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IMDbPro

Freakonomics

  • 2010
  • PG-13
  • 1 h 33 min
AVALIAÇÃO DA IMDb
6,3/10
7,8 mil
SUA AVALIAÇÃO
Freakonomics (2010)
Some of the world's most innovative documentary filmmakers explore incentives-based thinking.
Reproduzir trailer2:32
2 vídeos
12 fotos
Documentário

Adicionar um enredo no seu idiomaA collection of documentaries that explores the hidden side of human nature through the use of the science of economics.A collection of documentaries that explores the hidden side of human nature through the use of the science of economics.A collection of documentaries that explores the hidden side of human nature through the use of the science of economics.

  • Direção
    • Heidi Ewing
    • Alex Gibney
    • Seth Gordon
  • Roteiristas
    • Peter Bull
    • Alex Gibney
    • Jeremy Chilnick
  • Artistas
    • James Ransone
    • Morgan Spurlock
    • Tempestt Bledsoe
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,3/10
    7,8 mil
    SUA AVALIAÇÃO
    • Direção
      • Heidi Ewing
      • Alex Gibney
      • Seth Gordon
    • Roteiristas
      • Peter Bull
      • Alex Gibney
      • Jeremy Chilnick
    • Artistas
      • James Ransone
      • Morgan Spurlock
      • Tempestt Bledsoe
    • 33Avaliações de usuários
    • 45Avaliações da crítica
    • 58Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 1 indicação no total

    Vídeos2

    Freakonomics
    Trailer 2:32
    Freakonomics
    Freakonomics: First 3 Minutes
    Clip 3:04
    Freakonomics: First 3 Minutes
    Freakonomics: First 3 Minutes
    Clip 3:04
    Freakonomics: First 3 Minutes

    Fotos11

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    + 8
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    Elenco principal79

    Editar
    James Ransone
    James Ransone
    Morgan Spurlock
    Morgan Spurlock
    • Self - Narrator
    Tempestt Bledsoe
    Tempestt Bledsoe
    • Self
    • (cenas de arquivo)
    Melvin Van Peebles
    Melvin Van Peebles
    • Self - Narrator (segment "It's Not Always A Wonderful Life")
    Bill Gates
    Bill Gates
    • Self
    John D. Rockefeller
    John D. Rockefeller
    • Self
    Ngozi Jane Anyanwu
    Ngozi Jane Anyanwu
    • Uneek
    Tarô Akebono
    Tarô Akebono
    • Self
    • (as Akebono)
    Veronica Heffron
    • Courtroom Audience
    Zoe Sloane
    Zoe Sloane
    • Blake
    Dan Chen
    Dan Chen
    • Bruce-Cubicle Worker
    Rahmel Long
    Rahmel Long
    • Courtroom Audience
    Richard Kohn
    • Judge Ignatius Lyons
    Emma Meyers
    • Angela-Cubicle Worker
    Bronson Gilmore
    • Kevin-Cubicle Worker
    • (as Tyler J. Gilmore)
    Greg Crowe
    Greg Crowe
    • Johnny the Mechanic
    Kahiry Bess
    • Deshawn
    Steven Levitt
    • Self - Author
    • Direção
      • Heidi Ewing
      • Alex Gibney
      • Seth Gordon
    • Roteiristas
      • Peter Bull
      • Alex Gibney
      • Jeremy Chilnick
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários33

    6,37.8K
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    Avaliações em destaque

    6Promontorium

    Entertaining but light on details

    This isn't really a documentary. A few of the chapters from the book are presented in this film. The way the issues are presented usually involve first Levitt and Dubner speaking about the issue interspersed with various imagery and animation. Some archival footage is used. Particularly when the topic addresses famous historical events. Each segment will also have actors re-enacting events or acting out original scenes to present the topic visually. There are also other experts or people who call themselves experts (like an "expert" in baby names) talking about the issue. Finally there is some footage of actual people either discussing personal experiences, or in the case of the high school students, the students themselves living their lives. Although even this seems staged at points.

    It seems they used a lot of flashy graphics and various forms of presentation to cover up the fact that this film is ultimately Levitt, Dubner and the narrator just talking generally about the issues covered in the book. I'm a fan of the podcast so if this film had just been them talking and nothing else I'd still have liked it. But there is a sense of lacking an opportunity in creating something new on film. All the colorful imagery doesn't bring anything new to the table.

    The film doesn't cover the entire book. I haven't read it in years but one of the more important topics to me was about the drug dealers which wasn't in the film.

    What I found really lacking, beyond the visual or the missing chapters, is that they didn't really go into detail with anything. They vaguely reference statistics, but hardly show any. They make off handed comments about important concepts that they don't spend any time on. Two of the most important themes of the entire work, causation vs. causality, and the power of incentive are hardly discussed beyond the immediate topic. For example while they note in the film that people often mistake correlation with causation, and that finding cause is very difficult, they don't spend a second actually explaining why cause is difficult to ascertain (except that it isn't immediately apparent). Day one of a social science course is going to identify the difficulty or impossibility of defining cause. Levitt and Dubner do not mention that while statistics and economics in the scope of numbers is natural science, their application in Freakonomics is social science, and all the stats in the world won't necessarily prove cause in social science.
    lor_

    Uneven, mainly ho-hum documentary

    Employing 5 teams of directors (who did not collaborate per the producer's q&a comments), the film adaptation of FREAKONOMICS is a hit-or-miss extravaganza, mostly missing the mark. Even fans of the popular book (and its followups) are unlikely to be stimulated.

    Superstar doc director Alex Gibney takes precedence here, and producer Chad Troutwine acknowledged at the post-screening q&a that his segment runs long for some audiences. I found his study of corruption in the ranks of Japan's sumo wrestling rather uninteresting, and Gibney's forced comparisons to the bad boys of Wall Street (Bernie Madoff, etc.) pointless and self-serving.

    Movie's most controversial sequence has to be Eugene Jarecki's elaboration of the book's chapter on the causes of the lowered U.S. crime rate in recent decades. As an anti-Giuliani New Yorker I certainly ate up the red meat portion of the footage, indicating that our local self-appointed savior really had nothing to do with the dramatic lowering of the NYC homicide and violent crime rate since around 1989. However, author/economist Steven Levitt's conclusion that, statistically, 50% of the reduction in crime in this country is attributable to Roe v. Wade making abortion legal and readily available to a whole generation beginning in the '70s (causing there to be fewer unwanted kids in existence who might have grown up to become serious criminals 16 to 20 years after) spurious and more a case of grandstanding that solid science. Sure, he controlled for all the relevant variables (areas of the country that had already legalized abortion prior to 1973 vs. the rest of the nation, etc.), but I don't buy it. And worse yet, where does it lead us -to endorse eugenics next?

    That segment exemplifies my basic problem with FREAKONOMICS, the publishing phenomenon and now the movie: trying to analyze complex issues from an economic standpoint is simply not applicable to all situations, unless you force it. It is just Levitt applying his expertise willy-nilly in what I take to be self-aggrandizement, and obviously millions of people are taken in by his con. Watching the film I became painfully aware of his heavy emphasis, almost ad nauseum, on the concept of "incentives", which he clearly believes professionally to be a basic way of explaining human behavior. Repeated over & over, the shallowness of this approach becomes quite evident.

    There is a very cute segment by Morgan (SUPERSIZE ME) Spurlock on naming children, emphasizing issues with the prevalence of unique (even Uneek as a choice) names within the Black community, but this is also one of the dumber segments by the time all the theories have been trotted out and lampooned. The femme directors Grady & Ewing take on use of cash incentives (there's that word again) to attempt to approve grades and achievement of Chicago Heights ninth graders, but that part of the film struck me as pretty phony, even including a fantasy sequence, though the main protagonist named Urail (another unique name victim) is a winning screen presence.

    Seth Gordon, who interviewed Levitt and his co-author, journalist Stephen Dubner at length, comes off best in this documentary since he does only the intros & interstitial segments. Overall, as one naysayer at the q&a perceptively noted, the film is mainly old-hat.
    marymorrissey

    exasperating obnoxious time wasting overly decorative irritating style

    now I've seen something by morgan spurlock finally, which at least didn't involve watching him doing schtick or shooting off at the mouth, and yet... it couldn't have been more annoying! the piece on sumo wrestlers begins with this "artistic" minute or so of wrestling shots with Japanese characters and numbers ticking off on either side of the screen. what's the point? Art? What a joke. This movie had far too much ground to cover to waste time with dubious post production wizardry that served only to slow the thing down.

    Also, the music is INCREDIBLY annoying and far too loud a lot of the time. The opening credits were also far too long and "fancified" as if bells and whistles would make them any less of a waste of time to sit through.

    I could not get through the Sumo section. I also found, I have to say, the authors, as I guess they were, the two guys "playing off each other" cause they imagine themselves to be "funny"... to be incredibly annoying. As in, guy 1: I'm about to sell my house. Guy 2: and a very nice house it is! I say so! I'm the real estate agent1" LOLs galore try just shutting your butt face and letting the damn information proceed. Or is it clever or funny in some way for filmmakers to ask 2 experts, "so is there a name I could name my child that would guarantee his success in the world?" HAHAHA it's that famous "Wit" again! Obviously this isn't possible! Anybody would know, especially at the end of this overlong segment that established this over and over first from the mouth of one expert then from another mouth of another expert. Why it must be HUMOR and COMEDY that motivated the question! HAHAHAH! LOL! HORRIBLE attempt at infotainment that had me feeling like kicking in my television...

    Life is far too short for a film like this to pollute my brain. I'll take the advice of another reviewer here to check out the wiki entries on the book, since it's clear to me I wouldn't enjoy the style of these two entertaining economics professors or whatever they are, borderline criminals offers the "funny guy" LOL HAHAHA!
    3angry127

    Poor Documentary

    I never read the book, but know that it is very popular. The movie does a bad job at selling the book.

    Though, I would still be up for reading the book after having watched the movie. This is because the fault of the movie was only partially due to the content of the book. The movie tries to move along at quick pace at the beginning. It has a very catchy poppy kind of theme to it and talks about a real practical use of the study of economics.

    After those 5 minutes, things seem to go terribly south. We get this long and fact lacking piece about sumo wrestling. There is an interesting statistic at the beginning of the segment about how sumo wrestlers will lose matches when there is no real loss to them in order to get payback in the future. The rest of it is exposition about how all the super smart economists are using these fancy numbers and statistics to give very good proof that sumo wrestlers are cheating. I would have liked to hear more about these statistics and the reasoning behind why its very likely that we're cheating. This smug movie instead insults our intelligence and passes by this thinking that we would be too stupid to understand it. The narrator goes on about assassinations of whistle blowers... blala yada yada. I started to lose interest at this point.

    There was a part that had an interesting look at why abortion may be one of the key reasons of the drop in crime in the 90's. This really peaked my interest and some convincing figures where given. I liked this segment and am eager to read more about this.

    After that is a boring long Good Morning America-esque expose on paying kids to get better grades in school. The kids are annoying, the concept is annoying, the results are paltry, and it all seems pretty meaningless by the time you get to the end of it. This was the segment that really killed the movie. It felt like it went on for an hour, although I'm sure it didn't. This reality show garbage really shouldn't be in any kind of movie that calls itself a documentary.
    bettycjung

    Pop Economics 101

    1/27/18. An entertaining documentary that looks at the various ways economics play a role in our lives. So educational without feeling like you are being lectured to about ethical behaviors, cheating, etc. Worth catching. You'll learn some about how society functions!

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Lian Amado's debut.
    • Citações

      Steven Levitt - Author: The closest thing to a worldview, I would say, in "Freakonomics," is that incentives matter. Not just financial incentives, but social incentives and moral incentives.

    • Conexões
      Features A Felicidade Não se Compra (1946)
    • Trilhas sonoras
      Ave Maria
      Written by Johann Sebastian Bach

      Performed by Amy Butler and Mary Jane Newman

      Courtesy of X5 Music Group

    Principais escolhas

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    Perguntas frequentes19

    • How long is Freakonomics?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 3 de setembro de 2010 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Centrais de atendimento oficiais
      • Official site
      • Official site (Japan)
    • Idioma
      • Inglês
    • Também conhecido como
      • Фрикономика
    • Empresas de produção
      • Chad Troutwine Films
      • Cold Fusion Media Group
      • Green Film Company
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 2.900.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 101.270
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 31.893
      • 3 de out. de 2010
    • Faturamento bruto mundial
      • US$ 122.216
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 33 min(93 min)
    • Cor
      • Color
    • Mixagem de som
      • Dolby Digital

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