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"Mystic River" centers on a murder investigation involving three men - all friends as boys from a Boston working class neighborhood - who have taken different directions through life. One is an excon (Penn) whose daughter was murdered. Another is the homicide investigator (Bacon) who is assigned to the case. The third is an emotionally damaged man (Robbins) who is suspect. Eastwood has imbued this novel adaptation with his signature blend of grit and humanness and created a forum for high intensity drama superbly executed by the principals, most notably Penn, who wrestle with roots, regrets, recrimination, revenge, reconciliation, and much more. With plaudits from all corners, "Mystic River" is a must see for drama junkies, fans of the players, etc. (A-)

Eastwood's big Oscar hit after "Unforgiven", that other masterpiece directed by Dirty Harry himself. "Mystic River" is based on the bestselling novel by Dennis Lehane and it has an incredible cast. The main leads are for Sean Penn, Tim Robbins and Kevin Bacon. Furthermore we have Laurence "Morpheus" Fishburne, Laura Linney and Marcia Gay Harden. The movie itself is very dark and sober without much music. The story is brilliantly written and the acting is without any doubt superb.

I'm glad Sean Penn finally won an Academy Award, he's a brilliant actor and he certainly deserves the recognition. Tim Robbins was good as well, but I think Benicio del Toro should have won the Academy Award for Best Actor in a Supporting Role. His performance in "21 Grams" was much more superior to Robbins' performance in "Mystic River". Anyway, that's just what I think. Kevin Bacon was excellent as well and he is one of the most underrated actors of his generation. Marcia Gay Harden and Laura Linney were good as usual.

Although I very much enjoyed this movie, it didn't exactly turned out to be the masterpiece I was expecting. But that's maybe because this was only the first time I watched it. Anyway, I'm still looking forward to see Eastwood's masterpiece of this year: "Million Dollar Baby". But this movie is absolutely worth seeing as well.

8,5/10

I must admit that when i watched this movie for the first time i didn't really think that much of it. Sure the acting was amazing, but that was expected. But then something happened. I got a chance to read the book by Dennis Lehane and suddenly all the pieces fell into place. I watched the movie again and this time it was amazing.

I don't know how i should interpret how my feelings toward this movie changed after reading the book. Is it a good adaptation if i like it more after reading the book? Should a movie stand so well on it's own merits that the book is not necessary? I don't know myself, all i know is that it all became so much clearer after reading the book.

First of all the acting was amazing even the first time around. But still, after reading the book it was as if the characters gained one more level of depth. I have always felt that Tim Robbins is the true gem in this movie. His pained portrayal of the lost soul Dave Boyle is pure magic, seldom has an Oscar been so well deserved. Sean Penn is predictably great in his portrayal of Jimmy Markum. It's a difficult character, a person you really don't know what to think about. In one respect he is a worried father, in another respect he is a cold-blooded man with few things to like about him. The rest of the cast is solid, with Kevin Bacon the brightest star among them.

When it comes to the plot itself this was where much was changed from reading the book. The trick is not to watch this as a crime-drama. Rather it's a movie about behavioral patterns, about humans. What they are capable of and what dictates their actions. There are huge amounts of sadness and melancholy to this story. Of people unable to break out of the path it seems life has chosen for them. This i think didn't really break through to me that well when i watched the movie for the first time. But the book is much more clear on this and when i watched the movie again i saw it there as well.

In the end this is a triumph of two things really. First the great acting of some of the finest actors in Hollywood today, second the sensitive and thoughtful directing of Clint Eastwood. He manages to bring out Dennis Lehanes story in a way that is so understated and minimalistic at times i didn't even catch on the first time around. But if i look closely all the elements are there and it is truly a great adaptation as well as a great movie.

Eastwood's expert direction and wonderful performances from the three leads make MYSTIC RIVER a drama worth watching. The film is made up of three interlocking sections, each represented by one of the leads. Kevin Bacon supplies the lesser police procedural aspects of the movie, Tim Robbins lends plenty of mystery to a whodunit plot, and Sean Penn is at the heart of the family drama-cum-tragedy.

The film is unpredictable throughout and slowly paced, taking its time to get to grips with the storyline instead of rushing through the plot. Never once does it feel boring. The attention to technical detail is spot on as you'd expect, and the mood finely judged throughout. It takes actors and a director of rare talent to make a movie this compelling, but in the case of MYSTIC RIVER everything comes together in a film that never disappoints.

Mystic River deals with three men, once boyhood friends, who all estrange the people closest to them. Their characters become flawed because of events, of how they choose to be, or their calling. It doesn't really say anything profound, but the acting and screenplay in the first half are quite good. Brian Helgeland, whose script writing seems to veer between brilliant (L.A. Confidential) and fairly abysmal (The Sin Eater), provides three quarters of sheer maestro, a story that unfolds with a growing sense of unease; characters that, as in real life, feel no need to state the obvious but let us piece together clues. But a gripping story of childhood bonds gone bad, murder, the frailty of human certainty and belief in flawed values – all wonderful elements that should offer a filmmaker so much – are stymied by flimsy resolutions and ultimately unlovable characters. An edge of the seat mystery builds to a limp climax that rather suggests they ran out of money, or film or ideas. There is no great moral dilemma as some critics have tried to suggest – all the characters try to do good in their own screwed up way, some with better intentions than others, and most of them fail.

Mystic River has a stellar cast – Tim Robbins, Sean Penn and Kevin Bacon to name a few – and there are some excellent performances. Penn, in the lead role, is sadly perhaps the weakest of these three as he is seems far too conscious of those ‘Oscar worthy moments', with the camera closing in for yet another close-up of his lingering, tortured, seemingly over-rehearsed expressions. Actors who go through this phase need a rapid infusion of French Cinema to correct their hyperbaric egos if they wish to ascend loftily and gracefully through stardom. Robbins and Bacon seem far more comfortable with their roles, without the need to be centre stage quite so much, and Marcia Gay Harden, who has already collected one Oscar for her role in Pollock, is quite superb, playing a long suffering wife with what seems like suppressed hysteria growing into panic. Mystic River is a good film and worth going to see - but such a shame it isn't another cinematic masterpiece we feel we can still hope for from director Clint Eastwood.