Vitória: A Vida de uma Rainha

I can not believe the production company nor the various directors could/would want to end the series where they did, in the middle of an emotional crisis. There are another 40 plus years of history, let alone many wars, adventures, and the entire Industrial Revolution. Is it that actors were tired of the fabulous custumes or were they tired of riding in unglamorous coaches? I think most of the watching audience had emotional attachments to many of the characters and or actors, including good, bad, love and disgust, all good character development!!! It will never be too late to revive the series, albeit the actors have aged, but so have the characters!

I have eagerly anticipated this mini series ever since Jenna left Doctor Who and announced she was to play the famous Monarch. Period dramas have been hit and miss of late, we've had Jericho, War and Peace, Doctor Thorne etc, I'll leave you consider which were hits.

I knew from watching her Doctor Who journey that she'd be an actress capable of leading a drama and doing justice to a huge historical figure, I love her portrayal of Victoria, she has some presence and a definite strength of character. Rufus Sewell I thought was exceptional as Lord Melbourne too, the complex relationship the pair had in real life was explained very well.

The settings, costumes, and general production values were first rate, the show felt incredibly plush and lavish, I shudder to think of the budget for this series.

Totally engaging, this was first rate viewing 9/10.

It starts very well. They give a nice insight into an 18yo girl, totally protected and kept from everything except her family, suddenly dropped into the position of Queen of the most powerful country on the planet. Not unexpected, but completely unprepared. The early episodes are very good. Melbourne and Peel are both very well done and the drama does what it should do, it breathes life into history.

The problems start when Albert appears. Tom Hughes is simply dreadful as Albert, completely unconvincing. Albert was an intense, prickly and stubborn man. Hughes plays him as a sulky toy boy. It is awful. But then Hughes tends to play sulky toy boys so it is hardly a surprise. A better casting would have been Daniel Brühl who played Nikki Lauda in Rush, but there it is. I suspect Hughes was included as eye candy for the ladies, and certainly as a man I found Jenna Coleman very nice to look at, so I don't begrudge them that. The difference is Coleman carried her part well, Hughes was all wrong. By contrast, his brother Earnest is excellent.

It also gets increasingly soapy after Albert arrives on the scene, culminating in a final episode that is little more than an extended advert for the 2nd series. It gets quite bad. It is known that Albert was not that keen on Victoria and accepted her proposal because it was his duty to do so. He fell in love her, very much so, but after they were married. That won't do at all for a soap (it would be OK the other way around), so he has to be besotted from the start. It's hard to see the Prince Albert we are given by Hughes falling in love with anyone except himself, so it's all very false.

On the basis of seeing the first episodes of this Masterpiece drama, broadcast in the UK by ITV, I can freely say that I am hooked on to it. Daisy Goodwin's script is both taut and cleverly written, while the performances of the main protagonists are uniformly convincing. I particularly like Jenna Coleman's characterization of the young Queen - so apparently vulnerable yet possessed with an inner strength of will that enables her to resist the repeated blandishments of her self-interest mother the Duchess of Kent (Catherine H. Flemming), who so dearly desires to assume the title of Regent, aided and abetted by her unscrupulous ally Sir John Conroy (Paul Rhys).

This eight-part drama wears its moral scheme on its sleeve by contrasting the hissable villain the Duke of Cumberland (Peter Firth), with the pragmatic yet goodhearted Lord Melbourne (Rufus Sewell), who admires the Queen yet remains convinced that she has to transform herself from an immature girl into suitably monarchical material, and will try his utmost to achieve that transformation. Sometimes he has to be cruel to be kind, but all in a good cause. In between these two extremes stands the Duke of Wellington (Peter Bowles), and Sir Robert Peel (Nigel Lindsay), both members of the Tory Party (and hence implacably opposed to Melbourne's politics), but interested in maintaining the business of government.

As with most television costume dramas, the sets and decor are both opulent and historically accurate, supplemented by useful CGI shots where necessary. I especially liked some of the cinematographic effects (by John Lee) - especially the use of aerial shots to suggest the insignificance of humanity when compared to the greater business of running the country.

And it is this sense of contemporaneity that lifts VICTORIA out of the run-of-the-mill and transforms it into living, breathing drama. We hear a lot about the importance of "duty" - from the Queen as well as her friends and enemies - and we are led to speculate on what that term really signifies. Is it just a catch-all description masking self-interest, or do people really believe in it? In light of recent political upheavals in the United Kingdom, with one Prime Minister resigning (ostensibly out of "duty"), and the opposition party tearing itself asunder with different conceptions of the same term, we wonder just how much VICTORIA is commenting on the present as well as the past, especially in its concern with politics and its relationship to the country's future.

I am definitely hooked, and await the remaining episodes with eager anticipation.

I usually don't mind when movies or shows are not historically accurate. Typically changed for dramatic effect and better pacing. However, they made Queen Victoria seem more caring about the ignored classes. She did not intervene on behalf of the Newport Chartists. She did not show compassion for the Irish during the Great Hunger and was known as the Famine Queen. Changing history to make people feel better about history is dangerous. It reduces the struggle and discrimination of people considered as other. Outside of the misrepresentation of Queen Victoria, the acting, set, costumes, screenwriting, and cinematography are commendable.