Eden

It's difficult to say you enjoyed a movie about human slavery, especially the sex trade industry which does exist. To think that people like this walk the streets in our communities is disturbing and very troubling, but sticking our collective heads in the sand and pretending it doesn't happen or won't happen is being unrealistic. This movie is based on a true story, one girls journey into a living hell. The movie has all the elements of a top notch production including suburb acting, direction, and story development. This movie is not what most would call entertainment, but the story is compelling and needs to be told, and this cast of characters does a truly remarkable job in delivering a riveting, emotionally draining story of depravity and human survival. While this movie is not overly sexually graphic, it delivers the message loud and clear. Bravo to the entire production staff for making a movie that will leave you thinking about this one for a long time to come.

I realize this subject carries gravitas, and I also realize that the intentions behind the film are good, but this is presented as a dramatic piece and not a documentary, so, to speak of it only in terms of the merits of its subject matter is not particularly helpful if the object of a review is to also address film-craft. Understandably, this movie deals with "white-slavery" and is not purporting to be about inner city black teen prostitution, but I couldn't help notice that the film makers walk an ambiguous aesthetic line when it comes to portraying exceedingly beautiful girls in detention whose hair and makeup is rather inexplicably ready for prime-time whenever the camera cuts to a close-up to show them rolling out of bed in their underwear. No effort is given to show the day to day crafting of that beauty image if that is supposed to be the point; rather, we are left to wonder how much of our own voyeuristic sentiments are being teased by this somewhat glamorous dramatization. Characters are not well defined in this film and their dialogs are piling up the missed opportunities to deepen our understanding of their merging predicaments. Though much attention seems to be given to the protagonist, little is in fact discovered about her transformation. The "Eden" script often feels like it resulted from a weekend course in screen writing, after the author learned to plug-up emotional holes with convenient tricks, like losing a high school ring that is supposed to symbolize the link to family, etc. The henchmen and orderlies in the "prison facility" where she is held are cut out of cardboard and resemble the comical beefy sidekicks in low brow action flicks. It is wholly unclear what they get out of this deal, or why they stay at all. If indeed their motives and rewards are sexual, we would never know it, because the picture dances around its main horror-show: forced sex. I know that in America, sex is and will always be a problem to be skirted, however, since this is a film about forced prostitution, and it is implied that the main character might be a virgin at the onset of her ordeal, it boggles the mind that the story is presented so as to avoid direct confrontation with its own most pressing crisis: violence and rape. Understandably, portraying those in the correct measures is challenging but that is precisely what determines the measure of quality, and craft, in a film which is supposed to tackle such a hard and mature subject - on the other hand, it seems inconceivable to me to deal with sex-trafficking as a dramatic piece by prudishly dancing around the reality (I am tempted to write Reality with a capital "R") of sex being forced on young women as their lives are being destroyed. Whitewashing is the word that comes to mind. Even if we agree that some things cannot be shown, Eden's own dialog persistently avoids confrontation with her own sexual experience and discovery. Clearly, good intentions went into this picture, and actors Jamie Chung, Bo Bridges, and Matt O'Leary give it their best shot, despite having little to work with most of the time; still, after viewing the movie, I listened to a 20 minute pod-cast interview of Chong Kim, the woman whose ordeal this film purports to be based on, and discovered that her (real) story is in effect a much stronger dramatic piece. Incidentally, when I first watched the movie Taxi Driver in the 70s, I was still a teenager, and the portrayal of the fictional teen prostitute played by Jodi Foster affected me deeply - one reason is that her character's plight is distinct, and strong. She is not the protagonist in the film, but so much was accomplished with so little, because the picture as a whole was so well crafted that its impact reverberates on and on. Film is craft.

Saw this movie at SIFF and STILL can't stop thinking about it. Script, direction, acting, and cinematography are all impeccable. The three leads are perfectly cast. Matt is desperate, hardened, and yet strangely likable. Jamie does a fantastic job as well in a role that requires serious vulnerability and emotional depth. Megan Griffith's directing is superb and the style and tone of the overall film is spot on. I was on the edge of my seat the entire time because the story is so captivating and hard to believe. I'm dying for this film to hit theaters, because it is so incredibly well done. I want to read the memoir it's based off of after seeing the lengths this girl went to to escape from captivity. Thank you for tackling this story and subject matter!

Maybe I'm jaded, I'm sure I am but I just spent a good couple of hours looking for more information on this true story and came up with nothing apart from mentions of this movie and interviews with the main players.

The movie itself is well made and yes disturbing, even more so since it's true,.... but the implications of it being a true story are huge, and the evidence of anything about these huge implications are completely missing from the official record. A network of kidnappers running a sex slave ring on American soil with members of the American police force involved high up in the organisation. Those are some serious allegations. And a women escapes the clutch of these murdering kidnapping crime lords, and tells the story, that's got to put a price on her head and make her a target? And we'd expect to see some notes run before the credits filling us in on the details of this case, because it's based on a true story, but we get nothing, and there is nothing we can find, there is no movie website that fills us in on the rest of the story. Just the main character telling her story, unsubstantiated and alone. It may well be completely and devastatingly true but because of the way this film presents the information and the fact that they've used the 'based on a true story' tag, that brings a certain degree of responsibility, and it's possibly one of the main failings of this film. Nothing is substantiated outside of the people involved in this movie.

As a story it stands up OK, but as a true story, well the story remains half told. Can anyone find any more information on this case? Did nothing come of her allegations, did no one get caught? Is there any evidence to corroborate this story outside of Chong Kim's words? Surely for a story this big there should be a trail of arrests and investigations. All the online material links strictly to Chong Kim and interviews with her. None that I could find links to her case from a third party or the police. Suspension of disbelief? I don't know what to think.

Some viewers would say the film was weak on portraying how the human sex traffic trade takes full advantage of unsuspecting teenagers (boys as well as girls) by scooping them off the street due to these teenagers own ignorance to the extent of the sex traffic trade, and/or more likely by raising these teenagers self worth, albeit temporarily, until the pimps have full control of them.

Whether or not this film is loosely based on a true story of a young South Korean girl named Chong Kim should not be what the majority of the films audience should be focused on, nor the disappointment that a movie that is based on the illegal sex trafficking lacks any gratuitous x-rated sex scenes. Instead what the viewers like myself absorbed from Miss Chong Kim's ordeal is we need to do a better job as a nation in realizing how extensive the sex trafficking trade really is, and what we all can do to stop it.

Firstly, there would be no sex trafficking in North America if there was no demand for the supply of teenage girls (and boys). In this film actor Beau Bridges does more than an adequate job as the corrupt law enforcement officer Bob Gault. Some of the other reviews commented that this is not realistic that a law enforcement officer would be a leader in the sex trafficking ring, but every year law enforcement officers across North America are found guilty of many criminal offences and the important "breach of trust" crime.

Actress Jamie Chung who plays the young teenage female victim Eden (with braces on her teeth), who was easily duped by a young man in uniform to foolishly feel safe enough to take a ride in his car and then she was quickly moved into the sex trade is a wake up call for all teenagers. The key message being there are many wolves in sheep's clothing and we as a nation have to be more engaged in stopping this corrupt criminal behaviour. Of course the actress Jamie Chung was taller, thinner, with a buff body than the shorter and heavier real life Chong Kim. I felt Jamie Chung did a great job in portraying the real life Chong Kim and how the victim had to adjust to a life in the sex traffic trade over the years she was imprisoned.

I would also suggest to those critical viewers who scoffed that the dozens of teenage girls who were imprisoned under lock and behind gates in a storage locker as being unrealistic, lets be clear, regardless of where these teenage girls were being housed when they were not working on their backs or knees lets just agree that they were not living the life of a socialite like Paris Hilton, or as a madam like Heidi Fleiss. No I am quite sure that the teenage girls who are really imprisoned by pimps and actively (today and tomorrow) engaged in the sex traffic trade are living in squalor, eating poorly, and have absolutely no life or ambition to speak of.

I thought the director/co-writer Megan Griffiths did an admirable job of finely balancing the need to NOT over sensationalize the graphic sexual plight of these young teenage girls, but instead emphasize how young women need to appreciate how easily it is to find themselves victims if they do not pay a lot more attention to the wrong type of people who could easily over power them if they are not a lot more careful as to who they choose to socialize or even be in the wrong place (like a bar, a public park late at night, or a pool hall) at the wrong time.

This is a clean enough film that I would suggest parents of all young teenage girls as well as teenage boys should watch as a learning tool. This is real life sex trafficking that we should not ignore, but we should be doing a lot more to prevent. I give the film a fair 6 out of 10 rating for "lessons learned".