Alguém Tem Que Morrer

I liked it. It has passionate and complex characters, the historical context is interesting, the locations where they filmed are impressive, and the fifties, in the midst of the fascist Franco regime, are flawlessly brought to life. The story is original and involving, like in a classical Greek tragedy all characters concerned are irrevocably steered by Fate to an unavoidable downfall.

In my opinion the acting was fine by all major characters, with Carmen Maura in the pivotal part of mrs. Amparo, the autocratic grand old lady of the manor, she dominates the screen with her arrogant demeanor and her scathing remarks. Cecilia Suarez as her tragic daughter in law is very touching, and I especially liked Alejandro Speitzer as the ill-fated son Gabino, who finds himself suddenly in the eye of an emotional family-storm, he's very convincing in at first his disbelief and indignation and later in his mortal fear. Maybe Isaac Hernandez isn't that good an actor but as a skilled professional ballet dancer (and thanks to his good looks) he is exactly right for his part.

If any, my only reservation concerns the last 10 minutes of the last episode, the writers went a tiny bit overboard there, at the expense of realism, it became something like a Tarantino movie. But otherwise: very recommendable.

This was very raw, sometimes a little too raw and triggering. Although there's some redemption, it's still more bitter than sweet. The ending is abrupt, but I don't see how it should continue especially being a limited series.

I had higher expectations for this series. It was a decent series but it really had all the elements to be an amazing one. It just wasn't. That's why you ended up finishing the series without getting too much from it.

Ester Exposito plays the same character as in Elite. The end was disappointing.

A series of 3 chapters that could easily be a film between drama and at the end it turns into a thriller. With the characteristic stamp of Manolo Caro, how was "Amor de mis amores" "I don't know whether to cut my veins or leave them long". Entertaining Quality. Ingenious. It deals with sexual repression, archaic ideologies, oppression, fear of difference, of being carried away by prejudice and gossip, about envy and tantrums. Quality performances. The era well recreated as well as the changing rooms. The only problem is that at times it is very gloomy and suddenly the lighting and makeup do not help Alejandro Speitzer and Cecilia Suárez much. The interesting thing is that the trailer sells you one thing and surprise, another appears.