Um trabalhador de fábrica, Douglas Quaid, começa a suspeitar que ele é um espião depois de visitar a Rekall - uma empresa que fornece a seus clientes memórias falsas de uma vida que eles gos... Ler tudoUm trabalhador de fábrica, Douglas Quaid, começa a suspeitar que ele é um espião depois de visitar a Rekall - uma empresa que fornece a seus clientes memórias falsas de uma vida que eles gostariam de ter levado - dá errado e ele se vê fugindo.Um trabalhador de fábrica, Douglas Quaid, começa a suspeitar que ele é um espião depois de visitar a Rekall - uma empresa que fornece a seus clientes memórias falsas de uma vida que eles gostariam de ter levado - dá errado e ele se vê fugindo.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 2 vitórias e 6 indicações no total
- Hammond
- (as Dylan Scott Smith)
Avaliações em destaque
Colin Farrell replaces the Governator as the lead character here Douglas Quaid. World War III has caused most of Earth uninhabitable and only two territories exist, the United Federation of Britain (UFB) and the Colony (Australia); there is no Mars in this film although it was mentioned in one occasion. Quaid lives in the Colony and every day he uses this elevator service called "The Fall" to get to work in the UFB. One day, he decides to visit Rekall, a place where they implant memories into your mind. The police arrive and Quaid escapes. Later on, everything in his world turns upside down. He then gets involved in a series of action sequences filled with mind-blowing special effects to discover his true identity.
Let's start with the good things. The visual effects are just marvelous. The buildings, cities, and everything was just jaw-dropping. It's full of energy. Everything that is part of the set is just so energetic and bright. This is certainly a triumph over the remake. And the action sequences come along with the visual effects. You'll be satisfied with the action sequences as there are more than enough presented here. You have action all the time and you can only catch a short break before explosions run all over the screen again.
Like most Philip K. Dick's stories, it's science-fiction and set in the future. So, we expect some rad futuristic technology in this film. And it does not disappoint. A lift that takes you half around the world in just 20 minutes. Flying cars that use some magnetic force or something (I'm not good at science). Handphones that are integrated into your very hand (for video calling, all you have to do is put your hand on any solid like glass or mirrors). This is all great stuff. For those who love seeing futuristic items, this movie offers some great inventions.
However, the actors' performances aren't all that great. Colin Farrell is a great actor but he hasn't got the power yet to head an action film. He ain't Arnold Swarzchnegger. A lead in an action film may not be his strongest point but I'm sure he can improve that in a couple of years. Also, Kate Beckinsale gave a stunning performance. She portrayed Lori maliciously. However, Jessica Biel drove a mediocre performance as Melina, the good girl. Her dialogue delivery was typical and she gave a normal performance. The others did decent performances and didn't give anything special.
The plot is definitely NOT one of the biggest points for this film. It doesn't change much with the original plot. I like how they added some finishing touches and gave some extra bits to this one. But not all of the scenes work. In fact, sometimes I get confused on what is actually happening in the film. Some of the twists work but some of them just leave me confused. Who's the good guy? Who's the bad guy? Maybe that's part of the movie experience as the main character is in a desperate search for needs but for me, that just makes it confusing.
Oh yeah! If you're taking your kids to watch this film, watch out! There's one particular scene where it is inappropriate. Yep!
All in all, "Total Recall" is a fun and energetic sci-fi film that is easily forgettable. It's full of action sequences, mind-blowing visual effects, impressive fictional inventions, and fascinating sets. It's full of energy but is downed by some mediocre performances and unclear plot. Overall, it is good but easily forgettable.
Rating: 6/10
Final Verdict: This "Total Recall" remake is an energetic sci-fi effort filled with endless action, pleasing visual effects, and cool fictional inventions that is easily forgettable.
Fans of the original film will see only slight similarities in this one, since it took on a different adventure altogether after the familiar introduction. Quaid experiencing a nightmare of a dream only to wake up beside the sexy wife in Lori (Kate Beckinsale, in a role played by Sharon Stone previously, in lingerie no less), and finding that there's probably more to life than just home and work. Enticed by the fantasy inducing company called Rekall where one can live out one's fantasy for a fee, Douglas soon discovers he got more than he bargained for. The contraption's design got brought over, and so did the cult favourite in the three breasted woman, which Singapore back then didn't get to see at all because our censors found it offensive and unreal. The identity mask also has another go, although with less fun, being solely functional and little else.
But what was sorely missed in this remake, is the quip after quip of Arnie-isms, those puns made each time Douglas Quaid did something smart alecky, dispatched an opponent, or just wanted to drawl on something in his Austrian accent. In the typical Arnie movie, there's always room for fun, jokes, and those legendary one liners. Here, all we get are dead serious moments, with the whole look and feel being laden with the need to feel all gritty. Colin Farrell wears a scowl throughout, being perplexed and confused about his true identity in Jason Bourne style complete with mysterious artifacts stored in a safe deposit box, and having doubts to the role he has to play in the entire battle between the Haves and Have Nots.
This Total Recall requires that you junk all memories of the Schwarzenegger film, in order to enjoy the new narrative involving a chemical fallout across all lands save for Britain and parts of Europe now being part of a Greater Britain, and Australia, known as The Colony (yes, some slight historical references here). There's no Mars this time round, as the story gets set strictly on Earth, involving a carnival styled train service that commutes between the two territories, having to pass adjacent to the Earth's core, for some nifty CG effects involving gravitational force reversal.
CG seemed to be what Director Len Wiseman ordered for the film, with green screen effects and CG laden landscapes peppering the entire movie, that makes you wonder about the tagline "What is real?" indeed. It's big on action sequences and slight on actual story, with pauses only to allow the film to breathe a little, before embarking on yet another stunt sequence that involves plenty of running for Douglas Quaid, and his new found love interest / revolutionary partner Melina (Jessica Biel), as they escape from rooftops to elevators, pass through deadly three dimensional elevator shafts and tunnels, fighting their way past synthetic troopers ala Star Wars. It does get pretty generic after a while, that these sequences all start to look very much the same, and probably a Star Wars: Clone Wars episode gone wrong.
Also for the tagline of "What is real?", this remake doesn't really keep you in suspense in a what is, and what is not thought, because for this new generation of audiences, Len Wiseman probably considered it best if everything was spoonfed. So there's no need to guess, and everything got explained verbatim, that you'd know whether it's real, otherwise, and just about every plot and character twist being laid out for all and sundry. Between the two female leads, Kate Beckinsale got more screen time for obvious reasons, though it's not everyday that we get to see her in a negative role. It's clearly expanded here, with her Melina being something of an amalgam of the roles played by Sharon Stone and Michael Ironside as the relentless pursuer of Douglas Quaid, adamant in hunting him down and finishing him off, against orders.
Ultimately, Total Recall 2012 is one big amusement park ride. This will probably be enjoyable for anyone in for an average CG action adventure extravaganza and have no knowledge of the fun blockbuster the first one was, but for the rest of us who have seen Paul Verhoeven's version, this one definitely pales in comparison, in story, action and just plain fun. And Arnold Schwarzenegger was in his prime then, with big shoes that didn't get filled this time round.
I always rate a film on two scales: The technical aspects (an objective scale), and if I actually liked it (subjective scale). I'm pretty forgiving with science fiction films so I'll keep my review as objective as possible.
Pros: The futuristic world that has been imagined for this film was well designed. Visually, the film is stunning. If you're the type that reads into the quirky inventions you see on screen, this film is littered with them.
There were plenty of action sequences, and most of the time the film gave us eye candy that we haven't seen before. It seemed as though a general theme in the film (besides "questioning what's real") was constant play with gravity. This may have been influenced by inception, but the world turns upside down a few times, and it's visually interesting.
Cons: The plot. It was there, but not as deep as you would hope for a "Total Recall" remake. There were a few cool things thrown in there, but the plot was definitely not the strong point of the film.
The action sequences. There were a lot of positive aspects to all the action, but the movie seemed to rely too heavily on it. The movie came off as one giant chase scene, and it became slightly repetitive after a while. If you like a little meat on your plot's backbone, you may want to lower your expectations a little bit before seeing this one.
Conclusion: Try not to think of this film as a literal remake of the original. Think of it as analogous to a band doing a cover of someone else's song... in a very different style. It lifts the ideas from the original film, and written source material, but takes a different spin on it.
In all, I liked it. I had my quips, but it's a movie that I gave a lot of forgiveness. From what I recall, it wasn't a TOTAL mess.
I, as probably everyone seeing this movie, were big fans of the original Arnie/Verhoeven epic. It still stands as one of the finest examples of sci-fi/action that exists on celluloid.
That being said, I was leery of this remake for pretty much all the same reasons already mentioned by others, foremost being: WHY REMAKE IT?
THAT being said, i was curious enough about the cast to give it a shot.
First off the good: Kate Beckinsale is pretty good as the combination of Michael Ironside and Sharon Stone from the original. She plays crazy psycho wife really well, and her relentlessness was fun to watch.
The FX on screen are pretty spectacular. That city, and the whole elevator between the 2 continents was really really neat, in both concept and execution. The evil robots were kinda menacing and cool, too. And the art direction and set design were top notch.
John Cho actually has a pretty cool cameo, as well.
The bad:
Expecting Colin Farrell and Jessica Biel to be able to carry a movie. Seriously these 2 are about as exciting as milquetoast. I found myself falling asleep during pretty much most scenes that focused on these two. Really the movie's success hinges on these 2 actually being compelling to watch. They aren't.
Bryan Cranston and Bill Nighy do what they can with what amounts to 2 glorified cameos, but they really don't have much to work with. Cranston seems to be having fun, but they both deserve better.
The overriding sense that one comes away with from TOTAL RECALL 2012 is Mediocrity. This flick is the very definition of mediocre summer flick.
It's not terrible, but it's also highly forgettable.
Which is my issue with all of Wiseman's films. At this stage i have a large enough sample size, now.. I will never again pay money in the theatre for anything this guy does.
Você sabia?
- CuriosidadesThe single-take fight scene was performed by Colin Farrell himself, and was shot 22 times before Farrell did it perfectly.
- Erros de gravaçãoFor The Fall to travel the diameter of the Earth in 17 minutes, it would have to maintain an average speed of over 45000 kph (28000 mph). At this speed, it would be impossible for anyone to survive standing on the outside, because of both the airflow and the high temperatures resulting from friction.
- Citações
Matthias: Mr. Hauser, What is it you want?
Doug Quaid: I want to help you.
Matthias: That is not the only reason you are here.
Doug Quaid: I want to remember.
Matthias: Why?
Doug Quaid: So I can be myself, be who I was.
Matthias: It is each man's quest to find out who he truly is, but the answer to that lies in the present, not in the past. As it is for all of us.
Doug Quaid: But the past tells us who we've become.
Matthias: The past is a construct of the mind. It blinds us. It fools us into believing it. But the heart wants to live in the present. Look there. You'll find your answer.
- Versões alternativasThe scene where the three-breasted woman is topless has been re-shot for the US release due to different moral standards. The version released in European countries is unchanged.
- ConexõesFeatured in WatchMojo: Another Top 10 Worst Hollywood Remakes (2012)
- Trilhas sonorasTyphoon
Written by Ebow Graham, Pavan Mukhi, Luca Gulotta and Joe Erskine (as Joseph Erskine)
Performed by Foreign Beggars featuring Chasing Shadows
Courtesy of Dented Records
Principais escolhas
Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- El vengador del futuro
- Locações de filme
- Lower Bay Station, Toronto, Ontário, Canadá(Subway location)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 125.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 58.877.969
- Fim de semana de estreia nos EUA e Canadá
- US$ 25.577.758
- 5 de ago. de 2012
- Faturamento bruto mundial
- US$ 198.467.607
- Tempo de duração1 hora 58 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1