Um hiper vigilante de segurança treina uma jovem substituta e, ao mesmo tempo, rastreia uma garota desaparecida que ele está convencido de estar ligada a um criminoso sexual em liberdade con... Ler tudoUm hiper vigilante de segurança treina uma jovem substituta e, ao mesmo tempo, rastreia uma garota desaparecida que ele está convencido de estar ligada a um criminoso sexual em liberdade condicional, que ele está investigando.Um hiper vigilante de segurança treina uma jovem substituta e, ao mesmo tempo, rastreia uma garota desaparecida que ele está convencido de estar ligada a um criminoso sexual em liberdade condicional, que ele está investigando.
- Direção
- Roteiristas
- Artistas
- Harriet Wells
- (as Kristina Sisco)
- Errol's Colleague #1
- (as Victoria Gale)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
So when this desperado throws the trash can at your car, what do you do?
I'll tell you what I would do. I'd keep going straight and run the bugger down! But what does Richard Gere do? He's turns sharp left and crashes into a pile of rubbish, gets out of his car and lets the guy get away.
Who the hell wrote that piece of this pathetic script? Too unbelievable. I guess that's why I've never heard of this film.
Please try to choose better scripts, Mr Gere. You're a great actor - you just need to be more picky.
There is some sick, twisted stuff shown in this film. Like when Babbage and Allison go to this building where a bunch of sick people do disturbing things to each other. Also, there are the people who kidnapped the girl. At the end of the film, we see what sick freaks they are. However, I wouldn't call this movie excessive because not really much is shown on film.
FINAL VERDICT: If you like thrillers and films about serial killers and cops chasing killers, then you will like this.
Most of the viewers complain the movie had a very bad pace, to few twist turns. I both agreed and disagreed here, yes when watching the movie you know who's 'dunnit' way to early but I loved the pace. In my eyes they really made time to make you loath the bad guys and feel repulsed by the idea what they did to those poor girls.
Richard gere was holding back like always, but I often find he's perfect for these roles. Maybe he did not put of a good performance, but he was just made for these roles. Claire Danes didn't impress me in this movie, quite a shame cause i normally really love claire danes ;). You kind of get the idea they used her for eye candy above everything else.
The first 80 minutes of the movie were quite decent in my eyes but the last 20 minutes were a bit of a disappointment. They seemed to be a bit over the top.
All in all a decent movie. 6 out of 10
It's professionally produced, pairs Claire Danes memorably with Richard Gere, and makes their interplay (standard retiring-burnout-and-protégé) entirely believable in most ways.
The gore and corpses aren't beyond those in many modern horror movies, though the camera often lingers more than it should. The fetishes (and worse) of Gere's monitored ex-cons shouldn't shock anyone who's ever been in a triple-X shop.
Danes's acting is superb, especially in pursuing an abductor's trail (standard police-procedural, though by non-cops) with Gere's brooding and effective Errol. What blew a hole in this, though, is that she was miscast in the first place.
Even though one of Gere's well-worn "flock" is female, nearly all are intimidating men, and the role her character Allison is training to take up calls for more heft. Both physically and professionally.
I didn't believe for one minute that Allison chose such a grueling job out of anything more than economic need, certainly not from any more personal calling. No hints are made as to her motivation, nor is anything mentioned of her personal life, beyond nosy behavior and a clumsy allusion by compulsive background-checker Errol.
It's a miscasting on a par with what was done with Danes in "The Mod Squad," but unlike that idiocy of a plot-mangled remake, this gives Danes a quite strong setup — and much gore and many sad fetishes — to play against. If you accept that someone of her perception and refinement would ever take that job in the first place, that is.
Turn to it on cable, but I wouldn't take the effort to even go to the video store or put it in a Netflix queue. It's worth one viewing.
(Most of this review originally appeared on the IMDb board for Claire Danes, followed by considerable discussion.)
But all things considered it's a pretty good film. The investigation angle makes for a very tense thriller, but where the film really shines is in the depiction of Richard Gere's characters, as well as the villain's, which I won't reveal.
Gere is really all stops go here, it's easily his most intense role since "Internal Affairs". Even if you are not Gere fans, you're gonna love him in this.
On the minus side, I didn't like the way the film is edited. It's full of flashes, freeze frames and all those "arty" stuff they cram into your TV series and direct-to-DVD movies. I understand they wanted to give the movie a hard edge, but it's often too distracting. The film is already dark and gritty enough as it is, and this bells and whistles don't add a damn thing.
And then there's Claire Danes. look, she's an OK actress, but she was like a fish out of water here. They give her character some interesting background, but she's constantly out off key. She looks like a raving lunatic when she tries to act quirky or vulnerable, and not very convincing when the script calls for her character to toughen up a little.
So, it's an interesting movie if you can go beyond the surface of its visual trickery, but not as good as it could be. I would say it earns a 6'5 - 7 in my scale.
Você sabia?
- CuriosidadesPrologue: "There are over half a million registered sex offenders in the United States. For every 1000 offenders, there is only one caseworker that monitors them. Every two minutes a woman or child is sexually assaulted in America."
- Erros de gravaçãoAs Gere's and Dane's characters are in the car chasing after Custis, Custis hurls a garbage can at the windshield. We see from the inside as the windshield becomes a spiderweb of cracks, thus causing Gere to careen into the conveniently located pile of soft garbage nearby. The pair leaps out of the car and the windshield is suddenly repaired.
- Citações
Erroll Babbage: People like Paul and Viola Gerard don't just tell lies, they *are* lies. In public they're decent, socially-responsible folk who look you in the eye, but never long enough to make you uncomfortable. They shake your hand, pat you on the back, but never overdo it. They're Christian if you are, they swear if you do, and they do this because people like you wrongly believe that public presentation tell us all about private lives.
- Versões alternativasAfter the film was released in European and Asian markets, several portions of the film were reshot and the entire film was basically reedited. The result is that the tone of the US version is less bleak and grim.
- Trilhas sonorasKnocking on Old Doors
Written by Tracy Hall
Performed by Tracy Adams
Principais escolhas
Detalhes
Bilheteria
- Orçamento
- US$ 35.000.000 (estimativa)
- Faturamento bruto mundial
- US$ 7.155.358
- Tempo de duração
- 1 h 45 min(105 min)
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1