AVALIAÇÃO DA IMDb
6,3/10
113 mil
SUA AVALIAÇÃO
Em um futuro próximo, quando órgãos artificiais podem ser comprados no crédito, um homem sofre para pagar um coração que comprou. Portanto, ele precisa fugir antes que o órgão seja tomado de... Ler tudoEm um futuro próximo, quando órgãos artificiais podem ser comprados no crédito, um homem sofre para pagar um coração que comprou. Portanto, ele precisa fugir antes que o órgão seja tomado dele.Em um futuro próximo, quando órgãos artificiais podem ser comprados no crédito, um homem sofre para pagar um coração que comprou. Portanto, ele precisa fugir antes que o órgão seja tomado dele.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 2 indicações no total
Avaliações em destaque
It's is the near future, Jake and Remy are repossession men for body organs. After a repo' goes wrong Remy's heart is replaces and he finds himself on the run before his heart is repossessed.
It's a high concept idea with a twist at the end. The gory repo scenes are cringe worthy and action scenes backed with a pumping music score are amazing. The sets, location and effects are attention-grabbing. Miguel Sapochnik's directing admirable but its failing is the screenplay, Repo Men is a jarring mismatch of a film, it doesn't know what it wants to be, one minute a social commentary, the next minute a comedy, then an action, a serious thriller and so on. It just doesn't gel and as a result it's a let down.
Schreiber's Frank is menacing as one of "The Union" heads and there's a welcomed cameo appearance by John Leguizamo (Asbury). A lighter, healthier Forest Whitaker makes an impression in this odd toned movie, quirky lead and ever reliable Jude Law looks uncomfortable with the role Remy. Alice Braga's (Beth) performance is average and she isn't atheistically beautiful enough to convince the audience of Remy's infatuation with her.
Unfortunately, Repo Men tries to cater and appeal to a spectrum of movie goers and as a result fails to entertain or satisfy in any capacity or arena.
It's a high concept idea with a twist at the end. The gory repo scenes are cringe worthy and action scenes backed with a pumping music score are amazing. The sets, location and effects are attention-grabbing. Miguel Sapochnik's directing admirable but its failing is the screenplay, Repo Men is a jarring mismatch of a film, it doesn't know what it wants to be, one minute a social commentary, the next minute a comedy, then an action, a serious thriller and so on. It just doesn't gel and as a result it's a let down.
Schreiber's Frank is menacing as one of "The Union" heads and there's a welcomed cameo appearance by John Leguizamo (Asbury). A lighter, healthier Forest Whitaker makes an impression in this odd toned movie, quirky lead and ever reliable Jude Law looks uncomfortable with the role Remy. Alice Braga's (Beth) performance is average and she isn't atheistically beautiful enough to convince the audience of Remy's infatuation with her.
Unfortunately, Repo Men tries to cater and appeal to a spectrum of movie goers and as a result fails to entertain or satisfy in any capacity or arena.
Just a great old fashioned action/thriller that is not watered down for a PG-13 rating. Thought it held up quite well and Jude Law, Forest Whitaker and Liev Schreiber were having a blast playing these over the top characters. Seems like a lot of reviewers are taking it much to seriously. Watch it for the entertainment that it is and you will not be disappointed!
When this movie came out, I immediately thought of the film:"Repo The Genetic Opera" by Terrance Zdunich. But NOPE! Even though its basically an exact carbon copy, minus the lower budget and singing, Repo Men is the exact same story. I was pretty shocked to learn it was not made by Zdunich, and could find nothing online regarding litigation or even any mention of the literal sameness between the two stories. This was an okay movie, but it just felt like it could have gone so much further, been more hardcore, cooler, enthralling and less obvious. But again, this story was already done and then some in Repo, The Genetic Opera. NOt everyone has the same "tastes" or sense of whats good, so be your own judge. But the musical was cooler.
All in all, I found this movie quite a disappointment. I have a soft spot for sci-fi, and as several others have commented, Jude Law is a good reliable actor in sci-fi roles. But this movie seems awkwardly assembled, not quite thought-out, and a bit too proud of itself to be taken seriously. Throughout the film, at what seem to be important developmental points or even plot twists, there are one-liners tossed out with great sincerity, which in most cases either sound silly, pretentious, intellectually impoverished, or simply misplaced in this film. The first scene of the film, for instance, we are given a summarization of the 'Schroedinger's Cat' experiment, complete with some of the horrible logic underlying the film--- 'if something isn't definably dead or alive, then it must be both'. The fact that this statement shows a misunderstanding of both the scientific and philosophic merit of the experiment isn't the problem, because even incorrect junk science can be a good vehicle in a movie. The problem is that there's no reason to bring this up in the first place. the movie doesn't tackle whether things are dead or alive, whether being comprised of 'rented organs' is an crisis of existential definitions or what have you. The reference is just thrown in there to sound smart, to seem thoughtful, when the film is anything but. And this sort of pseudo intellectual posturing contaminates the movie.
The whole film's pace feels quite forced, as well. Jude Law seems underutilized. One can't help but wonder if he got drunk for the majority of the shooting for this film. When his wife leaves him, there's almost no emotion in the scene. When twenty minutes later our hero has decided to dedicate his eternal love to a street girl he finds attractive, there's really no chemistry whatsoever--- but apparently the movie insists that there be a love interest, and so it's just thrown in there, pointlessly. Because even in this day and age, it's apparently impossible to propose a hero character without a token damsel in distress.
Then there's the kind of gratuitous and uncomfortable 'surgical sex' scene. It's apparent that whoever choreographed it thought they were being clever, but the whole thing just seems like an attempt to force some sort of correlation between sex and surgical procedures that really just felt misplaced, and kind of heavy-handed. Granted, it has a purpose within the plot, but it's basically a slice of experimental film amid a sci-fi action flick, and like a lot of experiments, it fails.
There are some positive points to the film. While Jude Law's acting is a disappointment, Forrest Whittaker delivers a solid role. The action scenes are quite good, and while the overbearing presence of music makes some of it feel like a weird music video, it's nonetheless well-choreographed fighting and slashing. Some of the sets are good, although a fair number of sets and sequences seem blatant rip-offs of 'Brazil' (to say nothing of the ending)...
A pretty mindless flick. It's better than watching dust settle on your screen. A prettily-packaged emptiness.
The whole film's pace feels quite forced, as well. Jude Law seems underutilized. One can't help but wonder if he got drunk for the majority of the shooting for this film. When his wife leaves him, there's almost no emotion in the scene. When twenty minutes later our hero has decided to dedicate his eternal love to a street girl he finds attractive, there's really no chemistry whatsoever--- but apparently the movie insists that there be a love interest, and so it's just thrown in there, pointlessly. Because even in this day and age, it's apparently impossible to propose a hero character without a token damsel in distress.
Then there's the kind of gratuitous and uncomfortable 'surgical sex' scene. It's apparent that whoever choreographed it thought they were being clever, but the whole thing just seems like an attempt to force some sort of correlation between sex and surgical procedures that really just felt misplaced, and kind of heavy-handed. Granted, it has a purpose within the plot, but it's basically a slice of experimental film amid a sci-fi action flick, and like a lot of experiments, it fails.
There are some positive points to the film. While Jude Law's acting is a disappointment, Forrest Whittaker delivers a solid role. The action scenes are quite good, and while the overbearing presence of music makes some of it feel like a weird music video, it's nonetheless well-choreographed fighting and slashing. Some of the sets are good, although a fair number of sets and sequences seem blatant rip-offs of 'Brazil' (to say nothing of the ending)...
A pretty mindless flick. It's better than watching dust settle on your screen. A prettily-packaged emptiness.
Can't believe all the lowball ratings on here. It's a solid sci-fi, it's not going to blow you away but you're not going to be sorry you watched it.
Você sabia?
- CuriosidadesMoments before the filming of the Chinatown scene a crew member was approached by a local Chinese person who pointed out to him that all the neon signs with Chinese characters were upside down. A frantic rigging crew proceeded to flip all the signs while the shooting crew shot in the direction of the newly flipped signs.
- Erros de gravaçãoWhen Jake and Remy fight in the derelict apartment and Remy wins, he is wearing street clothes. But when, at the end of the film, he is shown on the stretcher attached to the Neural Network machine after, in reality, losing this fight with Jake, he is wearing the combat clothing that he wore in the Union headquarters building, which was when he was in a dream state.
- Cenas durante ou pós-créditosAn advertisement screen for The Union appears at the end of the closing credits.
- Versões alternativasThe Unrated version released on home video contains ~10 minutes of additional/alternative footage.
- ConexõesFeatured in The Rotten Tomatoes Show: Repo Men/The Bounty Hunter/The Runaways (2010)
- Trilhas sonorasSway (Mucho Mambo)
Written by Norman Gimbel, Pablo Beltrán Ruiz, Luis Demetrio (as Luis Demetrio Traconis Molina)
Performed by Rosemary Clooney featuring Dámaso Pérez Prado (as Perez Prado) and His Orchestra
Courtesy of The RCA Records Label
By Arrangement with Sony Music Enterprises
Principais escolhas
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Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- O Resgate de Órgãos
- Locações de filme
- Lower Bay Station, Toronto, Ontário, Canadá(subway station and subway train)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 32.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 13.794.835
- Fim de semana de estreia nos EUA e Canadá
- US$ 6.126.170
- 21 de mar. de 2010
- Faturamento bruto mundial
- US$ 18.409.891
- Tempo de duração1 hora 51 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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What was the official certification given to Repo Men: O Resgate de Órgãos (2010) in Mexico?
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