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Código de Sangue

Título original: 44 Inch Chest
  • 2009
  • R
  • 1 h 35 min
AVALIAÇÃO DA IMDb
5,8/10
7,3 mil
SUA AVALIAÇÃO
Código de Sangue (2009)
 	A jealous husband and his friends plot the kidnapping of his wife's lover with the intention of restoring his wounded ego
Reproduzir trailer2:10
1 vídeo
20 fotos
CrimeDrama

Adicionar um enredo no seu idiomaA jealous husband and his friends plot the kidnapping of his wife's lover with the intention of restoring his wounded ego.A jealous husband and his friends plot the kidnapping of his wife's lover with the intention of restoring his wounded ego.A jealous husband and his friends plot the kidnapping of his wife's lover with the intention of restoring his wounded ego.

  • Direção
    • Malcolm Venville
  • Roteiristas
    • Louis Mellis
    • David Scinto
  • Artistas
    • Ray Winstone
    • Ian McShane
    • John Hurt
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    5,8/10
    7,3 mil
    SUA AVALIAÇÃO
    • Direção
      • Malcolm Venville
    • Roteiristas
      • Louis Mellis
      • David Scinto
    • Artistas
      • Ray Winstone
      • Ian McShane
      • John Hurt
    • 79Avaliações de usuários
    • 84Avaliações da crítica
    • 47Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 2 vitórias e 2 indicações no total

    Vídeos1

    44 Inch Chest
    Trailer 2:10
    44 Inch Chest

    Fotos20

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    Elenco principal13

    Editar
    Ray Winstone
    Ray Winstone
    • Colin Diamond
    Ian McShane
    Ian McShane
    • Meredith
    John Hurt
    John Hurt
    • Old Man Peanut
    Tom Wilkinson
    Tom Wilkinson
    • Archie
    Stephen Dillane
    Stephen Dillane
    • Mal
    Joanne Whalley
    Joanne Whalley
    • Liz Diamond
    Melvil Poupaud
    Melvil Poupaud
    • Loverboy
    Steven Berkoff
    Steven Berkoff
    • Tippi Gordon
    Edna Doré
    • Archie's Mum
    Andy de la Tour
    Andy de la Tour
    • Biggy Walpole
    Derek Lea
    Derek Lea
    • Bumface
    Ramon Christian
    • Boy on Sofa
    Dave Legeno
    Dave Legeno
    • Brighton Billy
    • (não creditado)
    • Direção
      • Malcolm Venville
    • Roteiristas
      • Louis Mellis
      • David Scinto
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários79

    5,87.2K
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    10

    Avaliações em destaque

    lor_

    What have Guy & Quentin wrought?

    No, this is not the direct fault of Tarantino or Ritchie or any conspiracy. This exceedingly trite and uninteresting film is the result of the popularity in recent decades of what I often term "pseudo-hip" cinema, a condescending attitude toward his or her audience by a scriptwriter (as well as a director) who feels more perceptive than the average bloke. Or average filmmaker who came before them (in this case, see the British gangster films of the '50s by the likes of Lewis Gilbert or starring Richard Attenborough.

    Both Gilbert, more famous for his later Bond movies and quality feel-good items like "Educating Rita" and "Shirley Valentine", there will never be praise or film-buff adoration. No, it is the pranksters who catch the public's eye, but this followup to the unusual (and vastly overrated, natch) "Sexy Beast" has nothing to offer.

    It is basically a one-act play, suitable perhaps for acting class or some limited run at a hard-up local repertory theatre. There's an assortment of gangster cliché figures, hardly worth calling characters, and their victim, an adulterer.

    The subject of adultery is run into the ground here as if it were novel, timely or even remotely interesting. Ray Winstone, who I first admired way back in "Quadrophenia" and "Scum" (and even "That Summer") when an independent British Cinema (see: hit "Gregory's Girl") was making its name internationally, is stuck with a useless, unplayable role unworthy of his talents as the sob-story vegetable of a protagonist.

    His pals/comrades are written to let the talented actors chew the scenery, with the great John Hurt especially indulgent in delivering a retarded, foul-mouthed zero. Ian McShane fares the best, given literate soliloquies to recite and basically able to stay above the low-life fray as an egotistical homosexual gangster. I first became a fan of his in 1971 watching "Villain" at a local Cleveland drive-in theater and though that gangster film (part of an early '70s renaissance headed by Mike Hodges) was roundly knocked by the critics, its violent power impressed me, as did the journeyman director, like Hodges from Brit TV, Michael Tuchner.

    So Ritchie and his imitators sell tickets, and we will see this nonsensical rush to the bottom continue. These films are not entertaining nor enlightening -mere exercises in "Look ma, I'm swearing!" We probably have that jerk Brian DePalma and his "Scarface" to thank for that.
    5starvin4megravy

    Strangely anachronistic

    Well ... I've always joked to friends that I'd happily pay to watch Ray Winstone cooking beans on toast. He's perhaps best known here in Oz for the wonderful Vincent, but has been a real favourite for me since his early work.

    However, if he'd got the saucepan and can-opener out at some stage in these proceedings, it could only have improved things.

    The opening scene is compelling, with Winstone sprawled semi-conscious on the floor amidst the wreckage of a family living room. As if the poor fellow clearly hadn't suffered enough already (even if we aren't yet privy to the particulars of his situation), the almost-forgotten hideousness of Nilsson's Without You provides perfect background music.

    Our hero's friends and family rally round in this time of crisis and there's some diverting argy-bargy (amid fantastic London locations) as our group of protagonists is assembled. This stage-setting phase of the movie concludes with the group's arrival at a grimy terraced house - I use that phrase intentionally because at this point the film effectively becomes a conventional play spread over two locations.

    This terrific cast never exceeds or even equals the sum of its parts amid production values that call to mind BBC's Play For Today in the 70s and early 80s. RADA's likely advice from an earlier period for portraying cockneys also seems have been in play - drop yourself about 3 social classes and 50 IQ points and you'll be fine, love.

    It's no mean feat to tell a fulfilling story within a bubble such as the one created here, and it doesn't really come off - we never learn enough about the relationships between the players or the context that surrounds some of the remarks that are made.

    Yes, Winstone's character is supposed to be confused, I do understand that, but I don't believe the audience should be sharing in that affliction.

    Stephen Dillane impresses but John Hurt's wasted here, and with his ill-fitting dentures (at least I ASSUME that's what they are ... ) he channels Phil Davis doing his best Albert Steptoe impersonation at one of Mike Leigh's Christmas parties.

    The one lasting benefit for me is that I might just tone down my own bad language a little. They just don't stop in this film. Everyone knows that a well-deployed swear word can have massive impact but this dialogue is peppered with Anglo-Saxon to the point where it rapidly becomes not only meaningless but irritating.

    I suspect I sounded a little like this at the footy the night before, and I can only promise my neighbours I'll try to be better in future ... if that works I'll tell my daughter she should seriously think about doing the same!
    5ChappyMan19

    Worth Watching

    Definitely not for everyone, even at times i found myself having a bit of a yawn and checking the time. However, it's a film worth watching to see some really talented acting and directing. Ian McShane, i thought, was the standout and was thoroughly brilliant as Meredith - i was blown away by his performance and every time he spoke i hung on his every word. Surely (at least) deserves a Best Supporting Actor nomination. Ray Winstone was scarily good, He wasn't an actor and it wasn't a movie. Ray Winstone had me utterly convinced that he was a broken down man who was being torn to pieces, both mentally and physically - but mostly mentally lol. The direction was also magnificent and the settings were just awe-inspiring, The way in which they made the surroundings look so sinister was just terrific. Although, i must say that the plot was a little dry. The director, the actors and the script-writers did an astonishingly good job, but the movie itself was a little disappointing.
    9sergepesic

    Just fantastic

    It's so simple, but just fantastic. Dump of a warehouse, cheated husband,5 faithful friends( thugs or thugs wannabe's), and funny, brilliantly profane, smart script and actors to die for.If you are easily offended with cussing( and I never understood the nation appalled with word f..k, and in the same time in exaltation with violence in their favorite sports and news), just miss this movie. It just isn't for you and your ilk. This is a treatise on machismo and marriage and friendship, and it shows why man are the weaker sex. After all the bluster and violence, what stays is bottomless sadness. This is not "Sexy Beast", it is much better and deeper. Just fantastic...It just proves my point that I've been informed that my review contains a prohibited word. If I owned 20 guns and rifles, nobody would care. But a word that describes a common sexual practice scares everybody.
    3pepekwa

    waste of time

    I really didn't think I would be writing a poor review about a movie with Winstone, Hurt, McShane, Wilkinson and the still beautiful Joanne Whalley as central characters.

    However, this was just a waste of their talents and a boring film to boot. Its a talkfest so if you don't fancy the idea of almost all of the film consisting of dialogue in one room, this ain't for you. I liked the Before Sunrise and Before sunset movies with Ethan Hawke, these were talkfests too but they had a point and the characters were clearly defined.

    In this movie, you don't really know enough about anyone to really care, you don't know if Ray Winstone really is a bad husband and how well his gangster mates know him and why they know him which is important in the whole witch hunt that takes place.

    The writers for this wrote the excellent sexy beast and it looks like they didn't have anything left creatively here. Does every UK movie have to have a gangster undercurrent, its so overdone and this didn't help here, neither did the excessive swearing, I'm no prude, but it just wasn't warranted, if that was meant to portray Winstone;s mates as real hard cases, it didn't work.

    And the ending was the biggest disappointment of all, I ended up looking around in astonishment, asking "is that it then"? It made all of what we had seen in the previous 85 minutes redundant.

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    Enredo

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    Você sabia?

    Editar
    • Curiosidades
      The word "cu-nt" is used forty-eight times.
    • Citações

      Colin Diamond: I bet she's never farted in front of you, has she? Has she? No- I thought not. I mean, that's not romantic, is it? You just want the perfume clouds, the romance, the magicalness of it all- the false crap. Well, I've got news for you, Sonny Jim- that's not love. Love's hard work, hard graft. Love can be murder. Love is watching what she wants to watch on the tely, taking her the papers and a cup of tea on a Sunday morning in bed and inquiring to how she might be feeling, "You all right, Liz?" whilst plumping up her pillows. And she might get irritated by that, but you gotta take it on the chin and broad shoulders, because she's the queen, and you're the bee- the Dad. And so what if you cook the dinner and you get no thanks for it? Don't do it if you expect thanks. That's not why you do it. And yes, you forgot the dripping tap for ten years, and then one day- for whatever reason, fuck knows why- you get off your fat ass and you find yourself under the sink with a spanner in your hand and you're smiling like fuck- because you know it's gonna please her. And if she don't notice it, she don't notice it- it don't matter. It's fixed. It's plumbed. It's the maintenance of a marriage, the nuts and bolts, the nitty gritty, the reality- that's life, that's love, it ain't easy- nobody ever said it was gonna be easy. It's fucking hard work. But, you know, love can be... lovely. One day, you'll be in the bathroom, having a shave in front of the mirror, all soap on your face, and you feel her approaching you. She's hung a pair of tights, hanging on the radiator. And as she leaves, she pats you on the bum and gives you a tiny smile- almost not a smile- but a smile nevertheless. And it will mean the world to you- the whole. incredible world- the fucking universe.

    • Conexões
      Featured in Angela and Friends: Episode #1.39 (2010)
    • Trilhas sonoras
      Without You
      Written by Pete Ham and Tom Evans

      Performed by Harry Nilsson

      Published by Apple Publishing Ltd / WB Music Corp

      Licensed courtesy of Sony BMG Music Entertainment

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    • How long is 44 Inch Chest?
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    Detalhes

    Editar
    • Data de lançamento
      • 15 de janeiro de 2010 (Reino Unido)
    • País de origem
      • Reino Unido
    • Central de atendimento oficial
      • Official site
    • Idioma
      • Inglês
    • Também conhecido como
      • Venganza premeditada
    • Locações de filme
      • 96 Draycott Ave, Londres, Inglaterra, Reino Unido(French restaurant)
    • Empresas de produção
      • Prescience Media
      • Omni Films
      • Twilight Production & Entertainment
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto nos EUA e Canadá
      • US$ 39.033
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 4.185
      • 17 de jan. de 2010
    • Faturamento bruto mundial
      • US$ 294.245
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 35 minutos
    • Cor
      • Color
    • Mixagem de som
      • SDDS
      • Dolby Digital
      • DTS
    • Proporção
      • 1.85 : 1

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