A Mente que Mente

Inspired by The Amazing Kreskin, Sean McGinly's 'The Great Buck Howard' tells the story of a fading celebrity mentalist and his travelling assistant. Buck still believes he's a star and is willing to do almost anything legal to stay on top. Egocentric he is, he's also very demanding, rude and inconsiderate towards his employees, blaming them for anything that goes wrong. McGinly's storytelling is very impressive. The film opens with Troy narrating his dream of what to become when he grows up while his dad pushes him to study law. He grows up. Quits law school. Decides to be a writer and then meets the mentalist. Right from the moment Troy meets Buck, the film focuses on their journey.

The writing is first rate. There are no forced filler subplots. Characterization, even of the supporting, is brilliant (which is crucial for a character-driven film). There's a very likable quirkiness about it. The humour works very well. The film kept me engaged all the way.

The modest execution is also well done. Cinematography and score are adequate.

John Malkovich is fantastic in the title role. This is a part that suits him to the T and he performs naturally all the way. Colin Hanks is equally superb as Howard's patient travelling assistant. The actor holds his own. Steve Zahn, Debra Monk, Tom Hanks and Adam Scott provide excellent support. Emily Blunt is decent.

'The Great Buck Howard's a delight to watch. Sean McGinly has made this film with heart and it shows.

The Great Buck Howard is not a great movie, but it is sometimes a sweet movie. Deliberately pushing the nostalgia button, the film bathes in the lost star power of a once famous "mentalist" Buck Howard (John Malkovich), who best represents the simple days of magicians like the Amazing Kreskin (the inspiration for Buck's character). As with Kreskin, Buck once delighted the late night shows, Vegas venues, and small towns such as Akron, Ohio.

Troy Gable (Colin Hanks) drops out of law school to become a writer (his uninspired voice over narration notwithstanding), but first he becomes Howard's assistant, much to the chagrin of his father (Tom Hanks—yes, that Hanks and that real-life father). Troy gets plenty of material from his boss, a dime-store vaudeville diva who yet displays a self confidence and pride to help the most cynical of us see the need to push on in the face of adversity, not the least of which is becoming passé.

Along the way we might learn a thing or two about professional integrity, true grit, and the possibility of love in all the odd places. Troy seems to learn those lessons although Hanks so underplays it's hard to tell. Director Sean McGinly apparently can't coax anything more than dimpled smiles from Hanks, whose similarity to his dad is both physical and temperamental. "Bland" is another word that comes to mind although I found the younger Hanks more animated on the London stage.

More passionate is publicist Valerie Brennan (Emily Blunt, reminding us of egos in Devil Wears Prada), with whom Troy must work and love. But, hey, even Malkovich underplays for this one, although his aging egotist is still impressive with the actor's patented impatience and theatrical outbursts. It's just that the underwhelming script doesn't allow the principals to rise above clichés, and the framing device of the relationship between narrator and mentalist goes nowhere (As it didn't for Gatsby's Nick either, I suppose).

It's a small world of small town vaudeville, fading but eloquent about talent and the need to be who you really are. Not easy, that.

What happens to famous people when their popularity dies out? If this intrigues you I would recommend you go sit down and watch The Great Buck Howard. It stars Colin Hanks, John Malkovich, Emily Blunt, and features Tom Hanks in a comedy about just that question.

The beginning of the film almost started off exactly like Orange County, another film starring Colin Hanks. Here he plays Troy, law student who has decided that becoming a lawyer just isn't what he was cut out to do. So he does what every young man decides at some point in his life to do: write. That's about the extent of the comparison to Orange County. The rest of the film is nothing like it (and that's a good thing).

Since writing doesn't quite pay the bills, he finds a job working on the road for the Great Buck Howard, played marvelously by Malkovich. Buck is not a magician but a mentalist. He appeared on the Tonight Show with Johnny Carson 61 times, but since then hasn't done much. He now plays small town theaters across the country.

Hanks doesn't know anything about show business but soon learns that life with Buck can be both rewarding and degrading. After tearing through town after town, Hanks falls into a grove until his father, played by his real father Tom Hanks, catches wind that he left school to work for Buck. He is disappointed to say the least and nearly gets Colin to quit, but Howard manages to keep him on for his secret trick (or as Howard refers to them as "effects") to take place in Cincinnati, Ohio.

It is there we meet Hanks' love interest in PR girl Valerie (Emily Blunt). Buck is paraded around town by a pair of simple folk (Debra Monk and Steve Zahn) who try to make him feel as welcome possible. In doing so they nearly ruin the entire event. The rest of the film follows Buck and Troy as they try to resurrect Buck's career and bring him back to the Tonight Show and eventually Vegas.

This is a cute little film that has a lot of heart. Malkovich puts on a great performance as the aging mentalist, giving the character a much developed personality and history. We can see that years on the road have turned this man into somewhat of a nut job, but he can still put on a great show.

The script doesn't waver. Writer/director Sean McGinly does a fine job for his first big production. There is nothing flashy going on here. Just a basic film with an above average story. That's all I expected from this film. I knew Tom Hanks wouldn't put his name on just anything (he produces the film).

I don't see this film making too much of a splash. There's nothing really here that makes me say "wow!" Malkovich is probably the best part of the film, as well as the story. I wouldn't go out of my way to see it, but I'm glad I got to. I also look forward for more of McGinly's work. It looks like he has a knack for storytelling.

I think the film would have been great if they cast someone besides Colin Hanks. He is undeniably mediocre in this role. He performance is flat and drab and when I see him perform I can not help but think how much better the scene would be if someone else starred. I don't have a problem with this kid trying to cut his teeth in acting but do we all have to watch him learn to act on film. Seriously does Colin's dad Tom Hanks have to manufacture films just so his kid can have and acting career. I know Hollywood is nothing more than nepotism as a business but when the actor really doesn't cut it it's all the more insulting to the public and shame on the director for not trying to get more out of him.

This film is about a young man who quits law school to become the assistant to a waning mentalist performer.

"The Great Buck Howard" has a unconventional beginning, with coloured subtitles helping to get points across. It is a fun way to start a film, yet the rest of the film has a vastly different tone.The title character Buck Howard is an unpleasant and mean guy, and yet somehow he strikes a chord with the viewers. He makes me sympathise with his misfortunes, and feel sad that his amazing acts get overlooked by the public and the press. I wanted Buck Howard to succeed in his tricks, even though he is unpleasant to work with.

I enjoyed watching "The Great Buck Howard".