Summer

A big-hearted social realism which is a strong meditative piece of work, showing flashbacks of two kids then turning into teens, living on the same estate and spending their days getting always into trouble. The story dips in and out of the past, suggesting the source of current woes. As a portrait of stasis brought on by poverty and a study of abandon gone sour in the face of zero opportunities, this is an extremely sensitive stuff, even though there's little that ends up surprising. This movie hasn't been successful at all, though having a decent cast and handling very interesting themes, however it certainly deserves a good rate.

It tells the story of a small town. Of a few wild and good teenagers, of which few of them could not grow up no matter how hard they tried. It is a well written and well acted. It shows the nestled world of these two loyal friends and a girl.

Some would be able to relate much more to this movie., but everyone will like it for the way it looks at the protagonist life. Its got some great shots and a simple but lovely background music. In a way the movie is a little sad, but also paints the beautiful picture of the mad/nice world some youngsters create for themselves, and then loose.

In a way its the tale of a man who had most of what he needed at one point in time and later on none of it. But that's fine.

Every once in a while a fabulous British independent film slips under the radar and is criminally missed by a ream of cinema goers. Summer is one such film. It's directed by Kenneth Glenaan, written by Hugh Ellis and stars Robert Carlyle, Rachael Blake and Steve Evets.

Shaun (Robert Carlyle) and Daz (Steve Evets) were the rouge kids on the block, best friends forever, they were constantly getting into scrapes. Thoughts of education were the furthest thing from their minds. We find Shaun now in adulthood, and now caring for Daz who is crippled and suffering from terminal cirrhosis. From here the film is told through Shaun's eyes with flashbacks to better, vibrant times, in particular the one important summer where Shaun tries to come to terms with life, loves (Blake as the girlfriend Katy) and where fate stepped in to change things. It's through these flashbacks that we learn exactly why Shaun is so devoted to his dying pal.

Structured in the way it is, basically set in three time periods of the protagonists life, Summer involves the viewers to the maximum with the characters. So much so that even with the hanging sense of doom in the air, the nagging question of why is this bond so strong? makes for a fascinating, and emotionally potent experience. The material and its central themes could quite easily been given the sledgehammer treatment by Glenaan, but he directs it in such a subtle way, the final result is all the more emotionally involving. There's no soft soaping either, the plot is tough and realistic, these are real people reacting to real life issues. Something that is helped enormously by the first rate performances of Carlyle (one of his best ever performances) and Evets.

Complementing the acting is Tony Slater-Ling's beautiful photography, particularly in the flashback scenes to the boys youth. The warm glow of the sun, the ripple of the water, the green and pleasant land, each serve as painful reminders to Shaun of his lost youth. Nostalgia is not thought of warmly, it is by definition here, a yearning that gnaws away at his soul. Hugh Ellis' screenplay also deserves plaudits, this may not be the easiest of viewings, since this is after all about wasted life and impending death. But there is always hope in the offering, and coupled with the odd flecks of gallows humour, Ellis has found the right balance for the story. It's downbeat of course, and you may feel like you have been through the mangler come the end. But this really is excellent film making that tells a worthy and most endearing story. With Carlyle magnetic and real and Glenaan serving notice that he's a British director fit to sit alongside Meadows, Loach and Arnold. It's hoped that more people can find and let Summer into their lives. 9/10

Shaun and Daz have been friends since School. Now, in their adulthood, Daz is terminally ill and wheelchair bound. Shaun himself is unemployed and full of frustration and anger about his life. The movie works very well with the flashbacks to their youth when they were tearing around the local neighbourhood and, sometimes, getting into trouble. Shaun develops huge problems by not being able to cope with Dyslexia and the viewer sees his life falling apart. There is also a strong sense that society (and the authorities) are letting Shaun down. This social drama has many facets but it mainly draws on the perceptions that are out there about Dyslexia and its associated problems. The performances, both by Carlyle and Evets are outstanding, the photography sublime and the screenplay is as real as it gets. Highly underrated in my humble opinion.