Milk: A Voz da Igualdade

In 1978, San Francisco supervisor Harvey Milk - the first openly gay man to hold public office in the United States - and the city's mayor George Moscone were assassinated by a fellow supervisor Dan White. This film - directed by Gus Van Sant ("Good Will Hunting") - tells the story from Milk's 40th birthday in 1970 when he was fearful that his life had accomplished too little. It is a terrific performance by Sean Penn in the eponymous role with the actor capturing the speech and body mannerisms of a gay man in an understated way that avoids caricature or stereotyping. James Brolin is also accomplished as the putative killer, unable to come to terms with a changing world.

In a bio-pic of this kind where the ending is already known and so clearly signaled, the power of the film comes in its style. A mixture of actual television footage from the time and a grainy and jerky style of cinematography, the real and the reel merge almost seamlessly to present a work with a distinct documentary feel, obviously intentional and perhaps enhanced by the screenplay coming from documentarist (and former Mormon) Dustin Lance Black.

If the movie rather glorifies Milk and presents an uncritical portrait of a necessarily controversial character, this is a work which is about more than one man's struggle to achieve electoral power. It is an insight into gay politics that demonstrates the prejudice that had to be overcome, the hard and repeated campaigns that had to be fought, and the compromises and deals that had to be made. In that sense, it shines a torch on politics of any kind.

Gus Van Sant's talent and humility allows Harvey Milk to be a the center of this remarkable story without putting himself in front of the camera. Sean Penn shines with a new and extraordinary light as Harvey Milk. His humanity is overwhelming at times. That permanent smile defining his face talks volumes about his faith in people, no matter what. His awareness is filled with truth and innocence, he worries he's about to be 40 and hasn't accomplished anything. Little did he know.The film is constructed brilliantly in a series of vignettes that builds up into a whole fluid narrative. Josh Brolin, as the disturbed Dan White is another standout in a complex and remarkable performance. No cheap shots here. Diego Luna, Joseph Cross and Emile Hirsch are also terrific as the boys around Harvey but it is James Franco who truly gets under your skin. His romantic turn is one of the most compelling gay love stories I've ever seen (and I've seen Brokeback Mountain). Highly recommended!

Just caught the Portland premiere and have a few thoughts.

Very thankful this film was made. Until now, it seemed like I was fairly alone in knowing about Harvey's legacy. After "Milk" starts getting attention....I hope that a whole new generation will come to know the Mayor of Castro Street (see Randy Shilt's book) and the importance of the gay rights movement.

That being said, Van Sant's "Milk" is great marriage of art and history. Instead of a dry portrait of an assasinated leader, we get a beautifully rendered flavor of the times, and an intimate vision of a man finding his place within a community and history.

Casting is brilliant. Penn inhabits Harvey Milk in a way that few actors I believe would be capable. His physicality and energy is very believable - and it's easy to forget what actor you're watching. After a while...it's just Harvey. I could go on about the supporting cast...all very solid in their own way. James Franco (Scotty) stands out as well....showing his range and willingness to expand as an actor.

Kudos all the way around...I see this film getting several nods at Oscar time.

Additionally...Rob Epstein's Oscar-winning 1984 documentary "The Times of Harvey Milk" is a definite must for anyone who enjoyed this film. I watched it right after "Milk" - and am still impressed with how affecting it is.

Enormously moving film/document about the raise and fall of Harvey Milk. If you don't know who he was, you will. The most startling feature of the film is the casting of Sean Penn. A stroke of genius. I, personally, never would have though that the range of this fantastic actor was as wide as this. He took me over and convinced me. I was watching Harvey Milk himself and Penn with the extraordinary support of his director never betrays that illusion. I'm sorry "Milk" didn't come out a few weeks ago. For those in California having to vote for Proposition 8, it would have been easier to decide just by watching Anita Bryant ranting about the evils of homosexuality. She sounded ridiculous then, Im sure, but today she sounds ridiculously ancestral. The vision of Harvey Milk is still, unfulfilled but we're certainly getting closer. Gus Van Sant surrounds our hero by an extraordinary group of young actors, in particular Emile Hirsch, James Franco and a superlative Josh Brolin. Not to be missed.

I had little expectations walking into this film. The trailer for this movie has appeared at almost every feature film I've seen for the last two months. But, the trailer is a facile example of this minutely detailed story of the rise of a leader and his martyrdom. While I'm familiar with the story from other sources (Shilts' "The Mayor of Castro Street," and the 1984 documentary "The Times of Harvey Milk"), Gus Van Sant and his cast bring a new immediacy to this story.

None involved in this project could have anticipated the political climate of the premiere of this film: Both the hope of the Obama Presidency and the propaganda that helped Proposition 8 win in California. It seems a perfect environment for this story to reach across America.

The dignity with which all of this is told and acted is its success. At the same time, it doesn't shy away from the culture of the Castro. Perhaps the greatest compliment is the rendering of Dan White here. He is neither demonized nor excused.

We also don't get a white-washed version of Harvey Milk. He's there on the screen with all his foibles and kinks. Although his humanism shines in Sean Penn's unsettlingly accurate portrayal. It was Milk's love of--and impatience with--the rest of us that makes him a legend. And that is center stage in this film.

What Van Sant gives us is both humbling and an inspiration.