Adeus, Idiotas

This movie is a great example of the misused talent available in the French cinema industry. Subsidies are used to produce movies with no substance.

The characters (including the police) are very caricatural and the story is very improbable, making it very hard to connect/relate to it.

After a first laugh with the attempted video, I spent the rest of the film searching for real emotions.

The main characters don't seem to have a home, don't sleep, eat or drink. No sense of time either.

Who is the movie for? Given the lack of imagination in the lines/simple personality of the characters, I'd say the primary audience would be teenagers? Then, why would you have such an inappropriate ending to trivialise a serious topic?

I watched this movie at the cinema and the disappointment was general. People were rushing out to go home.

So, this one doesn't deserve a Cesar for me, regardless of how stylised it is. A movie is a story/an experience that needs to be more meaningful than this.

Two characters on the edge, for different reasons, meet by chance, towards an inevitable end.

This could simultaneously be the summary plot of a romantic comedy written by Nora Ephon or a road movie written by Wim Wenders.

The result is a hybrid, written, performed and directed by Albert Dupontel, which, without ever claiming to be a work of author, the general tone is manifestly mainstream, in the rhythm, in the humor, in the glamor of the settings and characters, it does not leave to wink at the most creative universe of Monty Python, whether in the opening dedication to Terry Jones, or in Terry Gilliam's participation in a small but delicious role as a weapons salesman.

Adieu les Cons is not Monty Python, nor Nora Ephron, nor even Wim Wenders. It is Albert Dupontel, an experienced actor, director and screenwriter, who is well worth knowing, and signs a very interesting work here, on the most varied levels.

Sorry but I definitely could not get it. I could not say if this movie was to laugh or to wep, was it a comedy or a downbeat drama, an amusing social satyre or a gloomy story about people fighting against somethng stronger than them in a combat lost in advance? I was totally bewildered in front of this mix up. I know that's the Dupontel speciality but here, I could not make it. That doesn't mean the movie is awful, lousy or uninteresting. No, just that too much tragedy kills comedy, and too much comedy kills tragedy. You can't have both. That"s my own opinion.

I watched Au Revoir Là-Haut (See You Up There for the English title) followed by Adieu Les Cons (Bye Bye Morons for the English title), both movies by writer/director Albert Dupontel, in which he also plays the major role. I can only say I'm a fan from now on. Au Revoir Là-Haut was more artistic than Adieu Les Cons, but they are both very enjoyable to watch. Adieu Les Cons is something different from the rest, with an interesting engaging story that is easy to follow and that has nice inventive twists and turns, it's all well written, but also very well acted and that from the whole cast. It clearly deserves it's high rating on here. I can't see what people could dislike about this movie. It's certainly one of the better French movies I watched this decennia. You can't really compare it to Au Revoir Là-Haut which has a totally different story but you certainly recognize that typical vibe you get from Albert Dupontel.

French films are a world apart -for good- and this is problably one of the very best you could watch right now. Original, imaginative and very well shot. Outstanding casting.