Sisi

I saw this already the third time. It is Not a Romy Schneider remake. It is a completly new fiction series. Yes it is fiction, But Shows more complex charakters- more like the real Sisi was. You can feel how many passion was put into this.

I definetly Love it. As a kid I loved the Romy Schneider films. You have to be open minded to really enjoy this Show- But then I promise you will:)

The cast is excellent, a viewer can really feel the chemistry between Franz and Sisi. But unfortunately the plot lacks historical accuracy. Franz Joseph is depicted as the most horrible, emotionally unstable husband, healing every personal tradegy or political defeat by escaping into heavy drinking and having sex with prostitutes, leaving his wife suffering alone (for example, after the death of their daughter).

Season 2 started very promising but lost track soon after part 1. The character of Marie doesn't seem to have a logical place there; it is somehow forced and innatural to the development of the story. And when the "Hungarian" part of the story kicks in, the imagination of the screenwriters went very very very wild (here, they got completely off the track as far as the historical facts go).

On the flip side, the scenery is beautiful and some shots are breath-taking. I feel really sorry for the actors, they would deserve a better-written story. The public as well.

This is historical fiction that touches upon true history on occasion. Giving Sisi a far more important role in the politics of the time than she actually had.

With that said, this is a nice and really enjoyable series. Nice costumes, nice locations and good acting. Both the mrs and myself enjoyed it.

If you enjoy historical stories , but feel the need to have them told accurately, you probably shouldn't watch drama series, but instead turn your attention to the many excellent documentaries you can find.

Compared to the Netflix take on the same story, called "The Empress", this feels like the version for adults, while Netflix as usual has teenagers as their main target audience.

Make sure you read up on Emperor Fran's Josef and Elizabeth to learn their true story, because this series is not it.

That being said, it was a very good TV series, well done and entertaining. If you're a stickler for history it will grate for sure, but hopefully will spur viewers to do some research on these characters and the times, and that would not be a bad thing.

The true story of Sisi is actually far more tragic than this portrayal. She did influence her husband in certain matters, particularly in relation to Hungary but her experience as Empress was nowhere near that depicted in this show. She was beloved by the people but spent little time even living in Vienna, and she herself was assassinated when she was in her 60's.

Also interesting is that the Emperor Franz Josef would later be responsible for setting the wheels in motion that resulted in WWI, after his presumptive heir, Franz Ferdinand and his wife Sophie, were assassinated in Sarajevo by a Serbian.

To me, the true story -or history - is almost always better than what these writers and producers feel they need to conjure up for whatever reasons. That's disappointing.

But it's a good TV series, "based on a true story", with good acting, and beautiful direction in a beautiful country. You'll just have to bear with the alterations of fact, something I'm not fond of watching happen but as I said hopeful folks will be intrigued enough to do some research and find out the true story.

I'd recommend watching it but with those caveats.

I have to say I enjoyed the first episode quite a lot and was disappointed when the series began to lose its way in the labyrinth of ill-fitting desiner clothes, mediocre rock music, sloppy plot twists and completely improper comedy. A few drone shots of Vienna don't give the series any Viennese flavour, which instead feels kinda very post-Soviet. It struggles between being authentic and modernized, probably to attract a 21st century young adult viewer, and in doing so tends to lose its way. Moments of beautiful camerawork save induvidual scenes but are not enough to cover the somewhat empty narrative and the moments that reak of anachronisms. It almost feels as if there were two competing units at work - one that strives to make a downtonabbeyesque detailed trip into the history, and another that strives to make a rock opera in the vein of The Phantom that really doesn't give a damn about historical etiquette, accuracy or plausability of the events. Many overly dramatic but emotionally empty and disconnected scenes bear witness of an insecure and disfunctional team of writers and script doctors.

Often a nice fairy tale and a handsomely mounted tale, if you can look past the very preposterous twists, Franz Josef's waxed bodybuilder boobs and the endless array of haute couture dresses with zippers. And no, they didn't eat breakfast, ride or roll in the hay always in glittering, much-revealing, sex-oozing evening gowns.