Squaring the Circle: The Story of Hipgnosis

As "Squaring the Circle: The Story of Hipgnosis" (2023 release; 101 min.) opens, we are introduced to, Aubrey "Po" Powell, one of the founders of the (album cover) art design group Hpygnosis, reminisces of what life was like in Cambridge 1966, and how he met Strom Thorgeson, the other o-founder. In their circle of friends and acquaintances were Roger Waters and David Gilmour, leading to the breakout debut album cover design for Pink Floyd's second album, 1968's " Saucerful of Secrets". At this point we are 10 minutes into the documentary.

Couple of comments: this documentary is directed y none other than Anton Corbijn, best known for he working going back decades with Depeche Mode. Corbijn must've called in a lot of favors. As he gets tons of top notch rock stars to serve as talking heads, including Paul MacCartney, Peter Gabriel, Jimmy Page and Robert Plante, and many others. If you grew up in a certain era, much of this will be familier to you already. All that said, it makes for a entertaining if straightforward documentary with very few (if any) truly new revelations. Thai said, in the 15 years that Hypgnosis was active (1968 to 1983), they truly were the gold standard of rock album cover deigns, no question about it.

"Squaring the Circle: The Story of Hypgnosis" was made in 2022 but not released until earlier this years. It played a number of film festivals before starting to stream on Netflix not too long ago. The movie is currently rated 92% Certified Fresh on Rotten Tomatoes. Which seems a bit too high to me. Regardless, if you love(d) vinyl records, the album cover design was a crucial element of the overall album experience, and I'd readily suggest you check out "Squaring the Circle", and draw your own conclusion.

I was interested after seeing the trailer, and decided to see it, because I knew the director with the unpronounceable name is really good. I loved the film about Joy Division, and his videos are certainly way better than most.

If you're over a certain age, you're going to really love this film. If you loved Pink Floyd, and most of the album covers that accompanied the vinyl albums, you are really going to love this film. If you're curious what Hipgnosis meant, and how they got the name, yes, hope it plays in your town.

Like so much in life, the incredible success story could never make it into a feature film, because it's too ridiculous to believe. But this was real, and amazing coincidences kept happening, time and time again, making a really wonderful fairy tale, that's all true.

I see a lot of movies, and as the film ended, I wanted to clap. If you have any chance of seeing this in a theater, don't miss the opportunity.

You'll be happy you went.

I wasn't sure I could watch 101 minutes of this but it went by quickly. I could've watched another couple hours with these stories, although not likely in one sitting.

I laughed multiple times at the anecdotes about Storm's personality. It was great to see them told by people, musicians and friends, with firsthand knowledge and not just by fans. It was very well done.

I appreciate the work of Hipgnosis, and have been familiar with them for many years, although I prefer the work done by Peter Saville more.

Storm did design the cover for one of my all time favorite albums though, the Catherine Wheel's Chrome, from 1993.

Mixed bag, this film is. There are some redeeming moments of discovery, though. Lots of redundant imagery which is ironic, because this film reveals the kernels of Storm and Po, the creative duo who created lauded LP covers from the 70s and beyond. Anyone who is a graphic designer or photographer might be quite interested in certain portions of this film. Generally, I felt that most of the moments when Po is featured are like his ego is taking an extended bubble bath. But my review is not intended to discount his fine creative output, back in the days long before Photoshop. If you're enamored of a large host of Chirping Musician Heads, you might adore this film. Led Z members, Paul McCartney, Peter Gabriel, and a few from 10cc all share opinions. To be expected, just a handful of women are featured. For the back story on certain LP covers, the producers linger far too long, and the tone seeps into the arena of hagiography. The running time could have done with a tighter edit. Ironically, the final moments are rushed and a bit maudlin. Like many docs, it's neatly wrapped up with a tidy bow: just a few, perfunctory sentences. Believe it or not, I somewhat recommend this film, apart from the above reservations.

This documentary might seem a bit of a deep cut from the outside. The story of a design studio focused on record sleeves. Is it not all a bit boffiny. Well yes a little, but Hipgnosis do have quite a pedigree and with Anton Corbijn at the helm here, what transpires is a celebration of experimentation and creative expression. We all know the artwork. Pink Floyd, Led Zeppelin, T-Rex, Wings... er, 10CC but who was behind it all? Storm Thorgerson has a profile doesn't he. That's the (excellent) name you think of, certainly if you've been through art school. Po Powell though might be a bit more obscure. The other cofounder, he leads us through the 60s psychedelic boom, those early fumblings as they figured things out, LSD indulgence, riding their luck and falling on their feet, all whilst playing with visuals not seen anywhere else in pop culture. There's lots of voices here though, Dave Gilmour and Roger Waters (not together of course), Robert Plant and Jimmy Page, Paul McCartney, Noel Gallagher who sums things up beautifully saying "They represent the golden age of the music business, where people believed that music was art and it could change the world. Whereas now music is a commodity". There's as much about the environment and culture they worked in as how they actually created some of these works, but there's enough to keep every viewer happy. Whether it's terrifying stories of Zep's fearsome manager Peter Grant or Peter Saville hinting his inspiration for Joy Division's Unknown Pleaures. It's a fascinating story, made up of hundreds of little stories that paint a picture of a dizzying group of artists all feeding off one another, both good and bad. Egos, excess, flying pigs.