Jardins da Noite

I've seen a lot of movies, and this one is one of the few that is hard to watch. Not because it's necessarily bad on a cinematic level; the acting is great, and the directing and camera work are just fine. It's hard to watch because of the brutal reality (read: evil) that exists in our world. I feel the first hour of the film could have told in at least half the time – as there are certain things you just don't want to see, and/or turn a blind eye to and pretend they don't exist or happen. However, by leaving it that long, it forces the viewer to enter their world – it's as if they are holding your eyes open for you and you have no other choice (clockwork orange style).

I think it's a powerful story, and told well, as it explores most avenues and consequences associated with that lifestyle. The story is sad, heartbreaking, and repulsive, yet almost beautiful with undertones of love, forgiveness, and what it means to be 'family'.

This movie is really tough and some people have or had problems with it's themes (check the synopsis if you have no problem with a bit of a spoiler), but I love it for being so bold and not shying away from taking any punches.

The performances are central to this movie and although they are mostly dark (you haven't seen Tom Arnold like this before) and you don't really fee like they are likable, you get that the circumstances made them the way they are. Either you take them as they are and the decisions they make or you won't like it at all. A feel good movie this ain't ...

I'm always looking for extreme and disturbing films. Disturbing film aficionados will know about 'A Serbian Film', 'Salo', 'Martyrs', 'Nekromantik', and the rest. Nothing has ever made me cringes much, or even ever stop watching a film....until this film. I didn't even think this was going to be a disturbing film. I knew is was a risqué topic but didn't think it would be the most disturbing film I've ever seen. I had to turn if off for a little bit. Just imaging my little girl in that situation broke my heart. I couldn't stop imaging it happening to my little girl and I felt so uneasy I had to turn it off twice and try to watch something else. So I turned it on and left it on. My objective is to install an appropriate level of fear in myself and think about what I can do to avoid this with my daughter and other children.

No film has ever stuck with me like this one. No film has ever given me such anxiety. No film has ever made me so uncomfortable and shocked at human behavior. I understand violence but, child exploitation is not something I understand at all. I am moved. I gave this film an 8. Not a 10 because I prefer films that make me feel good. Not a 1 because this is a hard subject done right and that doesn't take the topic over the line (i.e. no child nudity/sexual acts). It seriously does go to the edge though. Very wall thought out and directed. Was a tight rope to walk for the director.

Especially, the first hour of the movie is just so hard to watch. It is so depressing, haunting.

Ryan Simpkins was one of the best child actors I've seen and learning about the inspiration behind Tom Arnold's performance is heartbreaking.

My only complaint is that second half was lacking the nuance of first half and I feel like the kids traumas' weren't processed enough apart from Donnie beating himself (in a feeling of letting Leslie down) and Leslie breaking down. In which, the latter was one of the best moments of Gillian Jacobs' career in such an early stage.

Knowing her from many other projects and, following many interviews of her she mentions this moment often and remembers it as one of the most special collaborations she ever did thanks to John Malkovich and his generosity. Apparently, she wasn't in the necessary emotional state before the scene and John Malkovich made an improv over what happened to her character throughout the years to bring her to that state.

My question was always how beautiful, SMART, promising children get abducted in the first place and erased from their family's dynamics. This movie is every parents nightmare and to see how Tom Arnold (Alex) and his partner (Frank), played by Kevin Zegers go through the cunning, gut wrenching process of surreptitiously convincing an 8 yr.old gorgeous child, that he worked for the father and she needed to get into the car and talk about his father's 'big troubles'. Tom Arnold played this monster abductor with such skill, and at first with gentle convincing persuasion that they had been abandoned by their families because of their FAMILIES' bleak circumstances. "Never talk to Strangers" goes above and beyond, because they both are so eloquent and seamless in their successful display of believability. I presume that walking alone back and forth from school is a thing of the past! This is a tough watch, so get your gut strong and the message is clear. This is all done for money marketing these children into porno, rape and abuse. Without giving the ending away it is certainly a movie that educates, and depicts a well researched account by the writer Damian Harris. For two years he worked among the pimps, shelters, child porno industry to identify this horror and how it manifests within these young adults as they grow to know the truth.