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lor_

Entrou em jul. de 2001
Retired; former editor of Motion Picture department of Variety Newspaper (NY hdqts.). Variety signature for reviews: lor.

Served as Chairman, New York Film Critics Circle: 1993/94.

Favorite interviews were with: Michael Douglas, Sophia Loren, DeForest Kelley, Joan Chen, Joe Henderson, Ismail Merchant, Klaus Kinski, Joseph L. Mankiewicz, Spike Lee, Malcolm McDowell, Zoe Lund, Melvin Van Peebles, Ultra Violet, Wolfgang Petersen, Claudia Cardinale, Serge Silberman, Margarethe von Trotta, Alec Guinness, Leonard Nimoy, Susan George, Joseph Losey, Gale Anne Hurd, Dennis Hopper, Peter Greenaway, Katt Shea, Ken Russell, Maggie Greenwald, Jim Jarmusch, Peter Brook, Jurgen Prochnow, Andy Warhol, Judy Davis, Chuck Vincent, Fred Zinnemann, Wim Wenders, Max Von Sydow, Michael Moore, Terry Gilliam, Rita Jenrette, Karen Lynn Gorney, Bruce Beresford, Jack Thompson, Russ Meyer, Sam Raimi, Abel Ferrara, John Sayles, William Greaves, Nino Manfredi, Lee Van Cleef, Michael Cuscuna, Bille August, Jewel Shepard, Andy Sidaris, Michel Deville, Claude Sautet, Claude Lelouch, Alfonso Arau, Alan Parker, Reinhard Hauff, Traci Lords, Jim Jarmusch, Martha Coolidge, Candida Royalle, Giuseppe Tornatore, Edward James Olmos, Paul Hogan, John Mackenzie, Peter Hyams, Jennifer Beals,, Adrian Lyne, Samuel Fuller, Dario Argento, James Toback, Lasse Hallstrom, Fred Williamson, Gabriel Axel, Joe Bastianich, Aaron Sanchez, Danny Meyer, Steve Hanson, Matthew Kenney, Douglas Rodriguez, Simon Oren, Stanley Donen, Lindsay Anderson, Helena Bonham Carter, Edward Pressman, Harold Becker, Larry Cohen, James Ivory, Jack O'Connell, Michael Phillips, Kevin McClory, Jackie Mason, Joan O'Brien, Stanley Donen, Joseph B. Vasquez, Don Bluth, William Lustig, Al Goldstein, Simon Wincer, Valeria Cavalli, Dave Fishelson, Lizzie Borden, Roberta Findlay, Rob Cohen, Doris Wishman, Robert Tapert, Bruce Campbell, Bill Cosby, Pasquale Squitieri, Menahem Golan, Yoram Globus, Tim Kincaid, Joel M. Reed, Gregory Dark, T.L. Lankford, Fred Olen Ray, Victoria Paige Meyerink, Lawrence D. Foldes, Rick Marx & Ted V. Mikels
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Listas2

  • Michael Douglas
    Favorite Interviewees
    • 137 pessoas
    • Público
    • Modificado 21 de jan. de 2025
  • My Other Interviews
    • 365 pessoas
    • Público
    • Modificado 18 de dez. de 2024

Avaliações22 mil

Classificação de lor_

Precious Assets

6,8
  • 1 de ago. de 2025
  • Trivial Sam Strong vehicle

    As usual, Ron Jeremy, directing under the fake name "Bill Blackman", doesn't take his work seriously behind the camera. Here he has a cast of five, yielding four okay outdoor sex scenes with negligible story/characters.

    Dan T. Mann & Samantha Strong play a married couple (of 5 or 6 years) belatedly taking his boat on a scenic lake to an island for a honeymoon. They f*ck on the boat and then Dan tells her about seeing a "hairy man" (Ron Jeremy) on the island years ago f*cking a pretty girl on the island one night. Frankie Leigh (credited as "introducing") plays the girl in flashback.

    In voice-overs we learn that Sam has her heart set on having a first lesbian experience on this trip. The couple sees Rachel Ashley sunbathing on the beach and Sam gets horny and with Dan watching she gets to make love to Rachel, with dove f*cking emphasized.

    Dan is frustrated and while Sam is sleeping on their boat, he goes back and f*cks Rachel one night, telling her after his cum shot that he's actually devoted to his wife.

    The sex scenes are well-performed, enough to make the poor VHS feature watchable for an undiscriminating porn fan.
    Anjos e Demônios

    Anjos e Demônios

    6,7
  • 1 de ago. de 2025
  • Poor casting

    Movies like this are all about money (big-budget & expensive novel-to-movie rights) rather than quality. Ron Howard has a fine career going without such a cash-in followup to his previous Dan Brown hit.

    Hanks as the famous lead character (again in Brown's novels) is unconvincing throughout: he's in the movie history books as a great everyman character lead, but not believable as the knows-everything professor. Profitable hack writers Koepp and Goldsman, who have scripted many a hit with formula action & dialogue, contribute constantly boring "clues" and "solutions" from Brown's religious themes that make no sense and are not satisfying as we see the cast run from place to place around Rome and Vatican City on a wild goose chase. It's the exact same formula as those stupid Nic Cage "Natural Treasure" movies but even more cryptic.

    Ayelet Zurer is a blank space as the heroine -for such a big-deal production couldn't they have cast one of the dozens of talented superstar actresses? And Armin Mueller-Stahl and Stellan Skarsgard are stuck with strictly functional walk-through roles, plus Ewan MacGregor looking out of place throughout.

    The busy final reel when things finally are explained and interesting is very hokey, especially the ridiculous anti-matter bomb action. The use of the Vatican conclave is strictly a gimmick -compare with the great and even educational use of that ritual in the recent movie "Conclave".
    Anahata

    T1.E1Anahata

    Nautilus
    7,0
  • 31 de jul. de 2025
  • Fun approach

    A quite different version of Verne's Captain Nemo, this international production boasts the kind of derring-do and adventure I used to enjoy at Saturday afternoon matinees. Disney's Kirk Douglas film of "20,000 Leagues Under the Sea" was among the first films I ever attended at a cinema as a child, and this is a worthy successor.

    The anti-colonialist story line is appropriate, as well as the radically different casting. With top-notch production values, it plays with a type of sincerity absent from so many similar "reimaginings" of genre adventures, like the Disney "Pirates" movies or back when Sam Raimi was creating satirical efforts like "Xena" and Kevin Sorbo as "Hercules".

    Dashing Shazad Latif as Nemo and the resourceful Georgia Flood as heroine Humility are delightful in their roles, and play them "straight", without any annoying tongue-in-cheek elements.
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