Ichi

Having seen other movies about the Zatoichi legend and having been less than entertained and having ended up ejecting the disc about half way through, it was with some hesitation that I sat down to watch this 2008 take on the legend.

I will say this this 2008 version was particularly stylish and interesting compared to the other ones I have seen. It stands out as it is heavier on the action and the acting, than the older movies that are heavier on the melodrama.

The movie is easily summarized for those not familiar with the legend of the blind swordsman. Ichi (played by Haruka Ayase), a blind traveling musician, is seeking out her mentor, and on her travels she meets up with Toma Fujihira (played by Takao Osawa) and the end up in a feud between the Yakuza and a gang of thugs.

"Ichi" has some good action scenes and sequences that were nicely choreographed, and they used a great combination of slow-motion and regular motion camera work to enhance the action. And the sword fight scenes were spices up with spray blood, although there wasn't actually any gore, so it was tastefully done. Oddly enough, though, with her skills with her sword, Ichi never got any blood on her and was always pretty and clean.

The movie was driven by a good story, and helped along by some pretty good acting. I must applaud Haruka Ayase for her portrayal of Ichi, because it was really nicely done; emotional and beautiful. The movie did suffer from the acting of Shidô Nakamura who played Banki, the leader of the thugs, it was overdone and very staged.

There was a lot of good camera work in the movie, and lots of nice scenes. They made good use of the scenery in the movie, and the sets were working quite well. And the costumes and props were working well in favor of the movie as well.

For a live action Manga, then "Ichi" was a good movie, entertaining and full of action. I was glad that I watched this, despite of my former bad experiences with the older movies. Recommendable for those who like feudal Japanese swords fighting movies.

Swordplay movies can come with pretty high standards, and the kind of production that might have been forgiven with 50s and 60s epics have to be rethought as we approach modern treatments. Fact is, ICHI is a fairly traditional version of the Blind Swordsman, though Haruka Ayase has a one-two punch of strong acting and good lucks. Dressed in rags, glowering, and compelling, Ayase is entirely convincing. Takao Osawa has winning chemistry with co-star, playing the drifter who had accidentally blinder his mother years before.

The swordplay sequences are shot in mixed slow and regular motion, digital blood spurting everywhere. Despite the carnage, her blade is always clean, her fingernails perfectly manicured, and always looking breathtaking under the worst of situations. ICHI is not, however, about realism; it's an adventure-romance, and anyone looking for complete accuracy will be disappointed. The real problem comes with the villains - Riki Takeuchi, usually good with pulp roles, overdoes his role as baddie - a fault that's shared by other antagonists.

The most satisfying swordplay yarns have original writing along with thrilling fights, but ICHI only the second part of the formula. As a result, the story is agreeable albeit rather ordinary.

Ichi is one of those films that make you remember that cinema is actually art and not just a tool for Western propaganda. It is very beautifully done, elegant and subtle. Especially if you like anime and manga you will enjoy this piece of art.

Beset by tragic circumstances, often instigated due to her unfathomable beauty, the cruel fates bestowed upon her poignantly explored over the course of the feature, Ichi (the enthralling Haruka Aysae), a goze (a blind performer, who serenades people with her vocal talents and shamisen playing capabilities), with uniquely outstanding sword fighting skills, provided by a master she longs to discover, is forced to wander alone, after been accused of nefarious activity that was not of her own doing.

Set during an unidentified ancient period in Japanese history, the self-titled Ichi combines exceptional cinematography that wondrously captures the environments, while at the same time, the lavishly rich musical score heightens the beauty of the environments, and the poignancy of the horrible occurrences the leads are forced to endure. The bloody violence that accompanies the fight scenes is neither over the top, nor too little, and much like the rest of the feature, efficaciously encapsulates what can only be perceived as an accurately brutal portrayal of how cruel and barbaric, yet at the same time, vivid, life in this particular period could have been.

Touma (Takao Osawa) is a swordsman on a pilgrimage, and though he is capable of pretentiously boasting about his capabilities, he finds himself unable to draw his sword, for reasons that are conveyed over the course of the plot. The decision to not automatically reveal the back-story of the two leads brilliantly makes both characters mysterious and enchanting, as we hang on their journeys, in the hopes of discovering more about them, the depth provided to their characters been exceptionally orchestrated. Upon venturing into Ichi's life, she is forced to defend him against members of the villainous Ban-ki gang, their deaths spurring a vendetta, cast by their fellow members.

Led by the antagonistic Banki (Shido Nakamura), a once revered Samurai, past events left his face hideously scarred, though these afflictions are not nearly as grotesque as his mind, this man being turned into a lunatic warrior with a thirst for bloodshed, his violent origins having a direct link to Ichi, which is again further developed as the plot progresses. Accompanying Banki are a collection of equally violent men, one of whom being Izo (Riki Takeuchi), a fighter who proves to be almost as equally terrifying as his leader.

On their journey, Ichi and Touma come upon a town run by the Shirikawa's, a family consisting of Chobee (Akira Emoto) and his son, Toraji (Yosuke Kubozzuka), both of whom are members of the Yakuza, their township been plagued by continuous raids from the wretched Ban-ki gang, the local governmental personnel been unwilling to provide support. With the help of Kotaro (Ryosuke Shima), a young boy, Ichi is able to explore the town, during which she punishes members of the Ban-ki gang, Touma taking the credit for this particular brand of justice, which causes the town to hire him as their protector, unknowing that he is in fact incapable of providing the assistance they require, as the advances by the enemy continue to rapidly escalate.

As Ichi and Touma begin to spend more time together, a unanimous form of understanding and respect begins to grow between them, as the two traveling individuals discover they need each other for separate reasons. It ought to be noted, some of the sexual content in the film evolves around rape, and though I personally loathe films that use rape, or the threat of rape, as a form of entertainment, in the case of Ichi, this hideous act is used to not only realistically depict the horrors of the climate, but strengthens the sympathy we feel towards specific characters.

Although I have not previously witnessed the Zatoichi films this particular feature carries on from, so am unable to offer a comparative analysis, Ichi is a moving film with an equal amount of heart, brutality, character, depth and action, which elegantly and continuously captures the attention of its audience with the use of adventurous direction and poetic beauty.

Ichi is supposed to be a remake of Zatoichi but for some reason I feel that its more like the 1st Crimson Bat movie.

I think a lot of the negative reviews is because of its inevitable (since it claims to be a zatoichi remake) comparison to Zatoichi. The characters are of course blind but while the zatoichi characters have mannerism such as the way he acted, the facial expressions and the way he talked. This Ichi is totally devoid of all personality. Ichi's features range from wooden stoic to wooden sadness to wooden expressionless. Her speech is in monotone and her action/motion are no different from people with vision, except for the cane.

However if you compare it to Crimson Bat it becomes better. The plot and character becomes almost similar, abandoned by parent and took up Goze as a living. Travelling in search of the parent. The unseeing open eyes and expressionless face (although Crimson Bat still shows more personality). Even the gambling sequence where she wins by listening to the dice.

The actions scenes with Ichi are not bad, nice quick and slow motioned sequence. One cut type kills. But the action sequence are far in between. But the part where she fights the main baddie is weak.

A well shot movie thats worth a watch. Just don't compare it to Zatoichi.