Gente de Sorte

Three Iraq vets are back in the States. Sgt T.K. Poole (Michael Pena) is going home to his fiancée in Vegas. Pvt Colee Dunn (Rachel McAdams) is returning her boyfriend's guitar to his family in Vegas. Sgt Fred Cheever (Tim Robbins) is retired and going home to his wife in St. Louis. The three are stranded at JFK Airport and they rent a minivan for a road trip.

Rachel McAdams is oddly funny. In fact, all three actors do a good job. They have great chemistry together. It's like a three way boxing match. They fight, they laugh, they cry, and they hug. We have three solid actors doing some pretty interesting gymnastics.

A lot of things happen on this trip. Some of it is too out there. Let's just say the tornado is a little too much.

Three soldiers are home from Iraq; a 40-ish Tim Robbins out for good and the young Michael Pena and Rachel McAdams on a thirty day leave. Each has their own problem that they are faced with at the beginning of the film. Robbins comes home to a wife who wants a divorce and a son who needs $20,000 for college, Pena suffered a wound that has made him impotent and McAdams lost her friend and wants to find his family in order to return his guitar and live with them since she's lost any ties with her own. Think every problem is going to be solved in a little bow by the end? Well, you'd be right. Think that it's going to really typical and schmaltzy? Not so much on that one. It seems like a film that's made for the obvious ups and downs throughout but it actually manages to be quite original and refreshing. Instead of feeling like a film that's just about resolving the individual situations, it's a lot more carefree and a lot more about these three people simply enjoying life together and keeping one another joyful.

Of course there are many different stops on the way to their ultimate destinations in order to give us some situations of them interacting in the real world, but each one is a lot of fun and we gain a little more depth to the characters at each stop. All of the characters are well-fleshed out and don't feel like just another retread of stereotypes we've seen over and over again. One of the things that really surprised me is that when a little romance starts to bloom between Pena and McAdams, I didn't roll my eyes like I would have expected but instead I smiled and enjoyed watching this flirtation grow between the two of them in a non-typical way. And all the way through we are treated to three strong performances from three solid actors.

The real star is Rachel McAdams, who I'd say is Oscar-worthy. She keeps the laughs coming all the way through and steals every single scene with her bright eyes and southern drawl, but you can tell that there is real emotion brimming just under the surface. She's a girl who has every reason to hate life with a fury, but she remains optimistic and tries to get those around her to enjoy living just as much as she does. One scene in particular, when she finally meets the family of her fallen friend, is a showcase for what an extraordinary actress she is. This is her best performance by a long shot, and definitely one of the best of the year. The Lucky Ones is something that could have been obvious and clichéd, but ended up being just the opposite; a refreshing and very well-acted story that I wish wasn't destined to be forgotten come awards season.

The Lucky Ones (2008) ***1/2

Here's a fact: movies about the current war in Iraq have done about as well as... well, the current war in Iraq. To be fair, none of them have really been great. Even Tommy Lee Jones' In the Valley of Elah did not manage well financially, though it did manage to get half decent reception from critics. Understandably most of the films have been pretty heavy handed, and just as understandably, audiences have been satiating those taste buds with other, less controversial and subjects. But then comes along The Lucky Ones, starring Tim Robbins, Michael Pena, and Rachael McAdams. The film is about 3 soldiers returning home from Iraq; two on leave for 30 days, the other out for good. Instead of sticking to the usual downbeat tones of other Iraq films, it's more of a hopeful charmer and quite a funny one too. It's really more of a good old fashioned American road movie with soldiers than a war movie. But that didn't stop people from not going. The film got only limited release through 2008, despite gaining fans on the festival circuit.

Three soldiers return home from Iraq after meeting each other on the plane ride. When they arrive on American soil to catch their connecting flights, they discover that the airport is backed up solid due to a black out. Rather than wait around, Cheaver (Robbins) decides he's close enough to his home in St. Louis to rent a car and drive. TK and Colee (Pena and McAdams) decide they should join him. They're both heading to Las Vegas and figure they can probably make the drive and catch a flight out of St. Louis by the time they would here.

Colee is heading to Vegas to return her boyfriend's vintage guitar to his family. He died in the war. TK is heading to Vegas for some professional help before he meets up with his fiancé. Hookers and strippers? Colee inquires. Kind of - but not for the usual reasons. You see, they all have wounds, but some more sensitive than others. Cheaver injured his back in a not so heroic way, but he's more amused and relieved about it than embarrassed. Colee's been shot in the leg, and sports an unhealed wound and a limp. TK gets the best of both their worlds: he's been wounded by shrapnel in a not so public area. Now, as he says, it doesn't work right. He's going to Vegas to meet with some "professionals" to test his own little soldier out. "I can't go back to my fiancé without knowing it works, we'd have nothing to talk about!" A strange predicament for two people about to be married.

Cheaver, being the oldest in his 40s, is usually something of a father figure to the younger TK and Colee. On their trip those two first bicker before becoming closer. Colee openly talks about her late ex, and tells the tales he told her of robbing a Casino in Vegas to pay off his loan shark debts. TK responds with coldness and ridicules the dead man for his character. It results, inevitably in having to pull over and the keys inevitably being locked in the car.

The Lucky One's certainly doesn't go anywhere we really don't expect it to, but the paths it takes to get there aren't necessarily always the one's we expect. For example, given how quickly the trio arrive in St. Louis, it's obvious something will have to happen to keep it going. It's no big surprise to reveal that his wife wants a divorce, though she apparently is not cheating on him. Meanwhile their son breaks the big news that he got into Stanford, but needs 20 grand to secure his spot. So Cheaver decides he'll go to visit his brother or maybe even go to Vegas and win the money. That guitar Colee carries around is actually even worth 20 grand, though he doesn't want it, and she has to give it to her dead boyfriends family. She wants to give it to him but obviously knows she can't, although what she knows about her dead boyfriend seems to be less and less as time goes on.

The movie is populated with the usual oddball characters and chance encounters you find on cross country road trips, or in cross country road trip movies. There's a stop over at a church where they meet a very wealthy parishioner who invites them to a party, where among other things they encounter a young man against the war, another man who thinks after meeting the trio there's a good reason why they're losing the war, and a horny wife with the hots for the old Cheaver. Elsewhere they encounter the usual road side bars and motels, traveling sex workers and a rogue Tornado. And of course, along the way each confronts their own issues and demons.

The Lucky Ones is a funny and winning little movie. It's above all else a very human movie. The characters are what makes it succeed, not it's story. All three leads give wonderful and sincere performances, particularly McAdams as Colee. She's naive but not unintelligent, and tough but still vulnerable.

What could have been a downer filled with cheap shots and cheap tactics is instead smart and even handed, and above all respectful. That's not to say that it's necessarily a "safe" movie - but then again a movie that's best described as a road comedy about Iraq Veterans probably cannot be. It's above all else a very human movie. The characters are what makes it succeed, not it's story. All three leads give wonderful and sincere performances, particularly McAdams as Colee. She's naive but not unintelligent, and tough but still vulnerable. The movie ends as the soldiers' leave expires and they must return. At least for now they've been the lucky ones. Here's to hoping they stayed lucky.

Did you have any idea that The Best Years of Our Lives was remade in 2007? I didn't either until I was actually watching the movie and figuring out the similarities. The Lucky Ones is a very good film, but unfortunately, hardly anyone has even heard of it. Don't expect a literal remake, though. This one won't make you cry, and it won't change your life, but it is a modern tribute.

Instead of three veterans returning from WWII, the three leads are coming home from Iraq. Tim Robbins is the Frederic March equivalent, an older family man who has to adjust to his relationship with his wife and college-aged child. Michael Pena is the injured party, but instead of missing hands, he has damaged another part of his anatomy that makes him feel like less of a man. And instead of Dana Andrews, there's Rachel McAdams, who's looking for her boyfriend's family (instead of Dana looking for his wife). Just like in the original, they start off with mixed feelings about coming back, and after their homecomings don't go well, they meet up again and help each other through their struggles. It does deviate quite a bit from The Best Years of Our Lives, though, so don't hold it against me that I called it a remake. It's as close to a remake as we're going to get, since the modern time has changed quite a bit from the 1940s. I really like it though, and I own a DVD copy.

Three soldiers who have received non life threatening wounds in Iraq are together on a plane to New York. Two of them are on thirty day leaves while the other has served his time and is on his way home. Due to a power outage, all flights out of New York have been canceled. The three agree to rent a car together in order to continue the trip to their destinations. Thus begins a road trip that is highly dramatic with its share of comic events.

Fred Cheaver is the middle aged father figure of the three - a man who never really expected to do anything in the army except serve his domestic reserve duty. He is glad to be rid of the whole thing and is headed home to his wife and son. The two young soldiers who accompany Fred are Colee Dunn and T.K. Poole. Colee is a bright-eyed innocent who is on a mission for a fallen comrade who saved her life. T.K. is a no nonsense soldier from a family of soldiers who plans to make the army his career and move up the chain of command.

Whereas, Fred's quest is to return home to wife and son, Colee's and T.K.'s goals are to travel to Las Vegas for two entirely different reasons. Colee wants to return her dead comrade's treasured guitar to his family. T.K.'s reason is somewhat mysterious, but we know it is related in some way to his injury that has left him temporarily impotent.

As with all road trip films, the experiences and interactions of these three lead to conclusions not expected by them or the viewers.

Unlike most films featuring vets returning from the horrors of war, this film is not filled with dark angst - not to say the characters are not well-fleshed and genuine. These three are real people with real problems, but their depictions are not heavy-handed.

During this film, the viewer gets to enjoy the work of three excellent actors. Tim Robbins gives his usual fine, understated performance as the older man facing some totally unexpected twists of fate. Rachel McAdams gives Colee a likable innocence but also reveals some darker layers of her character. Michael Peña is very, very good as the macho guy with a heart who only wants to be a good soldier. Watching these three interact is a real treat.

Some may consider the treatment of the subject matter of this film too light handed, but it has a gentleness that rings true. It is surely worth watching.