The Unloved

This was so well-directed and acted that it seemed at times like a documentary. Avoiding any clichés and easy answers it was moving and compelling. Clearly Samantha Morton is going to be as great a director as she is an actress. The expressionistic filming style and the long static shots reminded me a bit of Lynne Ramsay's work, which is a compliment in itself! I wish it had been shown in cinemas, as it would have won many awards in my opinion. All the actors were great, as i said above so naturalistic that it seemed at times like watching a documentary. Great performances in particular from the little girl Lucy, and the troubled Lauren that she met whilst in the care home. Highly recommended.

I know, because this was my childhood. I have never reviewed a movie on IMDb before, but this one touched me so deeply that I had to. Every actor in this is so phenomenally good that I never once felt like I was watching an actor. The editing, the direction, the soundtrack – all superb. Everything about this film is stunningly beautiful in a melancholy kind of way. It is the artful depiction of what I would like to believe of myself: that although my childhood circumstances were dire, my reflection of them and the character I've derived from them are beautiful. Thank you, sincerely, to everyone who brought this story to life.

Watched this last night knowing it would stir up all the emotions you can imagine when dealing with the abuse of children and to be honest I was hoping it would be rubbish so I would have the excuse of stopping watching. Well it was powerful stuff, understated drama without being overly dramatic. You wanted to reach out and hug the girl, buy her clean clothes, give her so called carers an earful not for not caring but for not paying attention. If the system is in any part like this, and I'm sure it is, then those in the business should get a wake up call from watching this in learning what not to do. Samantha Morton can be proud of this work as a directorial debut and I am sure it was cathartic based on her childhood as she was in care until 16. Molly Windsor is excellent in the role as the child. Robert Carlyle's is quality as usual

Lucy (Molly Windsor) is eleven years old living with her abusive father (Robert Carlyle). She is put into foster care and faces a chaotic unloving system. Her roommate is 16 year old Lauren (Lauren Socha). Lauren runs away taking the quiet Lucy with her. They get into trouble with the police and brought back to the home.

It's an impressive directorial debut from Samantha Morton. The tone is very haunting. The young girl is put to the great use by keeping her mostly silent. It permits the audience to inhabit her character. Lauren Socha is also quite effective as the teen delinquent character. The biggest drawback is the long running time. This movie could be even better distilled into a tighter pace. Morton seems to be indulging a little too much in long ambling scenes.

With this film, Samantha Morton has done better than most actors-turned-directors, as she displays an understanding not just of the ways in which films make meaning and are experienced by their audience, but also of human behaviour and the way life itself unfolds. While similar subject matter has certainly been covered before in British films, from Ken Loach to Lynne Ramsay (from whom Morton seems to have learned cinematic pacing and how to "show and not tell"), this film is still able to give a fresh experience, just like how many people share very similar lives on the surface, yet each one is unique.

Without giving anything away plot-wise, the scenes which stand out for excellent direction, acting and pacing are the opening one between the main character and her father, another later on between these same characters in a pub, an outdoor rave, and a fight that breaks out between a group of adults who are supposed to be the responsible ones (though the beauty of the way this scene is handled lies in the fact that we can't be sure some of them *aren't* being responsible by doing what they're doing!).

The last shot could have been one of the stronger endings I've seen in recent cinema, but the music that plays over it detracts from the power it could have had - instead of allowing viewers to have their own individual reactions to this image (and there's enough power and emotion inherent in the situation that it would be nearly impossible not to experience something during this shot), the music tells us what the emotions are, through both instrumentation and lyrics. This serves to detach the audience somewhat from what we're seeing, instead of sucking us in like most of the film has already succeeded so well in doing.

I can only hope Morton directs another film in the (near) future.