, told with passion, humour and guile. Cinematically, its great - how come the French so seldom make bad looking films? The acting is fantastic, with both leads acquitting themselves with great style. Like most good thriller films, it goes close to stretching credibility at times, but never veers into the ridiculous or implausible. Also weaved into the film is a vein of good fortune which drives the story along and seems in the end to be their just dessert. One small criticism; it seemed set up for a sequel - surely film makers of such taste would not lead down that road? No sequel thanks -it stands as a great piece of work as it is.Leave well alone.

Julien (Vincent Lindon) is an unprepossessing French teacher, happily married to Lisa (Diane Kruger), a wife he deeply loves. Their idyllic suburban life is rudely interrupted, however, when the police shockingly crash their home and arrest Lisa on suspicion of the brutal murder of her boss. With Lisa's fingerprints on the weapon, and the victim's blood on her jacket, she is found guilty and sentenced to twenty years in prison. If you like your suspense powerful and unnerving, do not hesitate to seek out Anything For Her (Pour Elle), the debut effort of French director Fred Cavayé, an enormously entertaining thriller that delivers a high level of satisfaction.

Imprisoned for a crime she probably did not commit (the director offers two possible scenarios but it is clear which one is the more likely), Lisa, still proclaiming her innocence, faces long, dark days ahead without her husband and their young son Oscar (Lancelot Roch). Overwhelmed with sadness, Julien becomes single-minded in his drive to reunite the family. After three years, when his attorney tells him that Lisa stands no chance before the Appeals Court and Lisa becomes suicidal, refusing to take her insulin shots, Julien knows that he must take matters into his own hands and will stop at nothing to accomplish his goal.

Locating an ex-con who has written books about his attempts to break out of jail, Julien convinces him to tutor him on the do's and don'ts of prison escape, telling the ex-con that he wants to teach the author's experience to his students. His ultimate plan, though, is not revealed either to Lisa, Julien's parents (Liliane Rovere and Olivier Perrier), or to the audience, which serves to greatly enhance the suspense. To save the woman he loves from certain death in prison, however, Julien must transform himself from laid-back school teacher to action hero, pushing himself far beyond the limits of what is reasonable. While attempting to obtain false papers and new identities, he comes into contact with some very unpleasant local criminal types and finds himself no longer reluctant to use violence to accomplish his ends.

Supported by an excellent script by the director, outstanding cinematography by Alain Duplaintier, and a moody score by Klaus Badelt, Anything For Her is entertaining, riveting, and ultimately a very moving love story. None of it would be very convincing, however, if not for the outstanding performances of Lindon and Kruger, especially Lindon whose sudden personality change requires great skill to pull off. Lindon's eyes convey powerful emotion that is not desperation but a strong and unyielding determination that serves as a catalyst for the events that build to the film's heart pounding climax. Although Anything For Her has been criticized for being "implausible", when an individual's every act is consumed with passion and overwhelming intention, then the implausible will most certainly become the expected.